By Adam Kivel on February 21st, 2012 in
Throughout the disc, lead vocalist Jesse Kivel sounds like an other-world Owen Pallett (though perhaps not quite as emphatic), his low-slung, lithe delivery poking and prodding through orchestral flourishes. Similar to Pallett’s work, these songs are designed to lure the listener into a world and then overload it with shimmering musicality. Despite the surprisingly large amount of marimba, this is a subdued landscape, one that blends its brightly colored edges with round-toned synths and smoldering horns.
Rather than sounding quite as dramatic as Pallett, Remembrance of Things to Come weaves synths into the mix in order to shade things into a hazier beauty, swirling like leaves on a fall afternoon. “Florida” relies on ultra-staccato synth, marimba, and string stabs, yet the keyboards still manage to make the thing sound loose and whorled.
Whether it’s on the introspective “Riches” (which wonders aloud whether the singer ever truly loved) or the wobbly insistence of “Grand Rapids”, drummer David Kitz keeps things flowing with his tight, frenetic rhythms. Bassist Matt Kivel and keyboardist Ben Usen combine for some delicate grooves, and the Ensemble adds in detailed atmospherics and stunning structural work to flesh things out. The swirling pallet does drone a bit, but the band has certainly carved out their own unique sound that should impress synth-heads and orchestral pop fans alike.
Essential Tracks: “Florida”, “Riches”
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