For a film about the importance of innovation, it’s a rather bleak affair.
Claudia Llosa’s latest entry is an icy and sterile drama.
Maya Jane Coles dives into dubstep without compromising her house roots.
Nick Thorburn’s solo record is half trippy synthpop and half moody IDM, but neither half quite fills out.
The Oregon duo recorded as much as possible for their self-titled LP, but it’s hard to tell the results apart.
A small and gorgeous, though flawed, look at the Wild West.
This doc is as nice and flavorful and yellow as a Nilla cookie.
Haley Fohr rings in a new era of Circuit des Yeux.
On their third LP, the psych rockers take on the bruises of love with disco and funk.
Quit multitasking for half an hour and give this evocative instrumental offering your undivided attention.
An intimate documentary of Elliott Smith that plays like a mixtape or a fanzine.
La Luz frontwoman branches out with some success.
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