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	<title>Consequence of Sound &#187; CoS 2007 Top Albums</title>
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		<title>2007&#8242;s Top 50 Albums: #1 &#8211; Boxer</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-1-boxer/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-1-boxer/#comments</comments>
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		<pubDate>Sat, 22 Dec 2007 19:11:23 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[The National]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-1-boxer/</guid>
		<description><![CDATA[#1 &#8211; The National &#8211; Boxer Paste Magazine and myself seem to be agreeing on quite a few things these days. We both believe that Juno was the best film of 2007. We both are paying tribute to the legend that is Joe Strummer. And now, we both seem to think that The National&#8217;s Boxer [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#1</font> &#8211; The National &#8211; <i>Boxer</i></font><font color="#ff0000"><i><br />
</i></font></h4>
<p style="text-align:center;"><img src="http://img253.imageshack.us/img253/7007/thenationalboxerrn6.jpg" height="300" width="300" /></p>
<p><i>Paste Magazine</i> and myself seem to be agreeing on quite a few things these days. We both believe that <a href="http://www.pastemagazine.com/action/article/5939/signs_of_life_2007_best_films"><i>Juno</i> was the best film of 2007</a>.  We both are <a href="http://www.pastemagazine.com/action/article/5818/Pasted_Issue_38">paying tribute</a> to the legend that is Joe Strummer. And now, we both seem to think that <a href="http://www.pastemagazine.com/action/article/5906/feature/music/the_national">The National&#8217;s <i>Boxer</i> was the best album of 2007</a>. It&#8217;s not that I&#8217;m a huge fanatic of <i>Paste</i>. In fact, I only recently subscribed to it because of the whole <a href="http://www.insidepulse.com/article_v3.php?contentid=71599&amp;rssAuthor=1">$1 subscription gimmick</a>. But it&#8217;s hard to disagree with them over their choice. The National, who easily can be considered one of the most talented bands currently out there, made an album that is simply extraordinary. There&#8217;s really no other way to put it.</p>
<p>Ironically, The National are the <a href="http://consequenceofsound.com/2007/12/22/2007s-top-50-albums-2-magic/">exact type of band I talked about</a> who have tremendously influenced by Springsteen. In fact, <i>Paste</i> deemed them the blue collar version of the E Street Band . The similarities are staggering. The five-piece former Cincinnati, now Brooklyn natives play the same type of emotional charged songs backed with the vivid, real world lyrics sung by the equally passionate Matt Berninger. The songs are often more like imagery-laced stories that depict everything from the superficial, egotistic nature that plagues America in &#8220;Fake Empire&#8221; to the struggles of alcoholism in &#8220;Green Gloves&#8221;. But what makes them truly special is Berninger&#8217;s unique heartfelt, baritone voice singing the words like poetry over the complex sound of the band. Everything seems torn and conflicted.</p>
<p><i>Boxer</i> lacks the musical fury of 2005&#8242;s <i>Alligator</i>.  Sure, the intensity present on &#8220;Mr. November&#8221; can be found on this album, but it occurs in a different manner. The more soft and controlled sound of <i>Boxer</i>  allows the true passion and the resulting internal conflict of Beringer to be fully appreciated. He is a poet taking each word, each rhythm in stride, deciphering it&#8217;s true meaning along the way. The musicality of the album complement each of Beringer&#8217;s lyrical journeys perfectly. The soft piano accompaniment helps establish the sorrowing state of corporate success in &#8220;Racing Like a Pro,&#8221; while the  orchestra like sound of &#8220;Start a War,&#8221; help create the image of the passionate yet fragile state of relationships. The album is brilliant in every aspect. And to think, these guys went mostly unnoticed until 2005. They are one of the true representations of the potential brilliance of music.</p>
<p><a href="http://en.wikipedia.org/wiki/Boxer_%28album%29"><i>Boxer</i> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Boxer-National/dp/B000O5AYCA">Amazon.com</a></p>
<p><a href="http://www.myspace.com/thenational">Listen to a stream </a></p>
<p><b>Check Out:</b><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Fake%20Empire.mp3">&#8220;Fake Empire&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Squalor%20Victoria.mp3">&#8220;Squalor Victoria&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#1 - The National - <i>Boxer</i><i>
</i>

<i>Paste Magazine</i> and myself seem to be agreeing on quite a few things these days. We both believe that <i>Juno</i> was the best film of 2007.  We both are paying tribute to the legend that is Joe Strummer. And now, we both seem to think that The National's <i>Boxer</i> was the best album of 2007. It's not that I'm a huge fanatic of <i>Paste</i>. In fact, I only recently subscribed to it because of the whole $1 subscription gimmick. But it's hard to disagree with them over their choice. The National, who easily can be considered one of the most talented bands currently out there, made an album that is simply extraordinary. There's really no other way to put it.

Ironically, The National are the exact type of band I talked about who have tremendously influenced by Springsteen. In fact, <i>Paste</i> deemed them the blue collar version of the E Street Band . The similarities are staggering. The five-piece former Cincinnati, now Brooklyn natives play the same type of emotional charged songs backed with the vivid, real world lyrics sung by the equally passionate Matt Berninger. The songs are often more like imagery-laced stories that depict everything from the superficial, egotistic nature that plagues America in "Fake Empire" to the struggles of alcoholism in "Green Gloves". But what makes them truly special is Berninger's unique heartfelt, baritone voice singing the words like poetry over the complex sound of the band. Everything seems torn and conflicted.

<i>Boxer</i> lacks the musical fury of 2005's <i>Alligator</i>.  Sure, the intensity present on "Mr. November" can be found on this album, but it occurs in a different manner. The more soft and controlled sound of <i>Boxer</i>  allows the true passion and the resulting internal conflict of Beringer to be fully appreciated. He is a poet taking each word, each rhythm in stride, deciphering it's true meaning along the way. The musicality of the album complement each of Beringer's lyrical journeys perfectly. The soft piano accompaniment helps establish the sorrowing state of corporate success in "Racing Like a Pro," while the  orchestra like sound of "Start a War," help create the image of the passionate yet fragile state of relationships. The album is brilliant in every aspect. And to think, these guys went mostly unnoticed until 2005. They are one of the true representations of the potential brilliance of music.

<i>Boxer</i> information

Buy the album on Amazon.com

Listen to a stream 

<b>Check Out:</b>
"Fake Empire"
"Squalor Victoria"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>4</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #2 &#8211; Magic</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-2-magic/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-2-magic/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sat, 22 Dec 2007 05:07:23 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Bruce Springsteen]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-2-magic/</guid>
		<description><![CDATA[#2 &#8211; Bruce Springsteen &#8211; Magic Since the conception of this blog, I&#8217;ve sure done my share of postings on Bruce Springsteen. It&#8217;s not just because I grew up in a household where his discography was constantly blasted into my ears. Nor was it because that even after 30+ years, he is still on the [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#2</font> &#8211; Bruce Springsteen &#8211; <i>Magic</i></font><font color="#ff0000"><i><br />
</i></font></h4>
<p style="text-align:center;"><img src="http://img520.imageshack.us/img520/1938/magic648ff7.jpg" height="300" width="300" /></p>
<p>Since the conception of this blog, I&#8217;ve sure done my share of postings on <a href="http://consequenceofsound.com/category/bruce-springsteen/">Bruce Springsteen</a>. It&#8217;s not just because I grew up in a household where his discography was constantly blasted into my ears. Nor was it because that even after 30+ years, he is still on the top of his game. The thing I find most fascinating in regards to Springsteen is that it&#8217;s almost as if he is the father figure for many of today&#8217;s best musicians. Just off the top of my head, from <a href="http://blog.washingtonpost.com/postrock/2007/11/meet_the_new_bosses_indie_find.html">Oberst</a> to <a href="http://consequenceofsound.com/2007/12/18/2007s-top-50-albums-7-easy-tiger/">Adams</a>, <a href="http://www.brooklynvegan.com/archives/2006/01/pics_of_the_nat.html">The National</a> to <a href="http://www.spin.com/features/magazine/2007/11/0712_bruce_is_boss/">The Hold Steady</a>, I can name at least a hundred musicians who have clearly been influenced by The Boss. These are the same people that compose today&#8217;s  indie and alternative music world, and who we blog about everyday. Yet without the influence of Springsteen, the sounds and lyrical styles of these great artists may never have come about.</p>
<p>Remarkably, Springsteen is still developing the very sound and song-writing skills that have been an influence for so many others. And if 2007&#8242;s <i>Magic</i> is any representation of the current state of the native New Jerseyan (accompanied again with the legendary E Street Band), he&#8217;s still alive and kicking with the same fury and passion that was present in <i>Born to Run</i> some 30 years ago. In fact, songs like &#8220;Livin&#8217; In the Future&#8221; and &#8220;Long Walk Home&#8221; sound as if they would fit perfectly on the legendary album. As a whole however, <i>Magic</i> is almost a compilation of Springsteen&#8217;s sounds and styles through his career. From the <i>Nebraska</i> sounding &#8220;Magic&#8221; to &#8220;Girls In Summer Clothes,&#8221; a song with very a the same type of melody found on <i>The Rising, </i>there is something for every type of Springsteen fan.</p>
<p>All 12 of <i>Magic</i>&#8216;s tracks are gems, which is just another attribute of Springsteen&#8217;s talents. In fact, there has never been a need for filler in any of his albums because even when the sounds are simple and the musicality isn&#8217;t great, the song-writing remains out of this world. Though no songs on <i>Magic </i>fit this description, the album certain exemplifies The Boss&#8217; masterful, vivid, story-like lyrics. &#8220;Long Walk Home,&#8221; one of the album&#8217;s lyrical high points is a metaphor for Springsteen&#8217;s belief on how far the United States has swayed from it&#8217;s principals. Even the album&#8217;s most furious and powerful tune &#8220;Radio Nowhere,&#8221; offers a fun, yet discouraging look at the dwindling state of mainstream music. No topic is left untapped. Springsteen is truly one of the world&#8217;s last great spokesman. It&#8217;s no wonder so many are trying to emulate him.</p>
<p><a href="http://en.wikipedia.org/wiki/Magic_%28Bruce_Springsteen_album%29"><i>Magic</i> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Magic-Bruce-Springsteen/dp/B000V8I2QU">Amazon.com</a></p>
<p><a href="http://www.myspace.com/brucespringsteen">Listen to a stream </a></p>
<p><b>Check Out:</b><br />
<a href="http://www.fileden.com/files/2007/9/13/1429629/Bruce%20Springsteen%20-%2001%20-%20Radio%20Nowhere.mp3">&#8220;Radio Nowhere&#8221;</a><br />
<a href="http://www.fileden.com/files/2007/9/13/1429629/04%20Your%20Own%20Worst%20Enemy.mp3">&#8220;Your Own Worst Enemy&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#2 - Bruce Springsteen - <i>Magic</i><i>
</i>

Since the conception of this blog, I've sure done my share of postings on Bruce Springsteen. It's not just because I grew up in a household where his discography was constantly blasted into my ears. Nor was it because that even after 30+ years, he is still on the top of his game. The thing I find most fascinating in regards to Springsteen is that it's almost as if he is the father figure for many of today's best musicians. Just off the top of my head, from Oberst to Adams, The National to The Hold Steady, I can name at least a hundred musicians who have clearly been influenced by The Boss. These are the same people that compose today's  indie and alternative music world, and who we blog about everyday. Yet without the influence of Springsteen, the sounds and lyrical styles of these great artists may never have come about.

Remarkably, Springsteen is still developing the very sound and song-writing skills that have been an influence for so many others. And if 2007's <i>Magic</i> is any representation of the current state of the native New Jerseyan (accompanied again with the legendary E Street Band), he's still alive and kicking with the same fury and passion that was present in <i>Born to Run</i> some 30 years ago. In fact, songs like "Livin' In the Future" and "Long Walk Home" sound as if they would fit perfectly on the legendary album. As a whole however, <i>Magic</i> is almost a compilation of Springsteen's sounds and styles through his career. From the <i>Nebraska</i> sounding "Magic" to "Girls In Summer Clothes," a song with very a the same type of melody found on <i>The Rising, </i>there is something for every type of Springsteen fan.

All 12 of <i>Magic</i>'s tracks are gems, which is just another attribute of Springsteen's talents. In fact, there has never been a need for filler in any of his albums because even when the sounds are simple and the musicality isn't great, the song-writing remains out of this world. Though no songs on <i>Magic </i>fit this description, the album certain exemplifies The Boss' masterful, vivid, story-like lyrics. "Long Walk Home," one of the album's lyrical high points is a metaphor for Springsteen's belief on how far the United States has swayed from it's principals. Even the album's most furious and powerful tune "Radio Nowhere," offers a fun, yet discouraging look at the dwindling state of mainstream music. No topic is left untapped. Springsteen is truly one of the world's last great spokesman. It's no wonder so many are trying to emulate him.

