By Jake Cohen on May 8th, 2012 in
Buoy (née Dana Janssen) clearly brought over a handful of Akron/Family tricks. His vocals are often heavily drowned in effects, noise and electronics slither around acoustic instruments, and the focus is always on songcraft, not soundscapes or self-consciously composed music. “Delicate Suitor” is a study in gradually building a track, one note, one instrument at a time, all behind a repetitive vocal melody. With synthesizer chords droning in the background, the song climaxes with a frenzy of crystalline keyboard patterns and, eventually, a house beat.
Despite all this, Buoy never seems to fully achieve what makes his music with Akron/Family so enthralling. These songs lack the homely honesty of “I’ll Be on the Water” from their self-titled 2005 album, or the wild freakouts of “Ed Is a Portal” or “I’ve Got Some Friends” from 2007′s Love is Simple. Instead, he opts for a poppy, feel-good sound that he dubs “Tropicore.” He nails it on a few tracks, like the countrified guitar licks of “Hand Over Hand”. It’s jammy rock, full of good vibes from a steady and smooth bass and tambourine beat. Equally enjoyable is the slow jam “Futures Past”, where Buoy’s normally thin vocals shine over live drums and unexpected harmonic progressions.
Summer Bodies was composed, in large part, using synthesizers, laptops, and iPad apps; yet the best songs, the ones where Buoy’s musicianship really stands out, are those that rely less on electronics, and lean instead on guitars, drums (real ones), and analog synths. It’s that simple grounding in classic song structures and well-played instruments that’s kept his music so fascinating through all his past endeavors.
Essential Tracks: “Delicate Suitor”, “Hand Over Hand”, and “Futures Past”
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