Austin City Limits 2016 Festival Review: From Worst to Best

on October 03, 2016, 5:09pm
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Photography by Amy Price

Over the past five years, Austin City Limits has undergone a true transformation that has slowly morphed the festival into something miles away from its beginnings as a showcase of folk rock and alt-country. ACL was late to the game as well. As recently as 2013, the festival’s headliners were classic alt-rock bands like Depeche Mode and The Cure, current alt-rock favorites like Muse and Kings of Leon, and a legacy headliner in Lionel Richie. Fast-forwarding three years later, the oldest headliner is Radiohead, a band that helped pioneer the blend of electronic music with alt rock. Relatively current acts like Mumford & Sons and LCD Soundsystem were also headliners, offset by EDM heavyweights Major Lazer and Kygo. A younger lineup resulted in a younger crowd, and for a festival that frequently felt out of touch compared to other major ones, like Coachella or Lollapalooza, it was refreshing to see ACL overwhelmingly embrace current festival trends.

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This year’s ACL Weekend One ran smoothly, with good weather, no cancellations of note, and solid performances all around. Zilker Park in September is always overbearingly warm, so having the festival in the low 80s with no rain made for a surprisingly beautiful weekend. With a trio of A-list headliners in Radiohead, LCD, and Kendrick Lamar, the weekend stood as one of the best lineups of the past half-decade.

ACL featured its fair share of EDM artists each weekend, but the acts were otherwise spread out almost by genre. Most of the hip-hop artists (Kendrick, ScHoolboy Q, LL Cool J, DJ Mustard, and Kamaiyah) played Saturday while the majority of the folk and country acts (Mumford, Chris Stapleton, Kacey Musgraves, Margo Price, and Nathaniel Rateliff) played Sunday. At times, it felt like multiple festivals consolidated into one, where people could exist in their own separate worlds or come and go between them if they wanted to.

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Fifteen years in, ACL operates like a well-oiled machine. And while it may not have a reputation for booking cutting-edge acts, this year’s installment proved that ACL is more than capable of putting together a lineup of talented, relevant artists who create a strong draw. ACL brought out the big guns for their 15th year, showing how far they’ve come since their folksy beginnings. The result was one of the festival’s best years yet.

–David Sackllah
Contributing Writer


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