Makes you almost wish Green had gone back to his fascination with non sequiturs and body parts.
Two will most likely garner a yawn at one point or another throughout the runtime, but when Williams and MacColl click, sit up and take note.
Back in the late ’70s and early ’80s, if you were a Kiwi and a punker, you needed no introduction to The Clean.
Walker Percy might’ve donned headphones for such an album as this.
It wasn’t Jason Kutchma’s combat boots with spurs. It wasn’t the duct tape on Mike Jackson’s guitar, or the count offs: “1, 2, 3, GO!” Neither was it that Kutchma’s guitar strap came unsecured on the first track from jumping around. It wasn’t the head down, off to the races drumming or the constant smile [...]
Grab a beer. Add a lime wedge. Coconut Rock is the soundtrack for the summer of 2009.
We thought Pilgrim was pretty good for a freshman release. Following up the initial release of that album earlier this year, blue collar rockers Red Collar are set to release the obligatory vinyl version of the record via Loose Charm Records. Keeping with the band’s do-it-yourself roots, all the sleeves of the records did time in a [...]
We’ve shed a few words a couple of times before on Ear Pwr, and none of us foresaw the group questioning existence in a music video. We figured the band for a more pedestrian outfit. When you name a track “Cats is People, Too”…
But what’s that? The video includes a man dressed as a zebra [...]
Whether speaking of the macabre keys or the reverb-heavy, timorous (but certainly not weak) vocals, David Thomas Owen IV has created a world unto itself on the album. In so doing, Solace My King represents a complex network of fears, dread, and neuroses covered intermittently with hope. Owen has created a complete work, the most complete likely to be released this year.
Flaws aside, The Knot is a release for Wye Oak to be proud of.