<i>Magic</i> information

Buy the album on Amazon.com

Listen to a stream 

<b>Check Out:</b>
"Radio Nowhere"
"Your Own Worst Enemy"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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<src><![CDATA[http://img520.imageshack.us/img520/1938/magic648ff7.jpg]]></src>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>2007&#8242;s Top 50 Albums: #3 &#8211; Sound of Silver</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-3-sound-of-silver/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-3-sound-of-silver/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Fri, 21 Dec 2007 18:44:59 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[LCD Soundsystem]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-3-sound-of-silver/</guid>
		<description><![CDATA[#3 &#8211; LCD Soundsystem &#8211; Sound of Silver I don&#8217;t really think I fully realized the talents and overall quality of LCD Soundsystem until I saw them live. I initially listened to Sound of Silver and thought, &#8220;wow, this is some catchy, little dance music.&#8221; Yet, I doubt at that time that I thought nine [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#3</font> &#8211; LCD Soundsystem &#8211; <em>Sound of Silver</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img148.imageshack.us/img148/9836/lcdsoundsystemsoundofsirv6.jpg" border="1" height="300" width="300" /></p>
<p>I don&#8217;t really think I fully realized the talents and overall quality of LCD Soundsystem until I saw them live. I initially listened to Sound of Silver and thought, &#8220;wow, this is some catchy, little dance music.&#8221; Yet, I doubt at that time that I thought nine months later I&#8217;d be writing about it as the third best album of 2007. However, this was before I saw James Murphy and company play with Arcade Fire in October. Though I referred to it as <a href="http://consequenceofsound.com/category/arcade-fest-2007/">&#8220;Arcade Fest 2007,&#8221;</a> it was <a href="http://consequenceofsound.com/2007/10/08/concert-review-lcd-soundsystem-randalls-island-106/#more-104">LCD Soundsystem who stole the show</a>. They were just full of passion and raw energy, and even in a field surrounded by 20,000 people, the sound just overwhelmed me. After the show, I raced back home to give <em>Sound of Silver </em>another shot.</p>
<p><em>Sound of Silver </em>is an infectious dance album full of unique instrumentations that produce equally strange rhythms. That&#8217;s probably the most simple way you can put it. Add this to the humorous, but eccentric  lyrics and vocals of Murphy and LCD Soundsystem is creating some of the most entertaining music around. While the <em>Sound of Silver</em> is less complicated and more mainstream friendly in sound than 2005&#8242;s s/t debut, it&#8217;s still just as unique and full of the trademark inside references and name drops that lead to more confusion that clarity. What more, it&#8217;s one of those albums that even after listening to 10 times, you&#8217;ll discover some new sound or rhythm you&#8217;ve never heard before on the 11th listen. And sometimes that&#8217;s not even enough. For example, it wasn&#8217;t until seeing them live did I hear the  beauty of the bongos and bells in &#8220;Us v Them&#8221; that gives the song just another layer of feeling.</p>
<p>Seeing LCD Soundsystem live gave me a greater appreciation for their music and I certainly believe that listening to them on a CD or mp3 doesn&#8217;t at all give them justice. With that being said, it&#8217;s still hard to deny the quality of <em>Sound of Silver. </em>It&#8217;s a representation of true musical talent and some of the best dance music since&#8230;um&#8230;Daft Punk? But until you see them live, as great as this album is, well let&#8217;s just say, you&#8217;re missing out.</p>
<p><a href="http://en.wikipedia.org/wiki/Sound_of_Silver"><em>Sound of Silver</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Sound-Silver-LCD-Soundsystem/dp/B000M3452Y">Amazon.com</a></p>
<p><a href="http://www.lcdsoundsystem.com/audio.html">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20North%20American%20Scum.mp3"> &#8220;North American Scum&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/06%20Us%20v%20Them.mp3">&#8220;Us v Them&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#3 - LCD Soundsystem - <em>Sound of Silver</em><em>
</em>

I don't really think I fully realized the talents and overall quality of LCD Soundsystem until I saw them live. I initially listened to Sound of Silver and thought, "wow, this is some catchy, little dance music." Yet, I doubt at that time that I thought nine months later I'd be writing about it as the third best album of 2007. However, this was before I saw James Murphy and company play with Arcade Fire in October. Though I referred to it as "Arcade Fest 2007," it was LCD Soundsystem who stole the show. They were just full of passion and raw energy, and even in a field surrounded by 20,000 people, the sound just overwhelmed me. After the show, I raced back home to give <em>Sound of Silver </em>another shot.

<em>Sound of Silver </em>is an infectious dance album full of unique instrumentations that produce equally strange rhythms. That's probably the most simple way you can put it. Add this to the humorous, but eccentric  lyrics and vocals of Murphy and LCD Soundsystem is creating some of the most entertaining music around. While the <em>Sound of Silver</em> is less complicated and more mainstream friendly in sound than 2005's s/t debut, it's still just as unique and full of the trademark inside references and name drops that lead to more confusion that clarity. What more, it's one of those albums that even after listening to 10 times, you'll discover some new sound or rhythm you've never heard before on the 11th listen. And sometimes that's not even enough. For example, it wasn't until seeing them live did I hear the  beauty of the bongos and bells in "Us v Them" that gives the song just another layer of feeling.

Seeing LCD Soundsystem live gave me a greater appreciation for their music and I certainly believe that listening to them on a CD or mp3 doesn't at all give them justice. With that being said, it's still hard to deny the quality of <em>Sound of Silver. </em>It's a representation of true musical talent and some of the best dance music since...um...Daft Punk? But until you see them live, as great as this album is, well let's just say, you're missing out.

<em>Sound of Silver</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
 "North American Scum"
"Us v Them"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>1</slash:comments>
<enclosure url="http://premium.fileden.com/premium/2007/9/13/1429629/03%20North%20American%20Scum.mp3" length="13102409" type="audio/mpeg" />
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		<title>2007&#8242;s Top 50 Albums: #4 &#8211; The Stage Names</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-4-the-stage-names/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-4-the-stage-names/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Thu, 20 Dec 2007 04:43:15 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Okkervil River]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-4-the-stage-names/</guid>
		<description><![CDATA[#4 &#8211; Okkervil River &#8211; The Stage Names I&#8217;ll be honest. Before hearing The Stage Names, I was fairly unfamiliar with Okkervil River. I had heard them a few times around, but never had really gave them a honest listen. But after hearing their 2007 album, I was hooked. It&#8217;s everything one could want in [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#4</font> &#8211; Okkervil River &#8211; <em>The Stage Names</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img524.imageshack.us/img524/6137/thestagenamesgd1.jpg" /></p>
<p>I&#8217;ll be honest. Before hearing <em>The Stage Names, </em>I was fairly unfamiliar with Okkervil River. I had heard them a few times around, but never had really gave them a honest listen. But after hearing their 2007 album, I was hooked. It&#8217;s everything one could want in an album &#8211; passionate and vivid lyrics, intense and compelling sound and an unbelievable underlying theme. I think <a href="http://www.popmatters.com/pm/music/reviews/46957/okkervil-river-the-stage-names/">Popmatters</a> put it best saying, &#8220;part of [Will] Sheff’s new statement seems to be that music—as a cohesive factor, as a meaning for life—is a valid alternative to despair. <em>The Stage Names</em> is just one of those albums where music does all the talking.  Even in the darkest of lyrical themes, it has a way of reminding you that, music can bring about some good.</p>
<p>The sound of <em>The Stage Names </em>is both powerful and fierce, but also soft and pleasant. Though I <a href="http://consequenceofsound.com/2007/12/13/cos-top-30-songs-of-2007/">didn&#8217;t do rankings</a>, the album&#8217;s first track, &#8220;Our Life Is Not A Movie Or Maybe&#8221; is easily my choice for song of the year. The song almost sets the mood and the theme for the rest of the album. With the lyrics &#8220;It’s just a life story, so there’s no climax./No more new territory, so pull away the imax,&#8221; Sheff and company assert the idea that life is not at all like a movie. It&#8217;s full of despair, agony and suffering. Yet blending with these heartfelt ideas is the melodies of catchy guitar riffs that sound almost like they are getting louder throughout the song. And it is this intensity and passion that presents the idea of music as an alternative. You almost become overcomed by it&#8217;s rocky nature and forget about the actual message being conveyed.</p>
<p>Yet in the next song &#8220;Unless It Kicks&#8221;, Sheff discuses the almost at times overwhelming nature of music, &#8220;What breaks this heart the most is the ghost of some rock and roll fan/Exploding up from the stands.&#8221; This isn&#8217;t necessarily a bad thing though because through music, no one will ever be truly alone. And this is truly what makes <em>The Stage Names</em> great. It conveys what all of us, who are music fans, have thought at one point or another. But it does it with thought provoking lyrics and a beautiful, full sound.</p>
<p><a href="http://en.wikipedia.org/wiki/The_Stage_Names"><em>The Stage Names</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Stage-Names-Okkervil-River/dp/B000SINSUS">Amazon.com</a></p>
<p><a href="http://www.myspace.com/okkervilriver">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Our%20Life%20Is%20Not%20A%20Movie%20Or%20Maybe.mp3">&#8220;Our Life Is Not A Movie Or Maybe&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/05%20Plus%20Ones.mp3">&#8220;Plus Ones&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#4 - Okkervil River - <em>The Stage Names</em><em>
</em>

I'll be honest. Before hearing <em>The Stage Names, </em>I was fairly unfamiliar with Okkervil River. I had heard them a few times around, but never had really gave them a honest listen. But after hearing their 2007 album, I was hooked. It's everything one could want in an album - passionate and vivid lyrics, intense and compelling sound and an unbelievable underlying theme. I think Popmatters put it best saying, "part of [Will] Sheff’s new statement seems to be that music—as a cohesive factor, as a meaning for life—is a valid alternative to despair. <em>The Stage Names</em> is just one of those albums where music does all the talking.  Even in the darkest of lyrical themes, it has a way of reminding you that, music can bring about some good.

The sound of <em>The Stage Names </em>is both powerful and fierce, but also soft and pleasant. Though I didn't do rankings, the album's first track, "Our Life Is Not A Movie Or Maybe" is easily my choice for song of the year. The song almost sets the mood and the theme for the rest of the album. With the lyrics "It’s just a life story, so there’s no climax./No more new territory, so pull away the imax," Sheff and company assert the idea that life is not at all like a movie. It's full of despair, agony and suffering. Yet blending with these heartfelt ideas is the melodies of catchy guitar riffs that sound almost like they are getting louder throughout the song. And it is this intensity and passion that presents the idea of music as an alternative. You almost become overcomed by it's rocky nature and forget about the actual message being conveyed.

Yet in the next song "Unless It Kicks", Sheff discuses the almost at times overwhelming nature of music, "What breaks this heart the most is the ghost of some rock and roll fan/Exploding up from the stands." This isn't necessarily a bad thing though because through music, no one will ever be truly alone. And this is truly what makes <em>The Stage Names</em> great. It conveys what all of us, who are music fans, have thought at one point or another. But it does it with thought provoking lyrics and a beautiful, full sound.

