That’s not to say it’s a bad song. The band’s extensive musical knowledge and talent expands In Light. You can hear vocalist Tiffany Lamson’s affinity for ‘50s rock and soul on “Meantime”, Chinese harps kick off “Ripe”, and “In My Eyes” coasts on a reggaeton beat. These songs build to a central breakdown rather than a climax (since Givers play each song with energy other bands reserve for the pinnacle, the listener pays more attention when they slow down). For example, the tight handclaps and drums that begin “Noche Nada” relax into an Aaliyah-like beat and a percussive finale Dirty Projectors would be proud of. Givers’ repetition of simple but emphatic lyrics also helps to focus the album. On “Saw You First”, Lamson and lead vocalist/guitarist Taylor Guarisco repeatedly harmonize “I saw you first/it was in a dream”; on their eponymous single “Up, Up, Up”, their vocalizations call and respond. Lamson’s husky voice gives heft and sophistication to the sunny Afrobeat-influenced melodies.
When they perform, Givers ignite the audience with their harmonic and rhythmic dexterity. They synthesize Cajun and Zydeco, tropicalia, and other international influences with an ease that’s rarely heard. Recorded, the finer nuances of this fluidity are lost to the “Wait, haven’t I heard this before?” effect. If only each song were shorter and less spontaneous than their onstage renditions, then Givers would be more than just another Afrobeat band.