Wild), but all that’s about to come to an end–at least, that’s what bassist Jeff Ament hints at.
In a brief conversation with Billboard.com, Ament seemed pretty enthusiastic about some things going down with the new record, which is the band’s first since their 2006 self-titled release. While the record’s still not finished, the band has been in and out of the studio since last summer, and though it has taken some time, the process has been quite interesting, with recording taking place in different seasons, different studios, and different towns.
“There’s certainly been groups of songs that we’ve recorded very quickly,” Ament says. “When we went to Atlanta and New Orleans, we could knock out two, three, four songs in the same amount of days. We did the same thing in Chicago. I’m kind of approaching it with the idea that it’ll work out like those sessions did.”
Don’t throw a fit just yet. Ament seems convinced there’s a different, more organic style to the songwriting these days, and he’s pretty adamant that frontman Eddie Vedder has some lyrical tricks up his sleeve, too.
“[Vedder] put rough vocals on about half the stuff we worked on in December,” bassist Jeff Ament says. “There’s a handful of really great lyrics. Lyrically, that stuff is in the embryonic stage, but there’s a handful of lines and a couple of choruses that are just really great. He keeps getting better.”
If that’s not enough to whet your appetite, remember that producer Brendan O’Brien is also on board, the first time he’s been behind the wheel with the group since Pearl Jam’s exceptional 1998 record, Yield. While it might be a stretch to lay all this unique style of recording to O’Brien, Ament assures he’s brought a “brutally honest approach” to the new album.
Well, that takes a weight off our chest, huh? No? Really? Sheesh! You better go ahead and grab that Ten re-issue next month. If that doesn’t keep you busy, you need medication.
But, that could be fun too!
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