<em>The Stage Names</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Our Life Is Not A Movie Or Maybe"
"Plus Ones"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #5 &#8211; Shotter&#8217;s Nation</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-5-shotters-nation/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-5-shotters-nation/#comments</comments>
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		<pubDate>Wed, 19 Dec 2007 15:31:59 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Babyshambles]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Pete Doherty]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-5-shotters-nation/</guid>
		<description><![CDATA[#5 &#8211; Babyshambles &#8211; Shotter&#8217;s Nation Anyone who frequents this site can tell that I have a fascination with former Libertine and current Babyshambles frontman Pete Doherty. I don&#8217;t really know why, but there&#8217;s just something that makes him so compelling and interesting. And no it&#8217;s not the rampant drug use or tabloid lifestyle. He [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#5</font> &#8211; Babyshambles &#8211; <em>Shotter&#8217;s Nation</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img529.imageshack.us/img529/1540/babyshamblesshottersnatsz8.jpg" height="300" width="300" /></p>
<p>Anyone who frequents this site can tell that I have a fascination with former Libertine and current Babyshambles frontman <a href="http://consequenceofsound.com/category/pete-doherty/">Pete Doherty</a>. I don&#8217;t really know why, but there&#8217;s just something that makes him so compelling and interesting. And no it&#8217;s not the rampant drug use or tabloid lifestyle. He always seems to have had an unbelievable ability to write and create good music and like him or not, it&#8217;s hard to deny the talents of Doherty. And fortunately, he found some time to straighten up and make one hell of an album.</p>
<p>Perhaps the biggest criticism of the Babyshambles&#8217; debut album <em>Down in Albion</em> was that it was too messy, disorganized, and seemed thrown together. <em>Shotter&#8217;s Nation </em>is quite the opposite as it reflects some of Doherty&#8217;s most focused sound since his Libertines days. The sound of the band is tight. Doherty&#8217;s voice is astonishingly strong. And the lyrics, though still autobiographical stories telling of the times and troubles of the frontman&#8217;s life, are smarter and more passionate. His song-writing is more real, more vivid, and more beautiful than ever. The song “The Lost Art of Murder,” uses imagery and references to Edgar Allan Poe&#8217;s &#8220;The Raven&#8221; to allude to Doherty&#8217;s rampant drugs that has left him alone and without love.  No topic is left untouched.</p>
<p>Doherty offers nothing groundbreaking. It&#8217;s the same sounds, same song-writing abilities that we&#8217;ve experienced throughout his career. But <em>Shotter&#8217;s Nation</em> does show his true potential. Just a bit of sobriety led to an album full of catchy music and some of the most profound lyrics of the year. Who knows what could result if Doherty completely turned his life around. Hopefully one day, we&#8217;ll find out.</p>
<p><a href="http://en.wikipedia.org/wiki/Shotter%27s_Nation"><em>Shotter&#8217;s Nation</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Shotters-Nation-Babyshambles/dp/B000VBJAR2">Amazon.com</a></p>
<p><a href="http://www.mtv.co.uk/channel/mtv2/home/24092007/mtv_album_leak_babyshambles_exclusive">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Delivery.mp3">&#8220;Delivery&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/08%20French%20Dog%20Blues.mp3">&#8220;French Dog Blues&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#5 - Babyshambles - <em>Shotter's Nation</em><em>
</em>

Anyone who frequents this site can tell that I have a fascination with former Libertine and current Babyshambles frontman Pete Doherty. I don't really know why, but there's just something that makes him so compelling and interesting. And no it's not the rampant drug use or tabloid lifestyle. He always seems to have had an unbelievable ability to write and create good music and like him or not, it's hard to deny the talents of Doherty. And fortunately, he found some time to straighten up and make one hell of an album.

Perhaps the biggest criticism of the Babyshambles' debut album <em>Down in Albion</em> was that it was too messy, disorganized, and seemed thrown together. <em>Shotter's Nation </em>is quite the opposite as it reflects some of Doherty's most focused sound since his Libertines days. The sound of the band is tight. Doherty's voice is astonishingly strong. And the lyrics, though still autobiographical stories telling of the times and troubles of the frontman's life, are smarter and more passionate. His song-writing is more real, more vivid, and more beautiful than ever. The song “The Lost Art of Murder,” uses imagery and references to Edgar Allan Poe's "The Raven" to allude to Doherty's rampant drugs that has left him alone and without love.  No topic is left untouched.

Doherty offers nothing groundbreaking. It's the same sounds, same song-writing abilities that we've experienced throughout his career. But <em>Shotter's Nation</em> does show his true potential. Just a bit of sobriety led to an album full of catchy music and some of the most profound lyrics of the year. Who knows what could result if Doherty completely turned his life around. Hopefully one day, we'll find out.

<em>Shotter's Nation</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Delivery"
"French Dog Blues"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #6 &#8211; Icky Thump</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-6-icky-thump/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-6-icky-thump/#comments</comments>
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		<pubDate>Tue, 18 Dec 2007 16:27:18 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[The White Stripes]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-6-icky-thump/</guid>
		<description><![CDATA[#6 &#8211; The White Stripes &#8211; Icky Thump Icky Thump can easily be considered the most fun and enjoyable album of 2007. Everything relating to the album&#8217;s release, from the camera promotion to the Beck collaborated b-sides were just fascinating to experience and write about. Yet, it&#8217;s the remarkable guitar playing of Jack White and [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#6</font> &#8211; The White Stripes &#8211; <em>Icky Thump</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img100.imageshack.us/img100/6500/thewhitestripesickythumid2.jpg" height="300" width="300" /></p>
<p><em>Icky Thump </em>can easily be considered the most fun and enjoyable album of 2007. Everything relating to the album&#8217;s release, from <a href="http://www.pitchforkmedia.com/page/news/46345-the-white-stripes-sell-cameras">the camera promotion</a> to the Beck <a href="http://en.wikipedia.org/wiki/Conquest_%28song%29">collaborated b-sides </a> were just fascinating to experience and write about. Yet, it&#8217;s the remarkable guitar playing of Jack White and the catchy drum beats of his &#8220;little sister&#8221; Meg that still produce some of the infectious music around, and what continues to separate them from nearly every other of those &#8220;rock bands&#8221;. What makes <em>Icky Thump  </em>different from previous White Stripes&#8217; albums is it&#8217;s fullness and expanded musicality. After all, who would of thought we&#8217;d ever hear bagpipes or the sound of a mariachi band on an album from a band has made their reputation from the fury of an electric guitar?</p>
<p>And this is where you have to give Jack White credit. Without a doubt, I enjoy listening to no one more playing their respective instrument than Jack White. Is he in the same class as Hendrix, Clapton, or Jimmy Page? Probably not, but there is just something about the the way he plays his guitar. And more often than not, it&#8217;s the sound of the guitar, and not the vocals of White that does most of the talking for the band. While <em>Icky Thump </em>certainly has it&#8217;s share of rock tunes, you have to give White credit for his experimentation. And as it turned out, two of the albums most diverse song, &#8220;Prickly Thorn, But Sweetly Worn&#8221; and &#8220;Conquest&#8221; turned out to be two of it&#8217;s best.  In the end however, it&#8217;s &#8220;Rag &amp; Bone&#8221; that steals the show, and what exemplifies everything great about the White Stripes &#8211; the positive energy, the witty, but still smart lyrics, and the typical astonishing guitar solo. Even in their most experimenting of  states, <em>Icky Thump</em> still show why they&#8217;re one of our best modern day rock bands.</p>
<p><a href="http://en.wikipedia.org/wiki/Icky_Thump"><em>Icky Thump</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Icky-Thump-White-Stripes/dp/B000OYC3J8">Amazon.com</a></p>
<p><a href="http://www.mtv.com/music/the_leak/the_white_stripes/icky_thump/">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/Icky%20Thump.mp3">&#8220;Icky Thump&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Conquest.m4a">&#8220;Conquest&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#6 - The White Stripes - <em>Icky Thump</em><em>
</em>

<em>Icky Thump </em>can easily be considered the most fun and enjoyable album of 2007. Everything relating to the album's release, from the camera promotion to the Beck collaborated b-sides  were just fascinating to experience and write about. Yet, it's the remarkable guitar playing of Jack White and the catchy drum beats of his "little sister" Meg that still produce some of the infectious music around, and what continues to separate them from nearly every other of those "rock bands". What makes <em>Icky Thump  </em>different from previous White Stripes' albums is it's fullness and expanded musicality. After all, who would of thought we'd ever hear bagpipes or the sound of a mariachi band on an album from a band has made their reputation from the fury of an electric guitar?

And this is where you have to give Jack White credit. Without a doubt, I enjoy listening to no one more playing their respective instrument than Jack White. Is he in the same class as Hendrix, Clapton, or Jimmy Page? Probably not, but there is just something about the the way he plays his guitar. And more often than not, it's the sound of the guitar, and not the vocals of White that does most of the talking for the band. While <em>Icky Thump </em>certainly has it's share of rock tunes, you have to give White credit for his experimentation. And as it turned out, two of the albums most diverse song, "Prickly Thorn, But Sweetly Worn" and "Conquest" turned out to be two of it's best.  In the end however, it's "Rag &amp; Bone" that steals the show, and what exemplifies everything great about the White Stripes - the positive energy, the witty, but still smart lyrics, and the typical astonishing guitar solo. Even in their most experimenting of  states, <em>Icky Thump</em> still show why they're one of our best modern day rock bands.

<em>Icky Thump</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Icky Thump"
"Conquest"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #7 &#8211; Easy Tiger</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-7-easy-tiger/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-7-easy-tiger/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Tue, 18 Dec 2007 04:18:05 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[DJ Reggie]]></category>
		<category><![CDATA[Ryan Adams]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-7-easy-tiger/</guid>
		<description><![CDATA[#7 &#8211; Ryan Adams &#8211; Easy Tiger While he&#8217;s not quite maturing in the same sense as Conor Obrest, Ryan Adams has certainly been trying to achieve more self-control as of late. He has apparently found sobriety and seems to hold a desire for more organization and clarity when it comes to his music career. [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#7</font> &#8211; Ryan Adams &#8211; <em>Easy Tiger</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img440.imageshack.us/img440/5316/ryancoverho4.jpg" height="300" width="300" /></p>
<p>While he&#8217;s not quite maturing in the same sense as <a href="http://consequenceofsound.com/2007/12/16/2007s-top-50-albums-10-cassadaga/">Conor Obrest</a>, Ryan Adams has certainly been trying to achieve more self-control as of late. He has apparently found <a href="http://www.nytimes.com/2007/06/17/arts/music/17decu.html?_r=2&amp;ref=arts&amp;oref=slogin&amp;oref=slogin">sobriety </a> and seems to hold a desire for more organization and clarity when it comes to his music career. Sure, he&#8217;s remains eccentric and if the <a href="http://consequenceofsound.com/category/dj-reggie/">D.J. Reggie</a> videos tell you anything, Adams is certainly still has a love for experimentation. But <em>Easy Tiger </em>exemplifies this new found organization. More than any other album in his discography, it is concise, focused and full of direction. However, it&#8217;s an album that can appease any Adams&#8217; fans. Exhibiting the characteristic and ever popular Adam&#8217;s alt-country sound, <em>Easy Tiger</em> still packs a  rock punch and extraordinary lyrics.</p>
<p>But besides all the characteristics that we have been accustomed to when talking about any work of Ryan Adams, <em>Easy Tigers </em>offers something else. Maybe it&#8217;s the sobriety, but the album exhibits some of Adams best vocals to date. What more, though unacknowledged, the musical backing of The Cardinals allows for a tight and full sound, an aspect that has sometimes has been missed in past albums. While maybe not his best album, <em>Easy Tiger </em> offers the world yet another perspective of the talent and potential that is Ryan Adams.  His career has brought about so much musical brilliance. And fortunately there is still so much more to come.</p>
<p><a href="http://en.wikipedia.org/wiki/Easy_Tiger"><em>Easy Tiger</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Easy-Tiger-Ryan-Adams/dp/B000P29B1W">Amazon.com</a></p>
<p><a href="http://www.muchmusic.com/music/firstspin/ryanadams/">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Two.m4a">&#8220;Two&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Halloweenhead.m4a">&#8220;Halloweenhead&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#7 - Ryan Adams - <em>Easy Tiger</em><em>
</em>

While he's not quite maturing in the same sense as Conor Obrest, Ryan Adams has certainly been trying to achieve more self-control as of late. He has apparently found sobriety  and seems to hold a desire for more organization and clarity when it comes to his music career. Sure, he's remains eccentric and if the D.J. Reggie videos tell you anything, Adams is certainly still has a love for experimentation. But <em>Easy Tiger </em>exemplifies this new found organization. More than any other album in his discography, it is concise, focused and full of direction. However, it's an album that can appease any Adams' fans. Exhibiting the characteristic and ever popular Adam's alt-country sound, <em>Easy Tiger</em> still packs a  rock punch and extraordinary lyrics.

But besides all the characteristics that we have been accustomed to when talking about any work of Ryan Adams, <em>Easy Tigers </em>offers something else. Maybe it's the sobriety, but the album exhibits some of Adams best vocals to date. What more, though unacknowledged, the musical backing of The Cardinals allows for a tight and full sound, an aspect that has sometimes has been missed in past albums. While maybe not his best album, <em>Easy Tiger </em> offers the world yet another perspective of the talent and potential that is Ryan Adams.  His career has brought about so much musical brilliance. And fortunately there is still so much more to come.

