By Drew Litowitz on July 7th, 2011 in
So, we click onward and listen. From the get-go, opener “LYF”, the enigmatic record feels like an indie battle cry: The dancy post-rock of Wolf Parade, the epic grandiosity of Explosions in the Sky, some hissing organ fuzz, and the frenetic rhythms of Animal Collective are amalgamated as an unexpected, full-throttle landscape for Ellery Roberts’ primal growl. Most closely resembling Baltimore’s Future Islands and their equally out-of-place-but-still-fitting frontman Samuel T. Herring, Roberts at once stands out and blends in. Manically projectile vomiting his incomprehensibles over reverb-drenched warm tones, the guy makes Spencer Krug and Dan Boeckner sound like Adam Levine. He’s yelling something fierce, even if we can’t understand it.
But the instrumentation is dynamic, powerful, and accessible enough to balance things out. Though it gets a bit repetitive at times–even with a laughable tracklist that includes hipster catchphrase song titles like “We Bros”–Go Tell Fire to the Mountain is all you’d pray would come from this back-asswards backstory. You may not find solace in every croaked lyric, but you might be slowly headbanging and chanting, “I’LL LOVE YOU FOREVER!” for the remainder of the summer. That or just throwing up everywhere.
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