Concert ReviewsHot

Live Review: Bush at Chicago’s Congress Theater (8/18)

on August 19, 2011, 3:53am

Dusty, reunited UK export Bush arrived in Chicago last night, unloading a pocket of hits and a trio of new tracks at the 85-year-old Congress Theater. Sponsored by Samsung/AT&T, the gig was free to patrons who RSVP’d online ahead of time. As a result, thousands of fans littered Milwaukee Avenue early in the evening, clutching on to their printed tickets as they gazed around in a summer-spoiled stupor. The uniform of choice was black. Lots of black.

Chevelle opened. That’s about it.

Twenty minutes later, Gavin Rossdale and drummer Robin Goodridge strolled out, alongside guitarist Chris Traynor and Bush newcomer bassist Corey Britz. Having played with Rossdale since Bush last toured in the early ’00s, Traynor could questionably be considered a longtime member of the band, but it’s hard to ignore the lack of Nigel Pulsford, whose presence remains sorely missed. Traynor has the chops to replicate key moments in hits like “Machinehead”, “Little Things”, and “Comedown”, but when it comes to his own signatures, like say on NHL 12 hit “All My Life”, therein lies the mystery: Where’s the finesse?

bush 17 Live Review: Bush at Chicagos Congress Theater (8/18)Admittedly, newer material like “The Sound of Winter” and last year’s “Afterlife” sounds better live than on record, but it does stir up some skepticism for the group’s forthcoming fifth LP, The Sea of Memories, due out next month. Quality aside, Rossdale thrives on the shiny rhythms, which translates into an engaging stage show – especially with the oldies. During “Little Things”, the grungy poster boy stepped into the crowd, belting out the classic hit’s breakdown amongst diehard fanatics. To add some charm, he tossed in a few lines of Talking Heads’ “Once In a Lifetime” into the bridge of “Everything Zen”, which added a nice little spin. Very cool.

What wasn’t cool, however, was a lame rendition of The Beatles’ “Come Together”. In the past, Rossdale has injected his own unique grit to many covers – especially one dynamite cut of The Cars’ “Just What I Needed” or a moody re-imagining of Joy Division’s “In a Lonely Place” – but this just came off as forced and above all unnecessary. Why leave out material off 1996’s highly underrated LP Razorblade Suitcase in lieu of a wasted classic-turned-nu-metal-anthem? “Swallowed”, “Greedy Fly”, or even something culled from 2001’s Golden State would have sufficed. Nevertheless, you can’t really complain about a free show, and from the sounds of it, Rossdale & New Co. still make post-grunge rock feel sexy and hip – even for a glimpsing 50 minutes. That’s more than Billy Corgan can say these days.

Photography by Brad Bretz.

All My Life
Little Things
The Chemicals Between Us
Everything Zen
The Sound of Winter
Come Together (Beatles cover)

Gallery by Brad Bretz

[nggallery id=253]

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August 23, 2011 at 1:42 am

Good God, I am SO tired of the Billy Corgan bashing by the media.

August 21, 2011 at 10:52 pm

ok, i was there, it was very good, what ruined it was the dumb mosh pit and people falling on top of you.  plus it was way too hot and security didn’t stop the pit, so i got hurt, like others did.  Chevelle was good and Biush was as usual great.  Chevelle played an hour, not 20 minutes and Gavin’s new songs are good live or on CD.  It took an hour and a half to get in.

August 20, 2011 at 3:52 pm

What is wrong with black? Black is beautiful……………Chevelle played for more then 20 minutes and even with the poor acoustics of this old Chicago theatre that blared the music the Chevelles unique sound came through.  Bush put out for the crowd, the crowd roared,and it was free
………….we received payback for waiting 2 hours to get in

Joseph Arbes
August 19, 2011 at 6:33 pm

Oh yeah ’cause y’know there is NOTHING SEXY AT ALL ABOUT THIS:

But what do you know probably haven’t been paying attention anyway…

August 19, 2011 at 6:14 pm

You’re a moron for even thinking the Smashing Pumpkins/Billy Corgan were supposed to be “sexy” or “hip” in the post-grunge or in any era.  Besides, Adore is a better record alone than everything Gavin put out by a long mile. But go ahead, focus on the superficial. It just makes you look stupid.


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