Katherine Flynn is an editorial assistant at Preservation magazine in Washington, D.C. She enjoys live shows, discovering new bands, singing along with Bruce Springsteen, strumming her ukulele, and cultivating a secret affinity for Drake.
Twitter: kateallthetime
Favorite artists: Chris Bathgate, Gillian Welch, St. Vincent, Talking Heads, WHY?, Pavement, New Order, Bon Iver, The Tallest Man on Earth, Andrew Bird, Broken Social Scene, Arcade Fire, The National, Death Cab for Cutie, Devendra Banhart, Beach House
Articles by Katherine Flynn
By Katherine Flynn on May 24th, 2013
A summer record even for the winter months.
By Katherine Flynn on April 24th, 2013
Easy to love, but hard to love more than anything else.
By Katherine Flynn on April 4th, 2013
They were really something once.
By Katherine Flynn on March 28th, 2013
An overstuffed pop album for when everything is beautiful and nothing hurts.
By Katherine Flynn on March 7th, 2013
Aches to be the soundtrack to an empty room.
By Katherine Flynn on February 15th, 2013
What it lacks in clarity, it makes up for in force of emotion.
By Katherine Flynn on November 19th, 2012
Brian Molko & co. seem to be returning to their late '90s hijinks.
By Katherine Flynn on November 8th, 2012
My live-in boyfriend stood a few yards away from me, staring down at our apartment’s hardwood floor as though he would find the words he was struggling to string together there, carved in the boards in between his feet. When he looked back up, it was with an expression that had become painfully familiar in the last few months—equal parts anger, disappointment, and bewilderment, as though he had woken up in a strange bed one day with no knowledge of how he’d gotten there. It hurt just to look at him.
By Katherine Flynn on October 3rd, 2012
Plaintive folk for solitary nights and a glass of Maker's.
By Katherine Flynn on September 4th, 2012
Evocative and nostalgic -- the aural equivalent of a dusty old attic.