By Brittany Flynn on February 9th, 2012 in
The first six songs, performed last December at London’s Union Chapel, focus almost exclusively on tracks taken from Antony and the Johnsons’ I Am a Bird Now. Opening track “Bird Gerhl” sets the tone, their voices clear, soothing over strings and piano that highlight Hegarty’s extremely personal songwriting. However, they pull it off in such a manner that they’re never inserting too much of themselves. In addition to the sisters’ pristine voices, the piano and string arrangements (written by Rachel Unthank’s husband Adrian McNally) impress on tracks like “You Are My Sister” and “For Today I Am a Boy”.
There is a clear shift when they move on to Wyatt’s works in the second half. Like The Unthanks, Wyatt is rooted in the British folk tradition. “Sea Song” appeared on their second album, and they effectively highlight the mood of lonesome urgency as it unfolds into a luminous ballad. “Lullaby for Hanza”, with horns that play like warning signs, is full of the simplistic purity that The Unthank sisters cover so well.
Rachel and Becky Unthank convey the intensity of Antony and the Johnsons, as well as Wyatt’s weariness. This kind of tribute doesn’t come about often enough, and they’ve nailed it, letting the lyricism and emotionality ring out.
Essential Tracks: “Bird Gerhl”, “For Today I Am a Boy”, “Sea Song”, “Lullaby for Hanza”
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