By Lauren Rearick on August 18th, 2011 in
Hynes has a way of modernizing his ’80s influence, refraining from a total vintage throwback. Opener “Forget It” kicks things off with Hynes’ tender croon peaking amongst shuffling guitar, the first hint of Blood Orange’s groovier sound. On “Sutphin Boulevard”, thick bass and drums complement a glittering cascade of synths. It’s a dance-inspired track that is uncharted territory, shying away from his previous soft, acoustic releases.
From there, the album seems to fall victim to a pattern of sultry, sputtering guitar, losing the upbeat nature that enlivened the beginning. Songs flow into each other, the melancholy bass and snaps of percussion lulling listeners along with wisps of gloomy vocals. “S’Cooled” has the makings of a sexy late night in the city, with heavy guitar ringing in reverb amongst glitches of drums. Only when “The Complete Knock” rings in with guitar chimes and thundering keys does the album recover from its slump. Closer “Champagne Coast” gives a final taste of what could have been. Keyboards swell amidst a refined falsetto and steady percussion, a subtle, slow but powerful send-off.
“I feel unique, not yet complete,” Hynes sings on “Forget It”, accurately describing this particular musical undertaking. Blood Orange is a unique new identity for Hynes, but it doesn’t feel finished. Coastal Grooves is a splash of ideas and potential that never really comes together.
Essential Tracks: “I’m Sorry We Lied” , “The Complete Knock” , “Champagne Coast”
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