<em>Easy Tiger</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Two"
"Halloweenhead"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #8 &#8211; Living with the Living</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-8-living-with-the-living/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-8-living-with-the-living/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Mon, 17 Dec 2007 18:33:02 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Ted Leo]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-8-living-with-the-living/</guid>
		<description><![CDATA[#8 &#8211; Ted Leo &#38; The Pharmacists &#8211; Living with the Living No one translates their energy, passion, and intensity into music more than Ted Leo. Both on and off the stage, Leo is one of the hardest working men in music and Living with the Living is just his latest example of musical excellence. [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#8</font> &#8211; Ted Leo &amp; The Pharmacists &#8211; <em>Living with the Living</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img137.imageshack.us/img137/8453/livingwiththelivingyy2.jpg" height="300" width="300" /></p>
<p>No one translates their energy, passion, and intensity into music more than Ted Leo. Both on and off the stage, Leo is one of the hardest working men in music and <em>Living with the Living </em>is just his latest example of musical excellence. As usual, the album features Leo&#8217;s trademark catchy rifts and exemplary song-writing ability. Like always, Leo analyzes all aspects of life from the happiness of love to the heartbreak despair. He&#8217;s of course also a bit rebellious, conveying much of his anti-war, anti-government attitudes. Yet, in the end,  as great a song-writer that he is, it&#8217;s the music that helps him do the talking.</p>
<p><em>Living with the Living&#8217;s </em>sound is Leo&#8217;s most experimental to date. As a result, each of the album&#8217;s 15 tracks are unique and distinct in sound. There is essentially something for any type of music fan, from the reggae-heavy &#8220;The Unwanted Things&#8221; to the punky &#8220;La Costa Brava&#8221;. But, more than anything, the various sounds and musicality of the album complement Leo&#8217;s lyrics and allow each song to convey a profound theme that is presented both through sound and word. For example, the politically charged &#8220;Bomb.Repeat.Bomb.&#8221; literally sounds like a war &#8211; both in the clashing of furious guitar and bass rifts and passionate, but lively and loud vocals of Leo. Each song is like it&#8217;s own distinct story. And both through word and sound, Ted Leo is the best when it comes to storytellers.</p>
<p><a href="http://en.wikipedia.org/wiki/Living_with_the_Living"><em>Writer&#8217;s Block</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Living-Ted-Leo-Pharmacists/dp/B000MQ55DO">Amazon.com</a></p>
<p><a href="http://www.touchandgorecords.com/bands/album.php?id=397">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20The%20Sons%20of%20Cain.mp3">&#8220;The Sons of Cain&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/05%20Colleen.mp3">&#8220;Colleen&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#8 - Ted Leo &amp; The Pharmacists - <em>Living with the Living</em><em>
</em>

No one translates their energy, passion, and intensity into music more than Ted Leo. Both on and off the stage, Leo is one of the hardest working men in music and <em>Living with the Living </em>is just his latest example of musical excellence. As usual, the album features Leo's trademark catchy rifts and exemplary song-writing ability. Like always, Leo analyzes all aspects of life from the happiness of love to the heartbreak despair. He's of course also a bit rebellious, conveying much of his anti-war, anti-government attitudes. Yet, in the end,  as great a song-writer that he is, it's the music that helps him do the talking.

<em>Living with the Living's </em>sound is Leo's most experimental to date. As a result, each of the album's 15 tracks are unique and distinct in sound. There is essentially something for any type of music fan, from the reggae-heavy "The Unwanted Things" to the punky "La Costa Brava". But, more than anything, the various sounds and musicality of the album complement Leo's lyrics and allow each song to convey a profound theme that is presented both through sound and word. For example, the politically charged "Bomb.Repeat.Bomb." literally sounds like a war - both in the clashing of furious guitar and bass rifts and passionate, but lively and loud vocals of Leo. Each song is like it's own distinct story. And both through word and sound, Ted Leo is the best when it comes to storytellers.

<em>Writer's Block</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"The Sons of Cain"
"Colleen"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #9 &#8211; Writer&#8217;s Block</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-9-writers-block/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-9-writers-block/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Mon, 17 Dec 2007 00:58:43 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Peter Bjorn and John]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-9-writers-block/</guid>
		<description><![CDATA[#9 &#8211; Peter Bjorn and John &#8211; Writer&#8217;s Block In some sense, Writer’s Block is the quintessential pop album. With melodic harmonies, catchy guitar riffs, and love-analyzing lyrics, Peter Bjorn and John created an album with a heart-warming, easy listening sound. But it’s the band&#8217;s experimentation that features the addition of synthesizers, steal drums, and [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#9</font> &#8211; Peter Bjorn and John &#8211; <em>Writer&#8217;s Block</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img340.imageshack.us/img340/5643/recordwritersblockdv9.jpg" height="269" width="300" /></p>
<p>In some sense, <em>Writer’s Block</em> is the quintessential pop album. With melodic harmonies, catchy guitar riffs, and love-analyzing lyrics, Peter Bjorn and John created an album with a heart-warming, easy listening sound. But it’s the band&#8217;s experimentation that features the addition of synthesizers, steal drums, and the likes of whistling provided by Bjorn Yttling that allow <em>Writer&#8217;s Block</em> to become one of the most musically unique albums of the year.</p>
<p>Though highlighted by a vocal appearance by Victoria Bergsman on “Young Folks” and the catchy vocal hooks of “Objects of My Affection,” it’s hard to find any flaw on Writer’s Block. Each of its 11 tracks compliments each other both musically and in upbeat nature, almost as if the album is just one, long pop song. <em>Writer’s Block</em> is so infectious that it has even transcended music lines, as everyone from Kayne West to Girl Talk have sampled it. They got to be doing something right.<br />
<a href="http://en.wikipedia.org/wiki/Cassadaga_%28album%29"></a></p>
<p><a href="http://en.wikipedia.org/wiki/Writer%27s_Block_%28album%29"><em>Writer&#8217;s Block</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Writers-Block-Peter-Bjorn-John/dp/B000FA58IE">Amazon.com</a></p>
<p><a href="http://www.myspace.com/peterbjornandjohn">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Amsterdam.mp3">&#8220;Amsterdam&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/06%20Up%20Against%20The%20Wall.mp3">&#8220;Up Against The Wall&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#9 - Peter Bjorn and John - <em>Writer's Block</em><em>
</em>

In some sense, <em>Writer’s Block</em> is the quintessential pop album. With melodic harmonies, catchy guitar riffs, and love-analyzing lyrics, Peter Bjorn and John created an album with a heart-warming, easy listening sound. But it’s the band's experimentation that features the addition of synthesizers, steal drums, and the likes of whistling provided by Bjorn Yttling that allow <em>Writer's Block</em> to become one of the most musically unique albums of the year.

Though highlighted by a vocal appearance by Victoria Bergsman on “Young Folks” and the catchy vocal hooks of “Objects of My Affection,” it’s hard to find any flaw on Writer’s Block. Each of its 11 tracks compliments each other both musically and in upbeat nature, almost as if the album is just one, long pop song. <em>Writer’s Block</em> is so infectious that it has even transcended music lines, as everyone from Kayne West to Girl Talk have sampled it. They got to be doing something right.


<em>Writer's Block</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Amsterdam"
"Up Against The Wall"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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<src><![CDATA[http://img340.imageshack.us/img340/5643/recordwritersblockdv9.jpg]]></src>
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		<title>2007&#8242;s Top 50 Albums: #10 &#8211; Cassadaga</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-10-cassadaga/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-10-cassadaga/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sun, 16 Dec 2007 18:49:03 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Bright Eyes]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-10-cassadaga/</guid>
		<description><![CDATA[#10 &#8211; Bright Eyes &#8211; Cassadaga Conor Obrest is perhaps the best example of artists who is maturing before our very eyes. Cassadaga marked Obrest&#8217;s transition into sobriety and exploration of life. The album&#8217;s sound is fuller and at times, more uplifting than past Bright Eyes&#8217; albums. What more, Obrest gives his best vocal performance [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#10</font> &#8211; Bright Eyes &#8211; <em>Cassadaga</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img47.imageshack.us/img47/691/brighteyescassadagaqg5.jpg" height="300" width="300" /></p>
<p>Conor Obrest is perhaps the best example of artists who is maturing before our very eyes. <em>Cassadaga </em>marked Obrest&#8217;s transition into sobriety and exploration of life. The album&#8217;s sound is fuller and at times, more uplifting than past Bright Eyes&#8217; albums. What more, Obrest gives his best vocal performance to date on the album. Gone is the whining and complaining, replaced with soul searching and questioning. For awhile, Obrest has been considered today&#8217;s generation best lyricist, our modern day version of Bob Dylan. In <em>Cassadaga, </em>Obrest improves on the aspect of his sound that always seemed to be a bit weak &#8211; the overall musicality of his band. What resulted was the band&#8217;s most talented and developed sound ever. Add this to the continued exemplary song-writing of Obrest, and you have Bright Eyes most ingenius work yet.</p>
<p>On <em>Cassadaga, </em>Obrest<em> </em>questions nearly every component of our lives. From politics to religion, nothing is spared by the former child prodigy. Yet, instead of overshadowing the album like they have in the past, the vocals of Obrest blend with each melody. Despite the despair, the loneliness, and the tangents, Obrest delivers a folk rock album that is both musically beatiful and full of meaning. And as a result, Obrest has essentially transformed into the voice of a generation. In the same way as Dylan, Young, Bragg, and Springsteen, Obrest has learned to use the expression of both music and words to convey the thoughts and opinions we all hold at one point or another.</p>
<p><a href="http://en.wikipedia.org/wiki/Cassadaga_%28album%29"><em>Cassadaga</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Cassadaga-Bright-Eyes/dp/B000N60HCW">Amazon.com</a></p>
<p><a href="http://www.saddle-creek.com/cassadaga/">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Four%20Winds.m4a">&#8220;Four Winds&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Hot%20Knives.m4a">&#8220;Hot Knives&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#10 - Bright Eyes - <em>Cassadaga</em><em>
</em>

Conor Obrest is perhaps the best example of artists who is maturing before our very eyes. <em>Cassadaga </em>marked Obrest's transition into sobriety and exploration of life. The album's sound is fuller and at times, more uplifting than past Bright Eyes' albums. What more, Obrest gives his best vocal performance to date on the album. Gone is the whining and complaining, replaced with soul searching and questioning. For awhile, Obrest has been considered today's generation best lyricist, our modern day version of Bob Dylan. In <em>Cassadaga, </em>Obrest improves on the aspect of his sound that always seemed to be a bit weak - the overall musicality of his band. What resulted was the band's most talented and developed sound ever. Add this to the continued exemplary song-writing of Obrest, and you have Bright Eyes most ingenius work yet.

On <em>Cassadaga, </em>Obrest<em> </em>questions nearly every component of our lives. From politics to religion, nothing is spared by the former child prodigy. Yet, instead of overshadowing the album like they have in the past, the vocals of Obrest blend with each melody. Despite the despair, the loneliness, and the tangents, Obrest delivers a folk rock album that is both musically beatiful and full of meaning. And as a result, Obrest has essentially transformed into the voice of a generation. In the same way as Dylan, Young, Bragg, and Springsteen, Obrest has learned to use the expression of both music and words to convey the thoughts and opinions we all hold at one point or another.

<em>Cassadaga</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Four Winds"
"Hot Knives"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #11 &#8211; Neon Bible</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-11-neon-bible/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-11-neon-bible/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sat, 15 Dec 2007 18:57:51 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Arcade Fire]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-11-neon-bible/</guid>
		<description><![CDATA[#11 &#8211; Arcade Fire &#8211; Neon Bible There is no question that Arcade Fire are one of the most talented bands currently out there. Their music has been described as ground breaking and life changing. But over the last year, my opinions toward them had waned. For some reason, maybe because of the magazine articles [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#11</font> &#8211; Arcade Fire &#8211; <em>Neon Bible</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img136.imageshack.us/img136/2765/digital20booklet2020neozu4.jpg" height="300" width="300" /></p>
<p>There is no question that Arcade Fire are one of the most talented bands currently out there. Their music has been described as ground breaking and life changing. But over the last year, my opinions toward them had waned. For some reason, maybe because of the magazine articles or the <a href="http://consequenceofsound.com/2007/10/09/concert-review-arcade-fire-randalls-island-106/">letdown of a live show</a>, my feelings toward them soured and I sensed Win Butler was becoming egotistic and not at all humbled by his success. But after reading the <a href="http://www.spin.com/features/magazine/covers/2007/11/0712_bruce_springsteen_win_butler/">November issue of <em>Spin</em></a> featuring Butler and Bruce Springsteen, I realized that maybe I was being a tad bit judgmental.</p>
<p>Butler and Arcade Fire have essentially been christened the saviors of today&#8217;s music generation. Whether you agree with it or not, when they have the likes of Springsteen and <a href="http://www.youtube.com/w/David-Bowie-&amp;-Arcade-Fire---Five-years?v=GLZl8zXz2Qk&amp;search=david%20bowie">David Bowie</a> proclaiming their greatness, the band has certainly been put on a high pedestal. And that&#8217;s got to be a lot of pressure. But if <em>Neon Bible</em> gave any indication, the band has seemed to flourish under this pressure. The sound is darker and ever more powerful. With an orchestral feeling and religious heavy lyrics, it&#8217;s almost as if you&#8217;re listening to the musical equivalent of a religious revival. Maybe Butler isn&#8217;t the most modest  when it comes to speaking his mind, but if you take one thing away from <em>Neon Bible</em>, it&#8217;s that Arcade Fire&#8217;s euphoric, passionate sound honors the Springsteens and the Bowies in the same way that these legends rave about the Canadian natives today. It&#8217;s just through music and not words.</p>
<p><a href="http://en.wikipedia.org/wiki/Neon_Bible"><em>Neon Bible</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Neon-Bible-Arcade-Fire/dp/B000MGUZM0">Amazon.com</a></p>
<p><a href="http://www.nme.com/mediaPlayer&amp;playlist_id=904">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/14%20Neon%20Bible.mp3">&#8220;Neon Bible&#8221;</a><br />
<a href="http://www.fileden.com/files/2007/9/13/1429629/14%20Neon%20Bible.mp3">“Neon Bible” (Live from Judson Memorial Church)</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#11 - Arcade Fire - <em>Neon Bible</em><em>
</em>

There is no question that Arcade Fire are one of the most talented bands currently out there. Their music has been described as ground breaking and life changing. But over the last year, my opinions toward them had waned. For some reason, maybe because of the magazine articles or the letdown of a live show, my feelings toward them soured and I sensed Win Butler was becoming egotistic and not at all humbled by his success. But after reading the November issue of <em>Spin</em> featuring Butler and Bruce Springsteen, I realized that maybe I was being a tad bit judgmental.

