By Matt Melis on March 5th, 2013 in
Hitchcock — whose paintings often double as album covers — has described his songs as “paintings you can listen to.” In that spirit, Love from London can be thought of as a gallery of bright watercolors with more portentous shades nestled in the background, or perhaps looming just off canvas. “Let the darkness fall upon you,” Hitchcock urges with jangly warmth on the pondering “Be Still”, the song’s ambivalence packaged so upliftingly that you almost forget about the likelihood of unpleasant outcomes. And that’s the tenor of Love from London: sounds of resounding celebration in the face of a rather bleak outlook.
Similarly, the overtly Lennon-esque “Love and Death” drifts along in a sweet haze that belies the chorus’s admission of “I’m a fool cuz I got screwed, ” soulfully crooned with a tenderness usually reserved for declarations of love and fidelity. “Now that you’re broke / Who’s gonna fix you?” Hitchcock playfully asks on standout “Fix You”, which pits the corporate rank and file against “financial backers who take calls with a strawberry mousse.” If Hitchcock showed up at your cubicle with this musical pink slip, you probably wouldn’t wipe the smile off your face until two weeks later when no paycheck arrived.
So, why does the world need Robyn Hitchcock? Well, without him, who would give us songs to boogie to while the world collapses around us?
Essential Tracks: “Be Still”, “Love and Death”, and “Fix You”
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