By Steven Arroyo on December 10th, 2012 in
The first voice we hear is that of Lyndon B. Johnson in his 1965 “We Will Stand in Viet-Nam” address, posing Medals’ cornerstone question, “Why must young Americans, born into a land exultant with hope and with golden promise, toil and suffer and sometimes die in such a remote and distant place?” before delivering a rationale that ends with “We will not surrender and we will not retreat.” The last voices on the record are those of veterans making strong statements like “I got a purple heart here, and I hope I get another one fighting these motherfuckers” as they return their war accolades. Meanwhile, sludgy soundscapes surge in and out, oscillating patiently from subdued ambience to blitzkrieg double kick drum hits and guitar tremolos.
The concept is straightforward, uncompromising, and absurdly ambitious. The question, though, is whether it’s wise to think that a collection of accessible metal riffs and crescendos can say anything new or important about such a delicate issue. Would their effects be any less fitting over sound bites on, say, theology, rape, or global warming? The sound engineering is detailed and diligent, but is this the right platform for showing off craftsmanship? While Sleep Maps’ heart may be in the right place, these are questions Medals provides no satisfying answers to, leaving a mark that amounts to a loud, half-hour “see what they did?” and little else.
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