Butler and Arcade Fire have essentially been christened the saviors of today's music generation. Whether you agree with it or not, when they have the likes of Springsteen and David Bowie proclaiming their greatness, the band has certainly been put on a high pedestal. And that's got to be a lot of pressure. But if <em>Neon Bible</em> gave any indication, the band has seemed to flourish under this pressure. The sound is darker and ever more powerful. With an orchestral feeling and religious heavy lyrics, it's almost as if you're listening to the musical equivalent of a religious revival. Maybe Butler isn't the most modest  when it comes to speaking his mind, but if you take one thing away from <em>Neon Bible</em>, it's that Arcade Fire's euphoric, passionate sound honors the Springsteens and the Bowies in the same way that these legends rave about the Canadian natives today. It's just through music and not words.

<em>Neon Bible</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Neon Bible"
“Neon Bible” (Live from Judson Memorial Church)

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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<src><![CDATA[http://img136.imageshack.us/img136/2765/digital20booklet2020neozu4.jpg]]></src>
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		<title>2007&#8242;s Top 50 Albums: #12 &#8211; Colour It In</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-12-colour-it-in/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-12-colour-it-in/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sat, 15 Dec 2007 04:45:21 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[The Maccabees]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-12-colour-it-in/</guid>
		<description><![CDATA[#12 &#8211; The Maccabees &#8211; Colour It In Colour It In, the debut album of UK natives The Maccabees ,is far from groundbreaking, but it is perhaps the catchiest album of 2007. Taking inspiration from nearly everyone you can think of, from The Futureheads to Blur, Weezer to The Strokes, The Maccabees play with the [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#12</font> &#8211; The Maccabees &#8211; <em>Colour It In</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img141.imageshack.us/img141/8893/colouritinwq6.jpg" height="300" width="300" /></p>
<p><em>Colour It In</em>, the debut album of UK natives The Maccabees ,is far from groundbreaking, but it is perhaps the catchiest album of 2007. Taking inspiration from nearly everyone you can think of, from The Futureheads to Blur, Weezer to The Strokes, The Maccabees play with the same guitar riffs and bouncy beats that describes the sound of nearly every new indie band from Britain. But it&#8217;s the lively and youthful vocals of frontman Orlando Weeks, which blend almost perfectly with the the band&#8217;s catchy melodies on nearly every song, that separates them into a class of their own. More than anything, The Maccabees are just fun. The lyrics of <em>Colour It In</em> detail  relatable everyday struggles, the sound makes you just want to nod your head along. It&#8217;s nothing complicated or complex, it&#8217;s just fun music. And sometimes, that&#8217;s the best kind.</p>
<p><a href="http://en.wikipedia.org/wiki/Colour_It_In"><em>Colour It In</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Colour-Maccabees/dp/B000PC6G2E">Amazon.com</a></p>
<p><a href="http://www.myspace.com/themaccabees">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20X-Ray.mp3">&#8220;X-Ray&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20All%20In%20Your%20Rows.mp3">&#8220;All In Your Rows&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#12 - The Maccabees - <em>Colour It In</em><em>
</em>

<em>Colour It In</em>, the debut album of UK natives The Maccabees ,is far from groundbreaking, but it is perhaps the catchiest album of 2007. Taking inspiration from nearly everyone you can think of, from The Futureheads to Blur, Weezer to The Strokes, The Maccabees play with the same guitar riffs and bouncy beats that describes the sound of nearly every new indie band from Britain. But it's the lively and youthful vocals of frontman Orlando Weeks, which blend almost perfectly with the the band's catchy melodies on nearly every song, that separates them into a class of their own. More than anything, The Maccabees are just fun. The lyrics of <em>Colour It In</em> detail  relatable everyday struggles, the sound makes you just want to nod your head along. It's nothing complicated or complex, it's just fun music. And sometimes, that's the best kind.

<em>Colour It In</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"X-Ray"
"All In Your Rows"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #13 &#8211; Favourite Worst Nightmare</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-13-favourite-worst-nightmare/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-13-favourite-worst-nightmare/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Fri, 14 Dec 2007 22:20:39 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Arctic Monkeys]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-13-favourite-worst-nightmare/</guid>
		<description><![CDATA[#13 &#8211; Arctic Monkeys &#8211; Favourite Worst Nightmare Just two short years ago, the music world was introduced to the Arctic Monkeys and their critically acclaimed debut album. 13 months later, the young Englishmen released their follow up Favourite Worst Nightmare. The album marks the ever maturing styles and sounds of frontman Alex Turner and [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#13</font> &#8211; Arctic Monkeys &#8211; <em>Favourite Worst Nightmare</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img143.imageshack.us/img143/9449/fwnlargeto4.jpg" height="275" width="300" /></p>
<p>Just two short years ago, the music world was introduced to the Arctic Monkeys and their critically acclaimed debut album. 13 months later, the young Englishmen released their follow up  <em>Favourite Worst Nightmare. </em>The album marks the ever maturing styles and sounds of frontman Alex Turner and company. Sure, the catchy as hell drum beats and the Strokes meets Libertines-esque sound are still prevelant, but the album is darker, faster, and much heavier than it&#8217;s predecessor. What more, the at times timid vocals of Turner on <em>Whatever </em>are now stronger and passionate. Life stories are conveyed, Turner’s personal desires revealed. Since day one, the Arctic Monkeys have done nothing but improve in all areas of their musicianship and it will certainly be fun to watch and see what happens next.</p>
<p><a href="http://en.wikipedia.org/wiki/Favourite_Worst_Nightmare"><em>Favourite Worst Nightmare</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Favourite-Worst-Nightmare-Arctic-Monkeys/dp/B000NQR7NO">Amazon.com</a></p>
<p><a href="http://www.myspace.com/arcticmonkeys">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Brianstorm.m4a">&#8220;Brianstorm&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Balaclava.m4a">&#8220;Balaclava&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#13 - Arctic Monkeys - <em>Favourite Worst Nightmare</em><em>
</em>

Just two short years ago, the music world was introduced to the Arctic Monkeys and their critically acclaimed debut album. 13 months later, the young Englishmen released their follow up  <em>Favourite Worst Nightmare. </em>The album marks the ever maturing styles and sounds of frontman Alex Turner and company. Sure, the catchy as hell drum beats and the Strokes meets Libertines-esque sound are still prevelant, but the album is darker, faster, and much heavier than it's predecessor. What more, the at times timid vocals of Turner on <em>Whatever </em>are now stronger and passionate. Life stories are conveyed, Turner’s personal desires revealed. Since day one, the Arctic Monkeys have done nothing but improve in all areas of their musicianship and it will certainly be fun to watch and see what happens next.

<em>Favourite Worst Nightmare</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Brianstorm"
"Balaclava"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #14 &#8211; Under the Blacklight</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-14-under-the-blacklight/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-14-under-the-blacklight/#comments</comments>
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		<pubDate>Fri, 14 Dec 2007 02:03:53 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Rilo Kiley]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-14-under-the-blacklight/</guid>
		<description><![CDATA[#14 &#8211; Rilo Kiley &#8211; Under the Blacklight Many have deemed Rilo Kiley as the modern reincarnation of Fleetwood Mac. (Though I guess that doesn&#8217;t really make sense since Fleetwood Mac is still hanging in there.) Regardless, it&#8217;s hard to disagree with that notion after the release of Under the Blacklight, which prominently features a [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#14</font> &#8211; Rilo Kiley &#8211; <em>Under the Blacklight</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://upload.wikimedia.org/wikipedia/en/e/e6/Rilokiley_undertheblacklight_cover.jpg" height="300" width="300" /></p>
<p>Many have deemed Rilo Kiley as the modern reincarnation of Fleetwood Mac. (Though I guess that doesn&#8217;t really make sense since Fleetwood Mac is still hanging in there.) Regardless, it&#8217;s hard to disagree with that notion after the release of <em>Under the Blacklight, </em>which prominently features a soulful and experimental nature that is eerily similar to Stevie Nicks and company. The album also marks Jenny Lewis transformation into a star. Like it not, guitarist Blake Sennett has essentially given up the vocal spotlight to Lewis and her astonishing voice, which has resulted in a more passionate and at times, seductive sound. <em>Under the Blacklight </em>also marks a continuation in the band&#8217;s attempt at diversity, evident in the disco-sounding &#8220;Breakin&#8217; Up&#8221; and the funk meets rock &#8220;The Moneymaker&#8221;. Overall, it&#8217;s a total package of sound that could very well go down as a modern classic.</p>
<p><a href="http://en.wikipedia.org/wiki/Under_the_Blacklight"><em>Under the Blacklight</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Under-Blacklight-Rilo-Kiley/dp/B000QUUE1Y">Amazon.com</a></p>
<p><a href="http://www.myspace.com/rilokiley">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Silver%20Lining.mp3">&#8220;Silver Lining&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/09%20Smoke%20Detector.mp3">&#8220;Smoke Detector&#8221;<br />
</a><br />
<a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#14 - Rilo Kiley - <em>Under the Blacklight</em><em>
</em>

Many have deemed Rilo Kiley as the modern reincarnation of Fleetwood Mac. (Though I guess that doesn't really make sense since Fleetwood Mac is still hanging in there.) Regardless, it's hard to disagree with that notion after the release of <em>Under the Blacklight, </em>which prominently features a soulful and experimental nature that is eerily similar to Stevie Nicks and company. The album also marks Jenny Lewis transformation into a star. Like it not, guitarist Blake Sennett has essentially given up the vocal spotlight to Lewis and her astonishing voice, which has resulted in a more passionate and at times, seductive sound. <em>Under the Blacklight </em>also marks a continuation in the band's attempt at diversity, evident in the disco-sounding "Breakin' Up" and the funk meets rock "The Moneymaker". Overall, it's a total package of sound that could very well go down as a modern classic.

