By Jon Hadusek on September 26th, 2012 in
On “Dim Lights, Thick Smoke”, he takes us to a honky-tonk dive bar, where we meet a married woman who probably shouldn’t be there. She’s got a family at home, but instead, she’s drinking and flirting and line dancing. Yoakam is blunt: “At home the little children, mean nothing to you/ A house filled with love and a husband that’s true.” This is a traditional, oft-covered country song, though Yoakam turns it into his own feisty scorcher. His guitar has never sounded so abrasive.
Yoakam tries beat music, cowpunk, and power pop on 3 Pears. Most of it works, some of it doesn’t. “Waterfall” has the charm of a children’s song (“If I had a big giraffe, he’d have to take a real long bath”), but its minimalist arrangement is dreary and unengaging. The pace quickens on the Beck-produced “A Heart Like Mine”—a dirty rocker played with garage-soul passion and an endearing sloppiness. It’s undoubtedly the album’s strongest track, mandating future collaborations between Beck and Yoakam.
The countrified Bakersfield sound—Yoakam’s bread-and-butter—is noticeably absent from 3 Pears. What can he add to a genre he’s spent 28 years mastering? Unshackled, Yoakam casually eschews his established sound for new ones, and although these pop experimentations won’t please country music fundamentalists or single-searching radio executives, Yoakam has legitimized himself as an artist. He could’ve easily churned out another Hillbilly Deluxe and satisfied thousands of boot scooting honky-tonkers. But he didn’t, and that’s why the genre-hopping 3 Pears is remarkable.
Essential Tracks: “Take Hold of My Hand”, “A Heart Like Mine”
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