Every few years ska bursts from its grave and produces a record that is so incredibly listenable and summer friendly, it makes you wonder why the genre was buried to begin with. For a long period, the Rx Bandits were one of the few bands making it work. Combining Sublime-like horn parts and Mars Volta-style jams, the Bandits put out five full-length records championing this sound and forming an impressive touring force. On their sixth full-length, Mandala, the band has left this configuration with the departure of trombone player Chris Sheets, and chosen a shift to, “scaling down the use of horns to create a new twist to the constantly evolving dynamic.”
The only twist this has left the band to fall back on is indeed a more rocking one. By blending the band’s normally heavy sound with a twinge of the electronics, which has previously been featured in lead singer Matt Embree and drummer Chris Tsagakis side project, The Sound Of Animals Fighting, any bit of ska on the album is nearly wiped away.
The horns lie in the hands of The English Beat’s Nat Love and Steve White, who provide minimal assistance on “Bury it Down Low” and ”Bled to be Free (The Operation)”. Embree’s guitar playing remains as strong as ever on the track bearing the longest song title of the year, “Hope is a Butterfly, No Net Its Captor, She Beats Her Wings and Softly Sings of Summer Scent and Childrens Laughter (Virus of Silence)”. It sounds as if fellow Sargent House recording artist, Omar Rodriguez-Lopez, jumped in the booth as Embree feverishly strums and picks his way through the song. Everything about this song, from Embree’s high pitched vocal delivery to the jammy breakdowns, sounds like a Mars Volta track.
The new, more electronic sound is best featured on ”It’s Only Another Parsec…”. The song begins heavy, continues heavy, and ends in a very slowed down jam session. Embree screams out, “If the weight it seems too great/May this melody invigorate/and empower your persistence.” The track does just that, it invigorates before turning into an incense burner.
“White Lies” is a slow burner that heavily features keyboards and a slower beat from Tsagakis. Embree, in his progressing age, still doesn’t find breakups easy, as he smoothly sings out, “You said you’d find something better/You said you’d find somebody better/Now it’s time to go and find your own way.”
Through the change in sound, and the move from Drive-Thru Records to Sargent House, Mandala remains a strong listen and an essential album in the Bandits’ evolution and discography. With its fluctuating tempo bringing you from the highest of high’s to the lowest of lows, the Bandits continue to know just the right prescription for a rocking summer album.
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TAGGED AS: RX Bandits
not a fan of stuff like “Date Rape”, “Wrong Way”?, rx may have used more horns than sublime in the past, but its definitely a strong influence in sublime stuff
Not a bad review, but since when did Sublime ever use horns?
This a pretty sweet album. It’s different once again from it’s predecessor. Which is always good in the end. I’d rather have my favourite experiment and evolve than have a static style. I do miss the horns though…
I saw them live in Toronto at the Opera house on Aug 4th and I have to say they really disappointed. Not just me, but other fans too. Their jams and freestyles are great, but to have more than half your set be a jam session is really annoying when your fans want to hear their favourite songs. It totally broke the mood and intensity. People on floor just wanted to sing along to something, but instead got tired knees and scratched their heads waiting for an actual song. For an encore, Rx Bandits played “Only for the Night” and three-quarters in the song broke out into a 10 minute jam, everyone forgot about “Only for the Night” because the jam was so disconnected, then all of a sudden the play the last 30 seconds of “Only for the Night” Done… walk off the stage. I heard a lot of “that was lame” or “what?”
This was extremely annoying because we chanting, “What if!” “What if!” “What if!” To me when you play live, you’re supposed to play songs from you past that brought the fans before you. Selfish performance.
Matt
Just got back from seeing RX play Chicago. One of the sickest shows I’ve ever seen (5th time I’ve seen them)
ahh thanks Blake, I love it when’s bands change things up like that, shows they are very talented musicians.
Great review! Though I do have one thing to point out: I believe in “White Lies,” Steve Choi plays the drums while Matt plays the keys. I’m not sure what Chris does in it though. Maybe some background percussion. I hear a tambourine in there.
In fact, I think it shows a clip of them playing white lies in this “making of” video: