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Top 10 Music Festivals in North America: Summer 2014 Power Rankings

on July 03, 2014, 12:00pm
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Photo by Ben Kaye

Welcome to Festival Outlook, a new supplemental column that will provide more in-depth analysis for the rumors found on Consequence of Sound’s Festival Outlook. In this installment, Michael RoffmanFrank Mojica, and Carson O’Shoney adjust the power rankings on this year’s Top 10 North American music festivals. Agree or disagree, let us know in the comments below.

Michael Roffman (MR): “We’re gonna build something this summer.” Craig Finn’s words of wisdom are all I can hear while assembling our latest round of rankings. Yes, it’s officially summertime (even if it’s felt that way for months now), two of the Big Four fests are behind us, and we’re only just kissing July. Oy. We have a lot of work cut out for us, gentlemen.

I guess the first thing to discuss is our Spring No. 1, Bonnaroo. It’s now been a few weeks since The Farm shut its doors, and yet we’re still reeling from the four-day extravaganza — and I didn’t even attend! So, what do we think? Was it a success? Does it deserve No. 1? Sure, it was by far the safest installment in the fest’s history, but Kanye’s set wasn’t the heroic comeback it needed to be, Frank Ocean didn’t debut any new material, and maybe it’s just a lack of social networking, but I don’t think people walked away from Elton’s set as “changed” as they were from McCartney’s.

Still, according to our own Alex Young, Jack White put on one of the best sets of his career and of the festival, and as Carson pointed out (and several readers agreed), Nick Cave might have done the same thing. I think there’s a lot to discuss here, and I’m certainly not the authority considering I spent that weekend watching comedians at AV Club’s comedy festival and my team fumble their fourth NBA Finals appearance. So, what say you, Mr. O’Shoney?


Bonnaroo // Photo by Amanda Koellner

Carson O’Shoney (CO): Bonnaroo just keeps getting better somehow. The event has changed so much since I started going in 2007, and it’s (almost) all for the better. It’s a finely tuned machine at this point, firing on all cylinders. Getting there isn’t as much of a chore as it used to be, the lines to Centeroo have been cut down considerably, water stations are now plentiful, the grounds have expanded and remain beautiful, the Food Truck Oasis/Kalliope Stage setup was perfect this year, and it really helped that they removed the center division at the What Stage pit. As you mentioned, it was the safest Roo ever, and what’s more, the weather cooperated and kept everyone cooler than normal. All in all, it was easily one of the best festivals I’ve personally attended. No lie: Bonnaroo’s “Radiate Positivity” mantra really did translate into a good vibe at the fest, even amidst the persistent “Fuck Kanye” graffiti.

Sure, Elton John didn’t leave the crowd ‘changed’ like Macca did in 2013, but maybe people don’t have an emotional connection to Elton like they do with Paul. Instead, they were just there to sing along and have a good time, which they did by the tens of thousands. Throw in Jack White and Nick Cave and the countless other acts who knocked it out of the park this year, and you’ve got a lineup that stands up to the best lineups in the past — both in theory and execution. There were very few disappointing sets, and even those were seemingly disappointing to a very small, albeit vocal, minority (ahem, Kanye, which I personally loved). Let’s not forget about all the SuperJams this year, which you won’t find anywhere but Bonnaroo. From top to bottom, this year was an absolute success, and if you only took the lineup into account, I think Roo would still be top two at worst. Factor in everything else, and it really cements its place as No. 1 in our power rankings.


Jack White at Bonnaroo // Photo by Amanda Koellner

Frank Mojica (FM): I really wish I could have gone to Bonnaroo this year. It isn’t often that I actually watch all of the headliners at a festival, and the lineup was solid from top to bottom. Also, a lower emphasis on EDM is always a good thing.

It wasn’t entirely surprising that Yeezus was figuratively nailed to a cross by attendees. Seriously, children, get over 2008, already. As for Sir Elton, I would love to see him and his hit-stuffed set sounded like a blast, even if it didn’t pack the same oomph as McCartney. But then again, what does? Bonnaroo’s SuperJams are a welcome break from the usual festival fare and are once-in-a-lifetime sets, really. I mean, where else can you see Warpaint covering “Pump Up the Jam”?

Speaking of which, I must say, they goofed by not giving Warpaint a longer set. They would have actually taken advantage of the extra time with their penchant for extended jams. Nevertheless, the webcast sounded incredible. It’s disheartening to hear that only a hundred or so people watched Nick Cave, though. At some point, festivals are surely going to stop booking people like Cave if people don’t start actually watching them, so let’s enjoy these bookings while they last.

MR: Whoa, whoa, whoa. Slow down, Frank. We all know how insane you are about Warpaint. You’ve gotta remember, they’re still a rising, young act. I’m actually surprised they were even a part of the SuperJam, so I’d consider them lucky by Roo standards. Also, maybe I just caught them amidst some weird SXSW malaise, but I’ve yet to go bonkers for them on-stage, and I actually enjoy their albums. ANYWAYS…


Vampire Weekend at Bonnaroo // Photo by Amanda Koellner

I guess when it comes down to it, Bonnaroo really does offer a perfect mix of yesterday, today, and tomorrow. I was going to start this off by discussing how they place such a precedence on the veterans, but really, that’s just not true anymore. They gave Skrillex a SuperJam set entirely to himself, while Elton John, Nick Cave and the Bad Seeds, and Lionel Richie are the only real greying veterans at the top of their lineup. Hell, Vampire Weekend is listed as fifth — fifth! — pitting them ahead of Arctic Monkeys, or Skrillex, or even the festival’s beloved Flaming Lips. Granted, plenty of other fests have done the same thing (e.g., Governors Ball), but Bonnaroo is arguably the weightiest of the colossal Big Four. It just speaks to their eyes and how they’re not looking pre-2000 as much anymore, and that should help as the lineups get more and more difficult to piece together year after year.

lollapalooza 2014“But Lollapalooza did the same thing this year, didn’t they? They booked Kings of Leon, Arctic Monkeys, Skrillex, Eminem, and OutKast, who all claimed their spotlight post-2000,” you might argue, and you’d be right. But here’s the difference: story. With the exception of OutKast, who by then will have played over 30 sets, each one of those acts have played Lollapalooza in the past few years, and even worse, they aren’t supporting anything new. Each of their albums will be almost or a little over a year old, and while seeing how Arctic might fare as a headliner is intriguing, it’s not enough of a narrative to really pull you in. With Bonnaroo, they had a heroic return (Jack White), a rematch (Kanye West), the induction of two legends (Lionel Richie, Sir Elton John), and well, just go look at the lineup… it goes on and on. I think that’s what’s really necessary of the Big Four at this point; you need to have a narrative, a story, or at least character. And yeah, I’d have to agree, Bonnaroo did that again.

Here’s what I’d argue, though. Edge vs. narrative. In that department, FYF Fest wins hands down. This is a festival whose idea of a veteran is an act that’s either been dismissed (Interpol) or relatively out of the spotlight (The Strokes), where reunions require a short trip down memory lane (The Blood Brothers, Slowdive), and the greatest acts of today get the banner space they deserve and could host (HAIM, Grimes, Flying Lotus). Personally, this is the only lineup of the year that had me run to the bathroom to see if I actually did pee in my pants just a little. (Of course, I didn’t; it was just green tea.) I’m still taking my leftover Xanax in hopes to feel better about myself for missing this. And have you been to FYF? It’s one of the only festivals I know of where you can easily smooth over the conflicts by running to and from stages. Son of a bitch, how am I missing this?

Please talk amongst yourselves. Topic: How does FYF fare against it’s little cousin FFF? Are these small-scale reunions overhyped or just chances for the lesser known to get their due applause?

FM: Most people don’t care, sure, but for those that do, there’s little more exciting than the prospect of finally catching that beloved band that’s finally back together again. FYF really nailed it this year. Phoenix and The Strokes secured the attendance of the masses, and having several esoteric reunions guaranteed continuing support from their base of regulars. No wonder the event sold out.

Caleb Followill, Kings of Leon_13042024033_l

Kings of Leon // Photo by Amanda Koellner

MR: Hmm, it would appear as if that’s a common thread of any successful festival — especially a juggernaut like Lollapalooza. A few anchors move the tickets out the door, and the rest, well, they’re colorful shipmates. Going off that measure, do we value the anchors or the shipmates? Are we going in circles here? Look at last week’s news about C3′s Big Day Out! What happens when there’s a lack of anchors? Does the ship then drift away into nowhere? Or do the shipmates stand up? Sorry, apparently last night’s viewing of Master and Commander struck a nerve. Oh, that Russell Crowe.

CO: Going back to FYF/FFF — even though I just sang the praises of Bonnaroo, smaller fests like these are really where my interests lie these days. They don’t need as many ‘anchors’ since they don’t have to attract a small city to their gates. That also gives them freedom to make interesting bookings that aren’t part of your average festival lineup. FYF snagged Slowdive and Blood Brothers, while FFF got King Diamond and Judas Priest, among many others at both. Some of my favorites lineups in the recent past have been put together by Moogfest/Mountain Oasis, Big Ears, Pitchfork, Hopscotch, and other smaller festivals.

In general — to continue the metaphor — early in your festival-going life, I find you’re more likely to be drawn by the anchors. That’s how they draw the masses in, and hook the first-timers into going to their festival. But the more you go to festivals, the more enamored you become by the shipmates. Some of that has to do with the fact that there are only so many headliners to go around, and while some festivals do a solid job of keeping the top of their lineups fresh, others (*cough* Lollapalooza *cough*) seem content to just keep trotting out the same batch of anchors. In cases like that, you have to start getting more into the shipmates; otherwise, it’s pointless to keep going to the same festival to see the same bands over and over again. Even if your festival(s) of choice aren’t recycling their headliners in that fashion, as you get older and go to more festivals, it just feels natural to be more drawn to the smaller, more intriguing acts.

Big Day Out

On the other hand, Big Day Out and countless other failed festivals prove the need for big anchors. There are always going to be huge music fans that get pumped about the bottom half of the lineup, but they are far outnumbered. No matter how established a festival is, or how good of an undercard they have, the masses are mostly just looking at the top two or three lines when making a decision on what festival to attend. They don’t care that Ty Segall is playing a late-night set. They don’t know or care what Mogwai represents. They’re there to party and see the bands in big bold letters at the top of the poster. If you don’t strike a chord with them there, you might be shit out of luck. Like it or not, it’s those type of people that make or break major festivals.

MR: And that’s a tragedy in itself, Carson. I recall in my early days of Lollapalooza — around 2005 and 2006 — I’d be riding with folks who wanted to hit up the festival early to see what they were offering, and I thought that was really open-minded of them. For one, they weren’t the biggest music fans, meaning they didn’t hit up the boards or obsess over songs the minute they surfaced, but they wanted to make every dollar of their purchase count. I don’t know if that’s a good way of thinking, but I imagine it’s led to some great discoveries on their part. Still, like you said, they wouldn’t have bought that ticket if Weezer or the Red Hot Chili Peppers weren’t on the lineup. But maybe one experience is worth an annual tradition regardless of the top-billed talent? Probably not.

Keeping this going, I’d like to re-address the story angle of festivals. What festival works off a powerful mythos this summer?

FM: I think the story of the summer could be Pemberton. The first, and only, edition was apparently well attended but plagued with logistical issues such as traffic and a limited capacity dance tent. These issues have been addressed by the new organizers, though. It will be interesting to see what happens with Pemberton’s reboot because I think it has the potential to be the next true North American destination festival due to its beautiful setting and impressive lineup.

pemberton full

And how about that lineup, eh? Truly something for everyone.

MR: It’s definitely a great lineup and one that also gives a fair shake to a variety of genres at the top level. As we saw with Sasquatch! this year, Soundgarden isn’t exactly a genuine sell, so it’s nice to know they’re getting another shot, albeit behind NIN, OutKast, and Deadmau5. The undercard is pretty brilliant, too. Frank Ocean, Kendrick Lamar, Modest Mouse, and, um, Randy Newman? Come on. That last addition is the sort of creativity every veteran spot should warrant. Hell, they even nabbed Norm Macdonald in the comedy tent, which should account for 65% of the ticket alone. What do you think, Carson?

CO: I love it when major festivals book something completely out of left field. I’ve already talked about some of the more niche fests and their unique bookings, but seeing names like Randy Newman on a huge lineup makes me smile. Hell, just a few years ago we would have scoffed at the notion of Lionel Richie playing prime-time spots at these types of festivals, but now he’s killed at both ACL and Bonnaroo. Plus a vet like Norm and even someone like Tom Green (both at Pemberton) makes a comedy lineup a lot more interesting than your average festival. More bookings like those, please.

moogfest 2014 Top 10 Music Festivals in North America: Summer 2014 Power Rankings

MR: If we’re talking about intriguing stories, I have to bring up Moogfest. Their soft return earlier this year kicked our heads with one of the most unique lineups we’ve been able to appreciate in North America. But ultimately, it was a failure, having lost $1.5 million in the process. Here’s the breakdown, according to Asheville’s Citizen-Times:

Moogfest ticket sales totaled more than $712,000, with food, beverage and merchandise sales at around $29,000. Expenses totaled more than $2.7 million. The majority of the festival costs came from talent. Festival organizers Moog Music spent more than $1.5 million on artists and artists travel, hotel, and meals.

Moogfest 2014, touted as a new economic development tool to coax more technology talent to the area, received $90,000 in funding from the county and $40,000 from the city of Asheville, along with another $50,000 in in-kind services

Ouch. Odds are it’s not coming back after that. Granted, we’ve seen some resilience with troubled festivals in the past years — Langerado and DeLuna, to name a couple — but with no sign of a return from A/C Entertainment’s Mountain Oasis Festival, it would appear that Asheville is off the map for festival season. So, could we really justifiably call this year’s Moogfest a top festival?

Based on creativity and originality, yes. But from an economical standpoint, perhaps, no. Is this another lesson to what we’ve been discussing all along: the importance of anchors? Or is this a premature conclusion, especially since most young festivals lose money in their fledgling years? Sub-question: Is Moogfest really a young festival anymore? Let’s tackle these and then we can hit up our lists.

Moogfest // Photo by Cap Blackard

moog factory 1 - By Cap BlackardCO: To answer your question, yes Moogfest is still a young festival. It shares a name with an older festival, but there’s no relation otherwise. They can go through the same growing pains that any other young fest would go through, especially between year one and year two. I will say that Moogfest definitely gets points for trying something different. Not only did they put together perhaps the most unique lineup of the year, they decided to go five days long and have a “day” lineup of presentations and panels, and a “night” lineup of music. It’s a dream festival for anyone who is into that scene on more than just a musical level.

The problem is, by stretching it out to five days, you’re limiting your audience greatly. Anyone with a job and little to no vacation time is automatically out. Some that would have free time might not be able to afford staying in Asheville for five days. Any way you slice it, five days is a long time for a music festival, no matter what other kind of peripheral activities are happening around the music. I’m taking a stab in the dark here, but I’m guessing that contributed to the small turnout — when you’ve got a niche festival like that, you’ve got to make it more accessible to out-of-towners.

I think they need to find the right balance between their vision of Moogfest and AC Entertainment’s versions if they truly want the festival to be a success. I, for one, hope we haven’t seen the last of Moogfest, no matter where they go from here.

Ryan Hemsworth 1 Mon Moog

Ryan Hemsworth // Photo by Derek Staples

FM: Moogfest may have been our last shot at a truly original, one-of-a-kind festival experience. Don’t get me wrong, there are some great lineups this year, but they are all massive outdoor events short on esoteric delights. The intimate, specialized event for the discerning music lover is a dying breed. As was the case with ATP, we apparently can’t have nice things and you can’t pay the bills with creativity points.

I agree with Carson’s assessment that five days may have been a bit much for Moogfest, especially for an event in April. Bad timing probably killed the S.S. Coachella, and it may be a factor here as well.

MR: Timing is everything with festivals and, yeah, five days is just too much. It stopped me from being able to attend and this is my life. You can’t aim to be South by Southwest in the first go-around, which is sort of what they attempted to do, come to think of it. Despite the pitfalls, I think we all agree it was a success, creatively speaking, and deserves its spot amongst the best of 2014. It’s just a shame we won’t be using the term “blockbuster” at all.


Boston Calling: Spring 2014 // Photo by Ben Kaye

On the plus side, there are several young festivals that deserve that title already. Look at Corona Capitol! Or Boston Calling’s sister installment for the fall! There are a lot of great junior festivals refusing to pull their punches, and it’s working out well for them.

I think this is about as great a time as any to break into our list. Shall we?

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November 22, 2014 at 3:53 pm

How did you include Pemberton (attendance: 30,000) but not Squamish (100,000+)? Did it completely miss your radar?

September 11, 2014 at 2:56 pm

Definitely believe that which you stated. Your favorite reason seemed to be on the web the simplest thing to be aware of. I say to you, I certainly get irked while people think about worries that they just do not know about. You managed to hit the nail upon the top and also defined out the whole thing without having side effect , people can take a signal. Will likely be back to get more. Thanks

September 10, 2014 at 9:48 am

I have read so many posts about the blogger lovers but this post is in fact a fastidious paragraph, keep it up.

August 23, 2014 at 9:56 am

WOW just what I was searching for. Came here by searching for car insrance

August 11, 2014 at 9:16 am

COS making another BS article to try n secure some press passes for next year!!!

Ryan Swinford
August 7, 2014 at 12:03 pm

Congrats that you managed to ignore Riot Fest which has actual thought in its booking as opposed to the retreads on this list (how many require Outkast, Kings of Leon or Jack White)…let me guess if they had Jack White it would be bumped up? Just silly.

July 16, 2014 at 9:14 am

No Riot Fest?

August 11, 2014 at 3:05 am


July 15, 2014 at 9:26 pm

I definitely would’ve added Firefly. It’s a knockout festival and though it’s only had 3 years it’s managed to have 3 years of spectacular lineups! Firefly is an all around killer festival, definitely should be put in the top 10 list.

July 15, 2014 at 5:58 pm

The problem with the Nick Cave show isn’t that there weren’t people who wanted to see him it’s that the time slot was a scheduling nightmare. I wanted to see Nick but wasn’t missing the change to see both a member of the Doors and the Dead at the same show.

July 15, 2014 at 5:45 pm

these are not the best, just the biggest, lets be str8 on that.

July 15, 2014 at 5:43 pm

Uhhhh, Hangout Fest in Gulf Shores didn’t even get a mention? You have to be kidding.

July 15, 2014 at 5:36 pm

Would have added Firefly to this list.

July 15, 2014 at 9:22 pm

I second that… Firefly was a knock out and though only 3 years in they’ve managed to have 3 consecutive years of stellar lineups

Funk It Blog (@FunkItBlog)
July 7, 2014 at 9:41 pm

not a single mention of Forecastle. Interesting.

July 7, 2014 at 2:51 pm

my Aunty Sophia recently got a new black BMW 1 Series Convertible by working part time off of a pc online. hop over to this website >>>>>>>>>>

Horror Fiend in Denmark
July 7, 2014 at 12:24 pm

Don’t forget Philip Anselmo’s Housecore Horror Film Festival in Austin, TX. It’s a horror film festival with over 100 horror film screenings and more than 35 bands, many, but not all, of the metal persuasion. Last year, Anselmo brought in Italian soundtrack maestros Goblin which led to the band’s first-ever tour of the United States in their 40 year career. They played one set of their prog rock and soundtrack scores, plus a closing night live-score of Dario Argento’s horror classic, Suspiria. It was truly a mind-blowing experience. It was an amazing atmosphere for the entire four days with some of the most relaxed, happy metal heads and horror fans I have ever been around.

I cannot wait to fly to Texas again for this year’s festival. Anselmo’s only announced half of the bands so far and they already include Satyricon, Eyehategod, Cattle Decapitation, SubRosa, KEN mode, Unearth, Portal (!!!), Macabre, Acid Witch, Fulgora (Pig Destroyer and Misery Index), and Lamb of God’s Randy Blythe who will talk about his incarceration in a Czech prison. Not to mention the official 40th reunion of the cast of the original Texas ChainSaw Massacre!!

July 4, 2014 at 11:46 pm

yeah fuck kanye west

July 4, 2014 at 8:01 pm

“Seriously children, get over 2008 already”…Wow, Frank Mojica. Quite the commentary from someone that didn’t even attend the festival. I did not go in 2008, but I was there this year. While Kanye’s set was certainly loved by some, don’t tell me it was only a vocal minority that did not enjoy Mr. West. I’ve NEVER heard booing like that during a headlining set–or any other for that matter. People were streaming for the exits and there weren’t even any other shows to watch at the time. I talked to people that waited all day to get a front row spot for Ye and then fled as soon as he started his conceited rants. Admittedly, I’m not a huge fan but that set was a slap in the face to the audience members that paid to watch him. He didn’t even use the big screens to show himself! Perhaps that was a great show by Kanye standards, but he did not care about his audience at all–just some need to vindicate himself as “the biggest rockstar on the planet.” If anything, based on my conversations, the vocal minority were the people that loved his set. Jack White needs to show him a thing or two about appreciating the people that got him to the top. Not to nail anyone to a cross, but I don’t feel bad at all when I say Fuck Kanye.

July 4, 2014 at 1:36 am

Jazz Fest. It’s always Jazz Fest. Has to be Jazz Fest. The Gospel Tent alone. Jazz Fest. The walk back from Jazz Fest is almost better than most festivals. You guys ever been to Jazz Fest? The Voices Of The Wetland Allstars were there this year on the main stage!! They played right before Alain Toussaint and his full band on a beautiful sunny afternoon… Bruce Springsteen and The E Street Band (with Rickki Lee Jones) closed the one, two, three punch too… btw.

But in a way I get why Jazz Fest doesn’t make the list. After all, y’all are talkin’ about North American festivals. Not festivals that take place in Music Heaven. Anyone who ever declares to talk about and know about music should be intimately familiar with every artist at Jazz Fest. This is just a fact… but Boston Calling is cute too!

July 4, 2014 at 1:38 am

I meant Toussaint and his gathering of some of the most genuine musicians on planet earth played before Wetlands Allstars.

Michael Roffman
July 4, 2014 at 11:08 am

I’ve been to JazzFest and found it underwhelming. The best part of the festival is the nightlife after. The actual festival itself is exhaustively hot (there’s little to no shade) and the conflicts are ridiculous. But I agree, the walk back is exceptional, especially when you hop from venue to venue until 4 am.

July 4, 2014 at 12:07 pm

Wow! Underwhelming. To each their own, I guess, and despite what every comment I’ve left on here may suggest, I really do mean that. Also, only untill 4am???? Shit goes all night, man!

Sucks that it was so hot for you. Usually it’s amazing weather, especially the 1st weekend. Hope you can give it a second chance some time. I love the crowd and vibe at JazzFest. This sounds so jaded but I feel it’s one of the last mainstream festivals you can go to see people genuinely moved by the music. This may be influenced by how many families attend the festival (which sounds like a nightmare, but really and truly is fucking fantastic. Seeing a kid find a groove and lock in is pretty great!).

I can see how you guys wouldn’t include it. This isn’t a dig. It’s just that there seems to be a overall lack of ability on this site for people to actually experience music and talk about music from a stance outside of themselves. Possibly Sasha Geffen is the only one who doesn’t write this way. You, especially have a knack for talking about music this way and it seems most other writers here follow suit. I find there is only one conversation here and its always about how the music is experienced through you and never ever vice versa. There never seems to be a challenge to allow yourself to fit the music. So it’s not surprising that the one major festival that doesn’t come ready and packaged to allow yourself to so easily attach your memories, or self sense of eclectism (not a word) (meaning how every fucking Bonanroo review always contains the mandatory nod to “how crazy and fun it is to see such and such a band play and then this other band of totally different music play, and then catch a childhood anthem at 2am” like it’s some amazing mix tape you got to experience in real life), or nostalgia. Music isn’t only meant to be there for you to turn it into your own security blanket which you’ve hand patched so it doubles as a weird safety blanket but also carefully chosen constructed peacocking blanket (which has been painfully crafted to be specifically diverse and representative of all sides of your “UNIQUE” personality, even with hypothetical patches put in that may not really be super important to you, but it is important they be represented just in case someone asks). I mean, music definitely can serve as this, but it shouldn’t be the number one thing it does for you. See a therapist and learn to let go of how you are the one who has made the music or how your memories have elevated the music. Live outside yourself and go to the music. Let the groove find you and lock in, man. Get to New Orleans next year. Watch a kid dance their ass off to song that will never be on the radio or music blog. Happy 4th of July!

Michael Roffman
July 6, 2014 at 2:38 pm

Thanks for commenting, Stefan.

July 3, 2014 at 6:23 pm

i have been to bonnaroo every year and this year is hands down the worst line up in ‘roo history. yes, there was a lot of great bands this year, but not at all what it has been in the past.
jazz fest in new orleans should be in the top five list for sure!!!

July 3, 2014 at 5:51 pm

I personally thought this was really well written and put together. Why fault someone for not being at Bonnaroo prior to 2007 and basing their experience off the following years? It sounds to me like these guys have been to quite a few of these festivals this year, it’s just that each writer can’t attend all the same fests…they have to spread out to cover more. I’m sure they know each other well enough at this point to pull together and put together what I feel is a great list. I for one have been to Bonnaroo the last 5 years and can tell you that it has only gotten better.

July 3, 2014 at 3:44 pm

Waste of time reading this. Why are you writing about a bunch of festivals that you’ve never been to? And if you were at any Roo before 2007 you’d realize it’s gotten worse. Way worse.

Kelly Caird
July 3, 2014 at 2:21 pm

What about Riot Fest? Pretty killer lineup, another Chicago fest that blows Lolla out of the water.

July 15, 2014 at 5:16 pm


July 3, 2014 at 2:01 pm

Awesome because I wanted to read more about Bonnaroo after having it and Kanye crammed into my reading space so consistently over the past while… can it be dead now please?


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