By Tony Hardy on July 6th, 2012 in
The songs mix up varied rhythms with quiet melodies, everything morphing into crashing chords, loud sections alternating with calmer phases. “Port Authority” opens things with a snatch of backwards guitar, leading into a 30-second soft guitar build, itself a bit of a luxury for such a brief song. “Sucker” has a more conventional structure, yet it plays around with tempos. Lyrically, Riley bewails the fickleness of relationships: “I don’t know you, ’cause you don’t know yourself.” The most accessible song here is “Sinker”, built on a meandering bass riff set against contrastingly pointed percussive beats. The guitar lines are wrenched out amid a sea of youthful sorrow.
Distended guitar defines much of the record, and it is much to the fore on the two remaining tracks: “Mary’s Friends” and “How to Sleep”. The former’s quiet build doesn’t prepare you for the venom that follows, the song trying to pack too many ideas together in less than three minutes to really convince. The latter, by contrast, is developed more fully than its predecessors, with Riley sounding like an angst-ridden Brandon Flowers as he pleads, “I tried my best with you,” over impressive angular guitar work with Vincent Amador. Overall, this is a bright first offering from a young band with much promise.
Essential Tracks: “Sinker”
IndieClick Music Network