<em>Under the Blacklight</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Silver Lining"
"Smoke Detector"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #15 &#8211; Voxtrot</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-15-voxtrot/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-15-voxtrot/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Thu, 13 Dec 2007 05:21:23 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Voxtrot]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-15-voxtrot/</guid>
		<description><![CDATA[#15 &#8211; Voxtrot &#8211; s/t There&#8217;s just something about these Austin, Texas natives. With a Ben Folds meets Bell and Sebastian type of sound, passionate self-referential, and an always upbeat nature, Voxtrot delivered one of the best debuts in recent memory. Their sound is euphoric and youthful and pours out of the speakers with the [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#15</font> &#8211; Voxtrot &#8211; <em>s/t</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img210.imageshack.us/img210/2608/voxtrotxh9.jpg" height="300" width="300" /></p>
<p>There&#8217;s just something about these Austin, Texas natives. With a Ben Folds meets Bell and Sebastian type of sound, passionate self-referential, and an always upbeat nature,  Voxtrot delivered one of the best debuts in recent memory. Their sound is euphoric and youthful and pours out of the speakers with the same intensity and elegance as if seeing them live. Plus, frontman Ramesh Srivastava&#8217;s has some of the most pleasant vocals around and energy in a class of it&#8217;s own. Album highlights include &#8220;Ghost&#8221;, &#8220;Firecracker&#8221;, and &#8220;Brother in Conflict&#8221;. If this is just the beginning, one can only imagine what lies in the future.</p>
<p><a href="http://en.wikipedia.org/wiki/Voxtrot_%28album%29"><em>Voxtrot</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Voxtrot/dp/B000OQDUJI">Amazon.com</a></p>
<p><a href="http://www.myspace.com/voxtrot">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20Ghost.mp3">&#8220;Ghost&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/07%20Easy.mp3">&#8220;Easy&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#15 - Voxtrot - <em>s/t</em><em>
</em>

There's just something about these Austin, Texas natives. With a Ben Folds meets Bell and Sebastian type of sound, passionate self-referential, and an always upbeat nature,  Voxtrot delivered one of the best debuts in recent memory. Their sound is euphoric and youthful and pours out of the speakers with the same intensity and elegance as if seeing them live. Plus, frontman Ramesh Srivastava's has some of the most pleasant vocals around and energy in a class of it's own. Album highlights include "Ghost", "Firecracker", and "Brother in Conflict". If this is just the beginning, one can only imagine what lies in the future.

<em>Voxtrot</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Ghost"
"Easy"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>0</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #16 &#8211; Let&#8217;s Stay Friends</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-16-lets-stay-friends/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-16-lets-stay-friends/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Wed, 12 Dec 2007 22:49:58 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Les Savy  Fav]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-16-lets-stay-friends/</guid>
		<description><![CDATA[#16 &#8211; Les Savy Fav &#8211; Let&#8217;s Stay Friends Les Savy Fav is probably the coolest band around. And while there was a six year span between the release of Go Forth and Let&#8217;s Stay Friends, whose complaining? Since we last heard them on disc, the band has gotten tighter, the song-writing has improved, and [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#16</font> &#8211; Les Savy Fav &#8211; <em>Let&#8217;s Stay Friends</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img84.imageshack.us/img84/2927/33391letsstayfriendsak7.jpg" border="1" height="300" width="300" /></p>
<p> Les Savy Fav is probably the coolest band around. And while there was a six year span between the release of <em>Go Forth </em>and <em>Let&#8217;s Stay Friends, </em>whose complaining? Since we last heard them on disc, the band has gotten tighter, the song-writing has improved, and frontman Tim Harrington is just as eccentric, all which make for a win-win combination. The album truly documents Les Savy Fav at their peak. It&#8217;s over the top and intense in sound as you would expect. Yet at the same time, the band finds a way to keep it smart as throughout the album, they continually try to expand their horizons and press the limits of their musicality.  Album highlights include the quite experimental &#8220;Brace Yourself&#8221; and the ferocious &#8220;The Year Before The Year 2000&#8243; that can only be fully appreciated with the sound on high.</p>
<p><a href="http://en.wikipedia.org/wiki/Let%27s_Stay_Friends"><em>Let&#8217;s Stay Friends</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Lets-Stay-Friends-Savy-Fav/dp/B000UVLSVE">Amazon.com</a></p>
<p><a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendid=11646200">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20The%20Equestrian.mp3">&#8220;The Equestrian&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/05%20What%20Would%20Wolves%20Do_.mp3">&#8220;What Would Wolves Do?&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#16 - Les Savy Fav - <em>Let's Stay Friends</em><em>
</em>

 Les Savy Fav is probably the coolest band around. And while there was a six year span between the release of <em>Go Forth </em>and <em>Let's Stay Friends, </em>whose complaining? Since we last heard them on disc, the band has gotten tighter, the song-writing has improved, and frontman Tim Harrington is just as eccentric, all which make for a win-win combination. The album truly documents Les Savy Fav at their peak. It's over the top and intense in sound as you would expect. Yet at the same time, the band finds a way to keep it smart as throughout the album, they continually try to expand their horizons and press the limits of their musicality.  Album highlights include the quite experimental "Brace Yourself" and the ferocious "The Year Before The Year 2000" that can only be fully appreciated with the sound on high.

<em>Let's Stay Friends</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"The Equestrian"
"What Would Wolves Do?"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>24</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #17 &#8211; Spirit If&#8230;</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-17-spirit-if/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-17-spirit-if/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Wed, 12 Dec 2007 17:26:58 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Broken Social Scene]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Kevin Drew]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-17-spirit-if/</guid>
		<description><![CDATA[#17 &#8211; Broken Social Scene &#8211; Spirit If&#8230; Yes, the album is entitled Broken Social Scene Presents: Kevin Drew&#8217;s Spirit If&#8230;, but let&#8217;s be honest. The album contains just as much of a group collaboration than any of the previous BSS albums. The only time Drew is actually solo is in the album title. That&#8217;s [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#17</font> &#8211; Broken Social Scene &#8211;  <em>Spirit If&#8230;</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img87.imageshack.us/img87/3056/642pxkevindrewspiritifol9.jpg" height="280" width="300" /></p>
<p>Yes, the album is entitled <em>Broken Social Scene Presents: Kevin Drew&#8217;s Spirit If&#8230;</em>, but let&#8217;s be honest. The album contains just as much of a group collaboration than any of the previous BSS albums. The only time Drew is actually solo is in the album title. That&#8217;s not to say that Kevin Drew&#8217;s presence on the album is not exceptional. His song-writing and vocals are exemplary. But just as in every BSS album, it&#8217;s the sound as a whole that separates the band in a class of their own. Broken Social Scene have the unique ability to change the texture of a song in a moments notice, and they&#8217;re the only band who can make softness and loudness equally powerful. The beauty of the band is their ability to <em>together</em> make some of the most impactful music around. And, I&#8217;m sure Drew realized this. Why else would there be more cameos than songs? So lets just scrap the whole solo idea&#8230;</p>
<p><a href="http://en.wikipedia.org/wiki/Spirit_If..."><em>Spirit If&#8230;</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Broken-Social-Scene-Presents-Spirit/dp/B000UZ4E20">Amazon.com</a></p>
<p><a href="http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&amp;friendID=196225934">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Tbtf.mp3">&#8220;Tbtf&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/05%20Lucky%20Ones.mp3">&#8220;Lucky Ones&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#17 - Broken Social Scene -  <em>Spirit If...</em><em>
</em>

Yes, the album is entitled <em>Broken Social Scene Presents: Kevin Drew's Spirit If...</em>, but let's be honest. The album contains just as much of a group collaboration than any of the previous BSS albums. The only time Drew is actually solo is in the album title. That's not to say that Kevin Drew's presence on the album is not exceptional. His song-writing and vocals are exemplary. But just as in every BSS album, it's the sound as a whole that separates the band in a class of their own. Broken Social Scene have the unique ability to change the texture of a song in a moments notice, and they're the only band who can make softness and loudness equally powerful. The beauty of the band is their ability to <em>together</em> make some of the most impactful music around. And, I'm sure Drew realized this. Why else would there be more cameos than songs? So lets just scrap the whole solo idea...

<em>Spirit If...</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"Tbtf"
"Lucky Ones"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>1</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #18 &#8211; The Good, the Bad &amp; the Queen</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-18-the-good-the-bad-the-queen/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-18-the-good-the-bad-the-queen/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Wed, 12 Dec 2007 04:46:10 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[The Good the Bad & the Queen]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-18-the-good-the-bad-the-queen/</guid>
		<description><![CDATA[#18 &#8211; The Good, the Bad &#38; the Queen Many seem to be forgetting that The Good, the Bad &#38; the Queen did indeed come out in 2007, January 22 to be exact, which is a shame as it is one of the best debut albums in recent history. While I suppose we shouldn&#8217;t be [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#18</font> &#8211; <em>The Good, the Bad &amp; the Queen</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img404.imageshack.us/img404/533/thegoodthebadandthequeeqe3.jpg" height="303" width="300" /></p>
<p>Many seem to be forgetting that <em>The Good, the Bad &amp; the Queen </em>did indeed come out in 2007, January 22 to be exact, which is a shame as it is one of the best debut albums in recent history. While I suppose we shouldn&#8217;t be all too surprised since it comes from a (unnamed) group composed of members from Blur, The Clash, and The Verve, the album is probably much darker in sound and lyrically cynical than anyone expected. But it is this disconsolate message that makes it so unique. After all, the group somehow created an album that though dark and doomful, is melodic and catchy, and an enjoyable listen. Music really hasn&#8217;t seen anything like this in quite some time. Among highlights is the particularly gloomy &#8220;Kingdom of Doom&#8221; and the Blur-esque &#8220;Herculean&#8221;.</p>
<p><a href="http://en.wikipedia.org/wiki/The_Good,_the_Bad_and_the_Queen"><em>The Good, the Bad &amp; the Queen</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Good-Bad-Queen/dp/B000IAZ3E0">Amazon.com</a></p>
<p><a href="http://www.myspace.com/thegoodthebadandthequeen">Listen to a stream </a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20History%20Song.mp3">&#8220;History Song&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20%2780%27s%20Life.mp3">&#8220;&#8217;80&#8242;s Life&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#18 - <em>The Good, the Bad &amp; the Queen</em><em>
</em>

Many seem to be forgetting that <em>The Good, the Bad &amp; the Queen </em>did indeed come out in 2007, January 22 to be exact, which is a shame as it is one of the best debut albums in recent history. While I suppose we shouldn't be all too surprised since it comes from a (unnamed) group composed of members from Blur, The Clash, and The Verve, the album is probably much darker in sound and lyrically cynical than anyone expected. But it is this disconsolate message that makes it so unique. After all, the group somehow created an album that though dark and doomful, is melodic and catchy, and an enjoyable listen. Music really hasn't seen anything like this in quite some time. Among highlights is the particularly gloomy "Kingdom of Doom" and the Blur-esque "Herculean".

<em>The Good, the Bad &amp; the Queen</em> information

Buy the album on Amazon.com

Listen to a stream 

<strong>Check Out:</strong>
"History Song"
"'80's Life"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>0</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #19 &#8211; In Rainbows</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-19-in-rainbows/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-19-in-rainbows/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Wed, 12 Dec 2007 04:08:03 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Radiohead]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-19-in-rainbows/</guid>
		<description><![CDATA[#19 &#8211; Radiohead &#8211; In Rainbows I know I&#8217;m going to get some flack for this, but I have to be honest. Radiohead&#8217;s In Rainbows is an above average album. But was it a top 10 album of 2007? I just have to say no. Personally, the album didn&#8217;t blow me away. Sure, there are [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#19</font> &#8211; Radiohead &#8211; <em>In Rainbows</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://upload.wikimedia.org/wikipedia/en/2/2e/In_Rainbows_Official_Cover.jpg" height="300" width="300" /></p>
<p>I know I&#8217;m going to get some flack for this, but I have to be honest. Radiohead&#8217;s <em>In Rainbows </em>is an above average album. But was it a top 10 album of 2007? I just have to say no. Personally, the album didn&#8217;t blow me away. Sure, there are some gems on it, particularly &#8220;Bodysnatchers&#8221;, &#8220;Jigsaw Falling Into Place&#8221;, and &#8220;Videotape&#8221;.  But I&#8217;ve heard better from them and at times, it feels a too &#8220;jammy&#8221; for Radiohead&#8217;s standards. Regardless, any album made by Radiohead is always going to be very good and it&#8217;s truly difficult to find many flaws in any of their work. Plus, you have to give them props for taking the lead in revolutionizing the music industry.</p>
<p><a href="http://en.wikipedia.org/wiki/In_Rainbows"><em>In Rainbows</em> information</a></p>
<p>Buy now only the discbox on <a href="http://www.waste.uk.com/Store/waste-radiohead-dii-11-10023-discbox+audio.html">InRainbows.com</a></p>
<p><a href="http://www.myspace.com/radiohead">Listen to a stream (kind of)</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Bodysnatchers.MP3">&#8220;Bodysnatchers&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20Nude.MP3">&#8220;Nude&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#19 - Radiohead - <em>In Rainbows</em><em>
</em>

I know I'm going to get some flack for this, but I have to be honest. Radiohead's <em>In Rainbows </em>is an above average album. But was it a top 10 album of 2007? I just have to say no. Personally, the album didn't blow me away. Sure, there are some gems on it, particularly "Bodysnatchers", "Jigsaw Falling Into Place", and "Videotape".  But I've heard better from them and at times, it feels a too "jammy" for Radiohead's standards. Regardless, any album made by Radiohead is always going to be very good and it's truly difficult to find many flaws in any of their work. Plus, you have to give them props for taking the lead in revolutionizing the music industry.

