Last year’s Sundance Film Festival offered a wealth of quality films, but of those that left a lasting impression, few were as bold as The Lure, Agnieszka Smoczynska’s striking feature-length debut about a pair of bloodthirsty mermaids who find indulgence and tragedy in modern-day Poland. Oh, and it’s also a musical. More of a new wave rock opera, really.
The premise alone should be enough to get your attention, but Smoczynska’s film offers far more than just a gimmick; rather, as we discovered at Sundance (one of a legion of festivals the film hit last year), “The Lure somehow manages to seamlessly assemble a film equal parts hilarious, affecting, and grisly while trading and warping aesthetics and tones by the scene.” It’s a wild piece of filmmaking, and the perfect antidote for the jaded moviegoer who thinks they’ve seen it all. Trust us, you haven’t seen anything quite like this before, and the film’s first trailer gives a pretty good taste of what audiences can expect, while holding back on some of the best stuff.
The Lure will debut at New York’s IFC Center on February 1st, and will hopefully appear elsewhere as the year goes on. In the meantime, a bit more about the film:
“In this bold, genre-defying horror-musical mashup — the playful and confident debut of Polish director Agnieszka Smoczynska — a pair of carnivorous mermaid sisters are drawn ashore in an alternate ’80s Poland to explore the wonders and temptations of life on land. Their tantalizing siren songs and otherworldly aura make them overnight sensations as nightclub singers in the half-glam, half-decrepit fantasy world of Smoczynska’s imagining. In a visceral twist on Hans Christian Andersen’s original Little Mermaid tale, one sister falls for a human, and as the bonds of sisterhood are tested, the lines between love and survival get blurred. A savage coming-of-age fairytale with a catchy new-wave soundtrack, lavishly grimy sets, and outrageous musical numbers, The Lure explores its themes of sexuality, exploitation, and the compromises of adulthood with energy and originality.”