By Katherine Flynn on May 25th, 2012 in
Teen Daze specializes in an especially dreamy strain of the genre. Whereas Washed Out’s Ernest Greene gives a few of his compositions a minor key edge and an occasional dash of muddled vocals, Teen Daze brings a kind of wordless digital euphoria to All of Us, Together that’s hard to shake. The beats are light, and they interweave with the shimmering synth notes in such a way that your body doesn’t know whether to start a head-bob that will soon migrate down south to your hips, or curl up for a long bout of soul-searching. Teen Daze’s ditties are, in some ways, like summer when you’re young: lazy, pleasantly aimless, and over too soon.
Some of the album’s best work is showcased in “Cold Sand”, a Hearts of Space-y tune that might take you back to a time when your parents made you listen to weird electronic music on NPR during car rides. It’s faster-paced than some of the other tracks, but it sparkles and scintillates in classic Teen Daze fashion. This one seems built for the dance floor, but one for a trippy high school prom, rife with pastels and acid-spiked punch.
While Teen Daze’s formula has worked in EP form in the past, it wears thin by the end of the full-length album. Distant, unintelligible vocals finally make an appearance in “The Future”, but so do the flourishes of major-note synths that have been slammed into every other song. The final track, “Hold”, features the same synth strokes only without a beat, and yet slowly peters out to a satisfying conclusion. If anything, it’s a great album to fall asleep to–you’ll be out cold before the sound overstays its welcome.
Key tracks: “Cold Sand”, “The Future”, and “Hold”
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