By Tony Hardy on May 14th, 2012 in
Like most of Hawley’s offerings, the record title references an area of his hometown of Sheffield. Less romanticized than its predecessors, the Skye Edge neighborhood is more noted for its checkered history, gang culture, and social problems. Set on the outskirts of the city in an elevated position, it also acts as a conduit for the narrative themes running through the record. Hawley is making political points as he considers damaged lives, the destructive nature of blind religion, and the legacy owed to children. But he is also reaching out to the cosmos, glorifying it musically while indicating our insignificance in it, denying any sense of a greater scheme behind it.
The first minute or so of the seven-minute opener, “She Brings the Sunlight”, scarcely prepares for the maelstrom that follows. Sitars and strings weave a deceptive magic before waves of distorted guitars and sonic drones hit. Hawley’s clear eulogizing of his loved one is masked by reverb to match the waves of instrumental intensity the singer-guitarist unleashes. “Down in the Woods” is a particularly impressive piece of elemental rock that reflects its back-to-nature theme, followed by a mellower turn as the softly loping melody of “Seek It” recalls classic 60’s pop.
“Leave Your Body Behind You” picks up the psychedelic baton again, echoing chiming guitar phrases while invoking a carpe diem attitude to counter personal loss. “Before” provides a perfect closer, sandwiching heroic guitar between quiet contemplation. It’s one of many standouts in a nine-song collection that engages body and mind throughout. In a throwaway era, Richard Hawley holds a torch for the craftsman.
Essential Tracks: “She Brings the Sunlight”, “Down in the Woods”, and “Leave Your Body Behind You”.
IndieClick Music Network