YouTube Live: “London Calling” at the Grammys
I’ve never encountered an awards show that I’ve liked, and music awards shows tend to be more banal than most. They take arguably the most passionate medium of creative expression, live music, and transform it into an experience that leaves you invariably yawning like a kid in a carpet store. In fact, I cannot think of anything more antithetical to rock and roll than black ties reading from teleprompters, audience members paid to dance and act like they give a damn, and performances so scripted that the only possible act of spontaneity is an ill-informed political plea or the occasional exposed milkshake courtesy of Lil’ Kim or Janet Jackson. (Sitting through three or four hours of mind-numbing tedium in the hopes of spotting a bare breast is a bit much for me and too eerily reminiscent of a youth spent trying to decipher the dirty parts on scrambled, late-night adult channels.) However, music awards shows do have one saving grace: the rare performance that cuts through the contrived, paint-by-numbers bullshit to actually remind us of why we love and celebrate music in the first place.
The 2003 Grammy Awards was host to such a performance. Bruce Springsteen, Elvis Costello,
Steven Van Zandt, and Dave Grohl capped off the night with a rendition of “London Calling” in tribute to The Clash’s Joe Strummer, who had unexpectedly passed away just two months earlier. Fans have argued at length about the quality of this performance. Some deem it a butchering of a classic, while others prefer it to the original version. Me? I love watching it too much to waste time arguing over it.
What makes this performance memorable for me is its raw sincerity and passion in a venue and setting built upon an artificial and bland appreciation of music. Flaws abound, but I love it. I like that Springsteen nearly bursts a blood vessel in his neck to deliver a line and that Van Zandt barks more than he sings. I believe them when they begin the song with, “This is for Joe,” and I know the four wanted to be there; they weren’t dragged on stage to play some old song for some dead musician whom they couldn’t care less about. You could tell that Joe Strummer and his music mattered to them. It was a genuine tribute celebrating music rather than mourning it as most awards shows do, and we need that every now and then—a reminder that music matters and shouldn’t be reduced to an industry, label, or patch of coolness. It’s an idea that we fans understand when we listen to music, but it somehow gets lost when we choose to honor and commemorate it at these shows. Remember: headbangs not golf claps.
Once again. This is for Joe!
“London Calling” - (Live 2003 Grammy Awards feat.
Bruce Springsteen, Elvis Costello, Dave Grohl, and Steven Van Zandt)
I’m all for making the best of a bad situation; if stuck watching a terrible flick at a friend’s house, I’ll gladly bash it to pass the time. But I don’t go looking for my entertainment that way. I’d rather just watch something that I think will be good on its own merit. If you sit me in front of a screen, I’m not there to create my own entertainment
Bashing these shows might be cliche, but as you said yourself, they have it coming. It might also be cliche to bash President Bush, but so few of us pass up the opportunity.
Yeah, it definitely looks like it wasn’t something that was rehearsed a number of times. But I think they each brought a sincerity to it, and as Frank said, tried to deliver “for Joe.” More energy in that performance than you’ll see in most. And I also imagine it was tough to clear the schedule for that entire group to practice.
best,
mm
Bashing awards shows is so cliche. They can be very entertaining, if you go in with the mindset that you want to make fun of people and see as many uncomfortable moments as possible.
I’m in the camp that feels the London Calling performance looked sloppy and unrehearsed, though I was glad to see them take a shot at it.
Frank,
I agree. “Urgency” is a great word for this performance.
I think it’s Pete Thomas, who played with Costello in The Attractions and now with him in The Imposters. Not 100%, though. They don’t give many clear shots of the drummer.
Thanks for your thoughts.
best,
mm
I remember seeing this live on tv, and it is still amazing as the first time i watched it. It is better than seeing one band cover it. There is something about the urgency of this performance. You know this is a one time thing. This is for Joe. They are not trying to interpret it, they are trying their damn best to deliver, and deliver they did.
I did notice Tony Kanal of No Doubt on bass, anyone remember who was the drummer?