By Dan Caffrey on May 25th, 2011
hile pop music is characterized by its glossy sheen, artists’ best work often happens when they accidentally let their roughness show. Take the new self-titled EP from New York-based singer-songwriter Aimee Bayles, for instance. Although the first four tracks are charming and catchy (bolstered by lush piano and string arrangements from Nat Osborn), the record’s strongest [...]