Any of these songs could have fit onto the Crazy Heart soundtrack; Burnett was the music supervisor for that film, after all. The best of the bunch is the opening number, “What a Little Bit of Love Can Do”. It’s got a great sing-along quality and a honky-tonk sway to it, but it serves as a false indicator of what follows. Not one other song picks up the pace. More often than not they range from slow and middling (the Bridges-penned “Falling Short”) to, well, slow and middling (the aptly titled “Slow Boat”).
Not all of the slow-movers are duds. Roseanne Cash does offer lovely harmonies throughout the record, none more impressive than on the drenched-in-slide-guitar “Nothing Yet”. The piano-tinkling of “Blue Car” sounds as though it drove out of the rockabilly era. Burnett’s production is impressive, as always, with the percussion always popping up a little louder when necessary along with those gorgeous lap-steel processions. Bridges’ voice and guitar playing are also serviceable, but the lack of variety causes the album to fall short of becoming recommendable. Now that his self-titled debut has been released to the masses, perhaps he can deliver that sequel to Starman. SPOILER ALERT: Whatever happened to the baby?
Essential Tracks: “What a Little Bit of Love Can Do”, “Nothing Yet”, “Blue Car”