<em>In Rainbows</em> information

Buy now only the discbox on InRainbows.com

Listen to a stream (kind of)

<strong>Check Out:</strong>
"Bodysnatchers"
"Nude"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>0</slash:comments>
<enclosure url="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Bodysnatchers.MP3" length="5299500" type="audio/mpeg" />
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		<title>2007&#8242;s Top 50 Albums: #20 &#8211; The Reminder</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-20-the-reminder/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-20-the-reminder/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Tue, 11 Dec 2007 19:59:45 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Feist]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-20-the-reminder/</guid>
		<description><![CDATA[#20 &#8211; Feist &#8211; The Reminder I&#8217;ll be the first to admit that I&#8217;m one of those people who absolutely adores &#8220;1234&#8243; and even after 100+ listens, I&#8217;m not at all sick of it. (Unlike others?) But it&#8217;s not because of it&#8217;s unbelievable catchy nature. It&#8217;s that the song exemplifies everything I enjoy about Feist [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#20</font> &#8211; Feist &#8211; <em>The Reminder</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img131.imageshack.us/img131/4213/thereminderqx3.jpg" border="1" height="300" width="302" /></p>
<p>I&#8217;ll be the first to admit that I&#8217;m one of those people who absolutely adores &#8220;1234&#8243; and even after 100+ listens, I&#8217;m not at all sick of it. (<a href="http://youtube.com/watch?v=eF-qX72om5w">Unlike others?</a>) But it&#8217;s not because of it&#8217;s unbelievable catchy nature. It&#8217;s that the song exemplifies everything I enjoy about Feist &#8211; her fun lyrics, her astonishing voice, and her ability to create some of the most pleasant music around. <em>The Reminder </em>is just the latest gem in Leslie Feist&#8217;s musical career. And it&#8217;s as solid as any of her previous works and yes, I do include everything she has done with Broken Social Scene in that category. <em>The Reminder </em>is how a pop album should be &#8211; it&#8217;s sweet, passionate, and showcases the vocals and song-writing of one of today&#8217;s great musical geniuses.</p>
<p><a href="http://en.wikipedia.org/wiki/The_Reminder"><em>The Reminder</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Reminder-Feist/dp/B000NPE7YC">Amazon.com</a></p>
<p><a href="http://www.muchmusic.com/music/firstspin/feist/">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20I%20Feel%20It%20All.mp3">&#8220;I Feel It All&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/06%20Sealion.mp3">&#8220;Sealion&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#20 - Feist - <em>The Reminder</em><em>
</em>

I'll be the first to admit that I'm one of those people who absolutely adores "1234" and even after 100+ listens, I'm not at all sick of it. (Unlike others?) But it's not because of it's unbelievable catchy nature. It's that the song exemplifies everything I enjoy about Feist - her fun lyrics, her astonishing voice, and her ability to create some of the most pleasant music around. <em>The Reminder </em>is just the latest gem in Leslie Feist's musical career. And it's as solid as any of her previous works and yes, I do include everything she has done with Broken Social Scene in that category. <em>The Reminder </em>is how a pop album should be - it's sweet, passionate, and showcases the vocals and song-writing of one of today's great musical geniuses.

<em>The Reminder</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"I Feel It All"
"Sealion"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>1</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #21 &#8211; Hissing Fauna, Are You the Destroyer?</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-21-hissing-fauna-are-you-the-destroyer/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-21-hissing-fauna-are-you-the-destroyer/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Mon, 10 Dec 2007 18:37:48 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[of Montreal]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-21-hissing-fauna-are-you-the-destroyer/</guid>
		<description><![CDATA[#21 &#8211; Of Montreal &#8211; Hissing Fauna, Are You the Destroyer? In may aspects, Hissing Fauna, Are You the Destroyer? is the most unique and confusing album of 2007. After dealing with some rather turbulent time, Of Montreal frontman Kevin Barnes made this album his emotional self-narrative. The first half of the album is full [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#21</font> &#8211; Of Montreal &#8211; <em>Hissing Fauna, Are You the Destroyer?</em></font><font color="#ff0000"><em><br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img248.imageshack.us/img248/4581/hissingfaunabt1.jpg" height="300" width="300" /></p>
<p>In may aspects, <em>Hissing Fauna, Are You the Destroyer?</em> is the most unique and confusing album of 2007. After dealing with some rather turbulent time, Of Montreal frontman Kevin Barnes made this album his emotional self-narrative. The first half of the album is full of upbeat, melodic pop songs similar to the tracks of the band&#8217;s previous two albums. But the dark, mystical 12-minute appropriately named &#8220;The Past Is A Grotesque Animal&#8221; serves as the album&#8217;s turning point, which then descends into more experimental and deeper sound. It&#8217;s almost as if Barnes wrote the first half of the album sober and the second half, well&#8230;high out of his mind on some sort of drug, a state that is chronicled in much of the album&#8217;s lyrics. Perhaps it would be best to say, the album is just as complex and conflicted as it&#8217;s creator. But, it&#8217;s not like I&#8217;m complaining&#8230;</p>
<p><a href="http://en.wikipedia.org/wiki/Hissing_Fauna%2C_Are_You_the_Destroyer%3F"><em>Hissing Fauna, Are You the Destroyer?</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Hissing-Fauna-Are-You-Destroyer/dp/B000KWZ94U">Amazon.com</a></p>
<p><a href="http://www.polyvinylrecords.com/hissing/">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Heimdalsgate%20Like%20A%20Promethean%20Curse.mp3">&#8220;Heimdalsgate Like A Promethean Curse&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/10%20Labrinthian%20Pomp.mp3">&#8220;Labrinthian Pomp&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#21 - Of Montreal - <em>Hissing Fauna, Are You the Destroyer?</em><em>
</em>

In may aspects, <em>Hissing Fauna, Are You the Destroyer?</em> is the most unique and confusing album of 2007. After dealing with some rather turbulent time, Of Montreal frontman Kevin Barnes made this album his emotional self-narrative. The first half of the album is full of upbeat, melodic pop songs similar to the tracks of the band's previous two albums. But the dark, mystical 12-minute appropriately named "The Past Is A Grotesque Animal" serves as the album's turning point, which then descends into more experimental and deeper sound. It's almost as if Barnes wrote the first half of the album sober and the second half, well...high out of his mind on some sort of drug, a state that is chronicled in much of the album's lyrics. Perhaps it would be best to say, the album is just as complex and conflicted as it's creator. But, it's not like I'm complaining...

<em>Hissing Fauna, Are You the Destroyer?</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Heimdalsgate Like A Promethean Curse"
"Labrinthian Pomp"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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<src><![CDATA[http://img248.imageshack.us/img248/4581/hissingfaunabt1.jpg]]></src>
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		<slash:comments>1</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #22 &#8211; We Were Dead Before the Ship Even Sank</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-22-we-were-dead-before-the-ship-even-sank/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-22-we-were-dead-before-the-ship-even-sank/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Mon, 10 Dec 2007 17:44:02 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Modest Mouse]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-22-we-were-dead-before-the-ship-even-sank/</guid>
		<description><![CDATA[#22 &#8211; Modest Mouse &#8211; We Were Dead Before the Ship Even Sank Sure, We Were Dead Before the Ship Even Sank, the fifth studio album of Modest Mouse, is more mainstream appealing than all of their past works. There&#8217;s less quirkiness, less inaudible screaming from frontman Issac Brock. But that doesn&#8217;t mean the album [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#22</font> &#8211; Modest Mouse &#8211; <em>We Were Dead</em></font><font color="#ff0000"><em> Before the Ship Even Sank<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img220.imageshack.us/img220/8155/modestmouse2007albumzg6.jpg" height="300" width="300" /></p>
<p>Sure, <em>We Were Dead Before the Ship Even Sank</em>, the fifth studio album of Modest Mouse, is more mainstream appealing than all of their past works. There&#8217;s less quirkiness, less inaudible screaming from frontman Issac Brock. But that doesn&#8217;t mean the album lacks the band&#8217;s unique sound. Modest Mouse is probably the only band that can make music sound so catchy and frantic at the same time as the furious guitar rifts, the fantastical vocals of Brock, always seem to somehow mesh. The addition of former Smiths&#8217; guitarist Johnny Marr also has an easily heard impact on the band&#8217;s overall musicality, which allows Modest Mouse to be even better than they were before &#8211; something that certainly seems far-fetched.</p>
<p><a href="http://en.wikipedia.org/wiki/Modest_Mouse"><em>We Were Dead Before the Ship Even Sank</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Were-Dead-Before-Ship-Even/dp/B000MRA4WK">Amazon.com</a></p>
<p><a href="http://www.myspace.com/modestmouse">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Dashboard.m4a">&#8220;Dashboard&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Florida.m4a">&#8220;Florida&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#22 - Modest Mouse - <em>We Were Dead</em><em> Before the Ship Even Sank
</em>

Sure, <em>We Were Dead Before the Ship Even Sank</em>, the fifth studio album of Modest Mouse, is more mainstream appealing than all of their past works. There's less quirkiness, less inaudible screaming from frontman Issac Brock. But that doesn't mean the album lacks the band's unique sound. Modest Mouse is probably the only band that can make music sound so catchy and frantic at the same time as the furious guitar rifts, the fantastical vocals of Brock, always seem to somehow mesh. The addition of former Smiths' guitarist Johnny Marr also has an easily heard impact on the band's overall musicality, which allows Modest Mouse to be even better than they were before - something that certainly seems far-fetched.

<em>We Were Dead Before the Ship Even Sank</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Dashboard"
"Florida"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #23 &#8211; National Anthem of Nowhere</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-23-national-anthem-of-nowhere/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-23-national-anthem-of-nowhere/#comments</comments>
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		<pubDate>Mon, 10 Dec 2007 03:01:43 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Apostle of Hustle]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-23-national-anthem-of-nowhere/</guid>
		<description><![CDATA[#23 &#8211; Apostle of Hustle &#8211; National Anthem of Nowhere Apostle of Hustle is another one of those band&#8217;s who released a debut album that many expected would be hard to top. While this may be true, National Anthem of Nowhere is pretty solid in it&#8217;s own right. The diverse instrumentations and sounds always seem [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#23</font> &#8211; Apostle of Hustle &#8211; <em>National Anthem of Nowhere<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img138.imageshack.us/img138/3254/ac021rr8.jpg" height="271" width="300" /></p>
<p>Apostle of Hustle is another one of those band&#8217;s who released a debut album that many expected would be hard to top. While this may be true, <em>National Anthem of Nowhere </em>is pretty solid in it&#8217;s own right. The diverse instrumentations and sounds always seem to blend together beautifully in every track, a bit reminiscent of that other well-known Canadian band that frontman Andrew Whiteman happens to be in. The album also has an incredible way of being both powerful and soft at the same time, an attribute that can be seen for example in the album&#8217;s title track. Oh, and it helps that the vocals of Whiteman are some of the best out there.<br />
<a href="http://en.wikipedia.org/wiki/Costello_Music"></a></p>
<p><a href="http://en.wikipedia.org/wiki/National_Anthem_of_Nowhere"><em>National Anthem of Nowhere</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/National-Anthem-Nowhere-Apostle-Hustle/dp/B000M32US0">Amazon.com</a></p>
<p><a href="http://www.myspace.com/apostleofhustle">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20National%20Anthem%20of%20Nowhere.mp3">&#8220;National Anthem of Nowhere&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20The%20Naked%20%26%20Alone.mp3">&#8220;The Naked &amp; Alone&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#23 - Apostle of Hustle - <em>National Anthem of Nowhere
</em>

Apostle of Hustle is another one of those band's who released a debut album that many expected would be hard to top. While this may be true, <em>National Anthem of Nowhere </em>is pretty solid in it's own right. The diverse instrumentations and sounds always seem to blend together beautifully in every track, a bit reminiscent of that other well-known Canadian band that frontman Andrew Whiteman happens to be in. The album also has an incredible way of being both powerful and soft at the same time, an attribute that can be seen for example in the album's title track. Oh, and it helps that the vocals of Whiteman are some of the best out there.


