Album ReviewsHot

Queens of the Stone Age – …Like Clockwork

on June 03, 2013, 12:03am
qotsa B
Release Date

Josh Homme almost died. Actually, he did die…for a brief moment. While on an operating table receiving knee surgery, undisclosed complications nearly took his life.

“I woke up and there was a doctor going, ‘Shit, we lost you,” Homme told the Irish Independent.

The Queens of the Stone Age frontman cites this event as a key inspiration for …Like Clockwork, the band’s sixth studio album. Incapacitated and unable to “get up” for four months following the operation, he had a spiritual awakening of sorts. He started thinking about the things that matter: mortality, friendship, love, faith. When he was finally able to pick up a guitar, it all surfaced.

“The Vampyre of Time and Memory” was Homme’s first post-surgery composition. “I want God to come/ And take me home/ Because I’m all alone in this crowd,” he sings to the soft pattering of a piano. “Who are you to me?/ Who we’re supposed to be/ Not exactly sure.”

This is a changed man writing songs from the heart. Not that he wasn’t doing so before, but now the symbolism is eschewed and the sentiments are plain. When the press releases for the album kept calling it “an audio documentary of a manic year,” they were referring directly to Homme’s circumstances. Clockwork is an intensely personal record.

It’s also an extremely satisfying one to listen to.

The man lost none of his musical prowess during his dark period; in fact, he evolved as a songwriter, taking his patented stoner rock and imbuing it with a variety of pop sensibilities. Clockwork is so far removed from Era Vulgaris that you’ll wonder if it’s the same band. Bluesy opener “Keep Your Eyes Peeled” and the ultra-catchy “I Sat By the Ocean” offer familiar reminders of Homme’s best traits — searing guitar work and memorable hooks, respectively — but then the band dives into “Vampyre” and an assortment of equally idiosyncratic tunes.

The album’s pre-release buildup didn’t prepare us for this, as Clockwork was shaping up to be a return to Songs for the Deaf-era Queens of the Stone Age. All the major players were coming back: Dave Grohl on drums, Nick Oliveri on vocals, and Mark Lanegan as a co-songwriter. But while their collective presence is definitely felt, the spotlight remains on Homme, who relishes the moment. He’s made considerable leaps as both a vocalist and lyricist — best showcased by the Elton John collab “Fairweather Friends”. John’s piano is vital to the song’s anthemic chorus, providing a momentous backbone to Homme’s croons: “Is there anyone out there, or am I walking alone?/ I turned around and found that you’d gone before the first rain could fall.” He’s always had a tight turn-of-phrase, but with emotion driving his concepts, the clever wordplay cuts with poignancy.

Homme’s themes circulate between betrayal, anger, and reconciliation; they’re presented as anecdotes, with the singer as the protagonist. On “I Sat By the Ocean”, he’s drinking to forget the girl who just broke up with him. On “I Appear Missing”, he cowers, avoiding the conflict entirely. Notice the use of the first person “I”. And it’s not always down-and-out. “Smooth Sailing”, which touts a filthy guitar lick, sees Homme driving off into the sunset without a worry in the world: “Fuck it, bon voyage/ It’s smoooooth sailing from here on out.”

…Like Clockwork was a huge risk. It’s one of the most hyped rock albums in recent memory (due in part to a big budget publicity campaign that included everything from a mockumentary film to animated shorts and cryptic letters). Yet it’s also the most ambitious Queens of the Stone Age record — both sonically and conceptually. It takes confidence to sing about your own demons when thousands of people are listening. Homme doesn’t waver.

As he explained: “…in all honesty, the last couple of years of failure and anguish have been the best thing to ever happen to me. It gave me a chance to figure out what’s really important to me.” …Like Clockwork is one of the year’s finer rock albums — an exercise in songwriting, production, and musicianship. But above all, it’s the story of a man persevering through a dark time, staying true to himself, and coming out a hero.

Essential Tracks: “I Sat By the Ocean”, “The Vampyre of Time and Memory”, and “Fairweather Friends”

Feature artwork by Austin James:

QOTSAclockCos feat

Purchase this artwork (via Society6): Print || Canvas || iPhone Case || Laptop Skin


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Diego Rodrigues
April 8, 2014 at 9:48 pm

Only a B? C’mon…

Brian Knight
June 8, 2013 at 4:28 pm

hahahahaha keep your eyes peeled is “bluesy,” huh? i just can’t imagine we listened to the same track

Raul Vega
June 6, 2013 at 11:12 am

I like the placement of “Vampyre” after “I Sat By The Ocean”. “I Sat”, like most QOTSA songs on SFTD take you on a drive through the desert, except “I Sat” feels more like a ’13 Charger than a roaring 70s model. Then “Vampyre” bring you to a skidding stop. As the song progress, you realize that you’re stuck in mud.

June 5, 2013 at 3:00 am

Finally a real review! Not just some made up score and a lame excuse for a review that fails to back it up, let alone show any appreciation for music in general. But then again… that’s what you get from bubble gum pop mags and this here is what you get from real journalism. (Chris Talbott from the A.P. also had a good review.

Thank you.

June 4, 2013 at 4:37 pm

fan art

June 4, 2013 at 11:25 am

Check out the “Sushi Grade Albums of the Week”

June 3, 2013 at 11:36 pm

Great review, really insightful

June 3, 2013 at 11:29 pm

Their best since Songs for the Deaf, hands down.

Rory Biller
June 3, 2013 at 10:31 pm

Essential Tracks: “Smooth Sailing”, “Kalopsia”, “If I Had A Tail”, “I Appear Missing”, “Like Clockwork”

Best album so far this year. Best band.

Raul Vega
June 6, 2013 at 10:52 am

Essential Track: All of them

Sara L. Rose
June 3, 2013 at 2:41 pm

Top-notch vocals here, but the last three albums reveal Homme to be a hit and miss songwriter. Mostly miss.

June 3, 2013 at 4:28 pm

based on what? Homme’s songwriting is the thing that stands out most in …LC.

Vidua Diabolus Niger
June 3, 2013 at 2:32 am

It will be a classic, no doubt!
Any of these songs in another band turned single:
Keep Your Eyes Peeled
If I Had A Tail
My God is the Sun
Smooth Sailing
I Appear Missing ( are 6 minutes and not 3)
Like clockwork

Adam Hall
June 3, 2013 at 2:20 am

Streamed the album for free three times on iTunes. Getting the deluxe LP. Queens is easily in my top three favorite bands of all time. Songs for the Deaf arguably my favorite album of all time. I didn’t feel that this album was a let-down or even softer. It isn’t as fast paced as SOTD, but it feels like it has more emotion to it. More meaning. I seriously can’t get enough of Vampyres……gives me chills every time that guitar solo comes in.

Jason Novak
June 3, 2013 at 1:10 am

Just bought this album and I have to say, after the blistering rock and roll of Songs for the Deaf, the return of Dave Grohl had me salivating with expectation. Like Clockwork is utter disappointment from the first song to the last. What happened to the slightly disturbed, twisted melodies, the punch in the face aggression and the messed up ballads you could imagine a serial killer had penned. This is elevator music, bland, boring and missing everything that makes QotSA the unique band they are. Or were, this album is so uninterestingly formulaic, I won’t play it again. If downloading for free is stealing, so is paying hard earned money for an album this bad. Homme, you owe me $30.

the Tile Ninja
June 3, 2013 at 12:33 am

Sounds GREAT! Josh Homme and Mark Lanegan both have shown signs of true faith and spirituality, in addition to being able to “stick it and twist” with some killer licks. They are true bad boys, dangerous minds that think alike. It makes their roque muzic trés deep…


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