By Harley Brown on September 25th, 2011 in

Local dream-synth trio Mystery Palace opened. At first, I thought their circuit-bending keyboard manipulation would be an odd fit with Peter Wolf Crier’s contemplative rock, but after seeing them back-to-back, I realize the pairing worked. Mystery Palace’s Ryan Olcott, also in the local experimental synth-based FoodTeam, utilizes his breathy vocals and soft ‘80s beats similarly to how Pisano loops his haunting voice: to engage the audience with atmosphere as opposed to stage presence.

Not that there wasn’t plenty of that. Spaced at opposite ends of the stage from each other, Pisano and drummer Brian Moen’s stage banter included Auto-Tuning Moen’s voice so it sounded like Mystery Science Theater 3000. Peter Wolf Crier went through most of Garden of Arms, including the bitter, elegant “Right Away”, “Beach”, and “Settling It Off”. These, along with more loop-based tracks such as the fittingly eerie “Haunt You”, sounded better in the Cedar’s echoing theater than harder tracks like “Krishnamurti” and “Having It Out”. The duo only dipped into their debut, Inter-Be, to play “Down Down Down”, avoiding their best-known songs “Crutch and Cane” and “Hard as Nails”. (A Minneapolis resident can only hear them play that album so many times.) They encored with a cover of INXS’ “Never Tear Us Apart” before leaving the stage, cementing their place yet again in the hearts and ears of Minneapolis.