<em>National Anthem of Nowhere</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"National Anthem of Nowhere"
"The Naked &amp; Alone"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #24 &#8211; Costello Music</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-24-costello-music/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-24-costello-music/#comments</comments>
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		<pubDate>Mon, 10 Dec 2007 01:53:28 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[The Fratellis]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-24-costello-music/</guid>
		<description><![CDATA[#24 &#8211; The Fratellis &#8211; Costello Music With Costello Music, the Fratellis made a simple, but unbelievably catchy album. Exhibiting an energetic, pop-punk sound and equally fun lyrics, the album is what you would expect if the Arctic Monkeys or The Hives took music steroids. And this is what puts The Fratellis in a class [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#24</font> &#8211; The Fratellis &#8211; <em>Costello Music<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img252.imageshack.us/img252/4189/thefratelliscostellomuslu1.jpg" height="300" width="300" /></p>
<p>With <em>Costello Music</em>, the Fratellis made a simple, but unbelievably catchy album. Exhibiting an energetic, pop-punk sound and equally fun lyrics, the album is what you would expect if the Arctic Monkeys or The Hives took music steroids. And this is what puts The Fratellis in a class of their own. Their energy and enthusiasm is like no other. Album highlights include the infectious &#8220;Flat Head&#8221;, the guitar heavy &#8220;Chelsea Dagger&#8221;, and the slower (for Fratellis&#8217; standards) &#8220;Doginabag&#8221;.  And yes, I realize it was originally released in 2006 in the U.K., but it wasn&#8217;t technically released in the U.S. until spring of 2007.<br />
<a href="http://en.wikipedia.org/wiki/Costello_Music"><em>Costello Music</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Costello-Music-Fratellis/dp/B000MXPE74">Amazon.com</a></p>
<p><a href="http://www.myspace.com/littlebabyfratelli">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Henrietta.mp3">&#8220;Henrietta&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20Flathead.mp3">&#8220;Flathead&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#24 - The Fratellis - <em>Costello Music
</em>

With <em>Costello Music</em>, the Fratellis made a simple, but unbelievably catchy album. Exhibiting an energetic, pop-punk sound and equally fun lyrics, the album is what you would expect if the Arctic Monkeys or The Hives took music steroids. And this is what puts The Fratellis in a class of their own. Their energy and enthusiasm is like no other. Album highlights include the infectious "Flat Head", the guitar heavy "Chelsea Dagger", and the slower (for Fratellis' standards) "Doginabag".  And yes, I realize it was originally released in 2006 in the U.K., but it wasn't technically released in the U.S. until spring of 2007.
<em>Costello Music</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Henrietta"
"Flathead"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #25 &#8211; La Radiolina</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-25-la-radiolina/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-25-la-radiolina/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sun, 09 Dec 2007 05:56:45 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Manu Chao]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-25-la-radiolina/</guid>
		<description><![CDATA[#25 &#8211; Manu Chao &#8211; La Radiolina Manu Chao is perhaps one of the world&#8217;s most talented and popular musician. But, few in the United States know much about the French-born, Spanish singing Chao. La Radiolina is the latest effort by Chao and his backing band. Like most of Chao&#8217;s previous the album incorporates a [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#25</font> &#8211; Manu Chao &#8211; <em>La Radiolina<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img149.imageshack.us/img149/3838/34012511116784672wf6.jpg" border="1" height="300" width="300" /></p>
<p>Manu Chao is perhaps one of the world&#8217;s most talented and popular musician. But, few in the United States know much about the French-born, Spanish singing Chao. <em>La Radiolina </em>is the latest effort by Chao and his backing band. Like most of Chao&#8217;s previous the album incorporates a variety of sounds &#8211; from the street music of Latin America to the punk rock of Europe in the 1970s. And like all of Chao&#8217;s albums, <em>La Radiolina </em>is full of political sentiments. You don&#8217;t need to understand Spanish to hear his attacks, but Chao does it in such a way, that they are more words of hope than of negativity. And this is what has allowed Manu Chao to become a voice for an entire world, similar to his idol Joe Strummer. Does this make any sense? <a href="http://www.youtube.com/watch?v=RoV-Dy1TRsg">If not, this video says it all. </a></p>
<p><a href="http://en.wikipedia.org/wiki/La_Radiolina"><em>La Radiolina</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Radiolina-Manu-Chao/dp/B000SQJ27I">Amazon.com</a></p>
<p><a href="http://www.myspace.com/manuchao">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%2013%20D%C3%ADas.mp3">&#8220;13 Días&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/06%20El%20Kitapena.mp3">&#8220;El Kitapena&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#25 - Manu Chao - <em>La Radiolina
</em>

Manu Chao is perhaps one of the world's most talented and popular musician. But, few in the United States know much about the French-born, Spanish singing Chao. <em>La Radiolina </em>is the latest effort by Chao and his backing band. Like most of Chao's previous the album incorporates a variety of sounds - from the street music of Latin America to the punk rock of Europe in the 1970s. And like all of Chao's albums, <em>La Radiolina </em>is full of political sentiments. You don't need to understand Spanish to hear his attacks, but Chao does it in such a way, that they are more words of hope than of negativity. And this is what has allowed Manu Chao to become a voice for an entire world, similar to his idol Joe Strummer. Does this make any sense? If not, this video says it all. 

<em>La Radiolina</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"13 Días"
"El Kitapena"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #26 &#8211; Ga Ga Ga Ga Ga</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-26-ga-ga-ga-ga-ga/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-26-ga-ga-ga-ga-ga/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sat, 08 Dec 2007 21:53:32 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Spoon]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-26-ga-ga-ga-ga-ga/</guid>
		<description><![CDATA[#26 &#8211; Spoon &#8211; Ga Ga Ga Ga Ga Ga Ga Ga Ga Ga truly exhibits almost every characteristic that defines Spoon as a band. The quirky, but melodic guitar rhythms mixed with repetitive, catchy baselines and poppy piano parts that makes up a large put of their sound is clearly present. The unbelievable song-writing [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#26</font> &#8211; Spoon &#8211; <em>Ga Ga Ga Ga Ga<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img518.imageshack.us/img518/7217/gagagagagagj9.jpg" height="296" width="300" /></p>
<p><em>Ga Ga Ga Ga Ga </em>truly exhibits almost every characteristic that defines Spoon as a band. The quirky, but melodic guitar rhythms mixed with repetitive, catchy baselines and poppy piano parts that makes up a large put of their sound is clearly present. The unbelievable song-writing talents and vocals of Brit Daniels is as well. Even the at times rather eccentric attitudes the band exhibits both live and behind the scenes probably was the basis for the album&#8217;s strange title. But more than anything, <em>Ga Ga Ga Ga Ga </em>exemplifies the immense talents of Spoon and is just another stellar album in the band&#8217;s unbelievable discography.</p>
<p><a href="http://en.wikipedia.org/wiki/Ga_Ga_Ga_Ga_Ga"><em>Ga Ga Ga Ga Ga</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Ga/dp/B000RGSOQO">Amazon.com</a></p>
<p><a href="http://www.mergerecords.com/gagagajuke/">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Don%27t%20Make%20Me%20A%20Target.mp3">&#8220;Don&#8217;t Make Me A Target&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Don%27t%20You%20Evah.mp3">&#8220;Don&#8217;t You Evah&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
<p>***If you&#8217;ve noticed, a change in the numbers that&#8217;s because of a problem on my end. <a href="http://consequenceofsound.com/2007/11/26/2007s-top-50-albums-46-50/">The first five albums revealed</a> somehow didn&#8217;t translate into the automated title and I finally got it fixed&#8230;So we&#8217;re good to go. 24 down, 26 to go.***</p>
]]></content:encoded>
		<content:mobile><![CDATA[#26 - Spoon - <em>Ga Ga Ga Ga Ga
</em>

<em>Ga Ga Ga Ga Ga </em>truly exhibits almost every characteristic that defines Spoon as a band. The quirky, but melodic guitar rhythms mixed with repetitive, catchy baselines and poppy piano parts that makes up a large put of their sound is clearly present. The unbelievable song-writing talents and vocals of Brit Daniels is as well. Even the at times rather eccentric attitudes the band exhibits both live and behind the scenes probably was the basis for the album's strange title. But more than anything, <em>Ga Ga Ga Ga Ga </em>exemplifies the immense talents of Spoon and is just another stellar album in the band's unbelievable discography.

<em>Ga Ga Ga Ga Ga</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Don't Make Me A Target"
"Don't You Evah"

Check out the rest of CoS' Top 50 Albums of 2007... 

***If you've noticed, a change in the numbers that's because of a problem on my end. The first five albums revealed somehow didn't translate into the automated title and I finally got it fixed...So we're good to go. 24 down, 26 to go.***]]></content:mobile>
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		<slash:comments>0</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #27 &#8211; Baby 81</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-31-baby-81/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-31-baby-81/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Sat, 08 Dec 2007 18:25:11 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[Black Rebel Motorcycle Club]]></category>
		<category><![CDATA[CoS 2007 Top Albums]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-31-baby-81/</guid>
		<description><![CDATA[#27 &#8211; Black Rebel Motorcycle Club &#8211; Baby 81 Many people considered Baby 81 an average album at best. But in all honesty, 2005&#8242;s Howl was a hard album to follow up and I think Black Rebel Motorcycle Club made a pretty good effort with this album. Sure, they&#8217;re aren&#8217;t as many standout songs and [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#27</font> &#8211; Black Rebel Motorcycle Club &#8211; <em>Baby 81 </em></font></h4>
<p style="text-align:center;"><img src="http://img508.imageshack.us/img508/6864/brmcbaby81wl3.jpg" border="1" height="300" width="300" /></p>
<p>Many people considered <em>Baby 81 </em>an average album at best. But in all honesty, 2005&#8242;s <em>Howl </em>was a hard album to follow up and I think Black Rebel Motorcycle Club made a pretty good effort with this album. Sure, they&#8217;re aren&#8217;t as many standout songs and they seem to have gone back to a standard garage rock sound. But as a result,<em> </em>more than anything <em>Baby 81 </em>is a all around, solid rock album with ferocious guitars and echoing vocals. And that&#8217;s pretty hard to find nowadays. Album highlights include &#8220;&#8221;Weapon of Choice&#8221;, &#8220;Window&#8221;, and &#8220;666 Conducer&#8221;.</p>
<p><a href="http://en.wikipedia.org/wiki/Baby_81_%28album%29"><em>Baby 81</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Baby-Black-Rebel-Motorcycle-Club/dp/B000NVIXPA">Amazon.com</a></p>
<p><a href="http://www.myspace.com/blackrebelmotorcycleclub">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20Weapon%20Of%20Choice.mp3">&#8220;Weapon Of Choice&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/05%20Cold%20Wind.mp3">&#8220;Cold Wind&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#27 - Black Rebel Motorcycle Club - <em>Baby 81 </em>

Many people considered <em>Baby 81 </em>an average album at best. But in all honesty, 2005's <em>Howl </em>was a hard album to follow up and I think Black Rebel Motorcycle Club made a pretty good effort with this album. Sure, they're aren't as many standout songs and they seem to have gone back to a standard garage rock sound. But as a result,<em> </em>more than anything <em>Baby 81 </em>is a all around, solid rock album with ferocious guitars and echoing vocals. And that's pretty hard to find nowadays. Album highlights include ""Weapon of Choice", "Window", and "666 Conducer".

<em>Baby 81</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Weapon Of Choice"
"Cold Wind"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #28 &#8211; The Shepard&#8217;s Dog</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-32-the-shepards-dog/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-32-the-shepards-dog/#comments</comments>
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		<pubDate>Fri, 07 Dec 2007 23:54:14 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Iron & Wine]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-32-the-shepards-dog/</guid>
		<description><![CDATA[#28 &#8211; Iron &#38; Wine &#8211; The Shepard&#8217;s Dog Iron &#38; Wine&#8217;s The Shepard&#8217;s Dog exhibited a more experimental nature for Sam Beam. Sure, the album features Beam&#8217;s unbelievable song-writing abilities that we&#8217;ve become accustomed to over the years, but the sound is more unconventional, perhaps taking a page from Tom Waits. I&#8217;ve said in [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#28</font> &#8211; Iron &amp; Wine &#8211; <em>The Shepard&#8217;s Dog </em></font></h4>
<p style="text-align:center;"><img src="http://upload.wikimedia.org/wikipedia/en/9/95/Sheperd%27s-dog.jpg" height="300" width="300" /></p>
<p>Iron &amp; Wine&#8217;s <em>The Shepard&#8217;s Dog </em>exhibited a more experimental nature for Sam Beam. Sure, the album features Beam&#8217;s unbelievable song-writing abilities that we&#8217;ve become accustomed to over the years, but the sound is more unconventional, perhaps taking a page from Tom Waits. I&#8217;ve said in the past that is truly difficult to accurately describe something as complex and different as this album. So my best advice is to give it a listen, and you&#8217;ll hear masterpieces like the politically charged &#8220;Flightless Bird American Mouth&#8221; and the Beam, Calexico collaboration “Wolves (Song of the Shepherd’s Dog)&#8221;.</p>
<p>Read <a href="http://consequenceofsound.com/2007/09/19/album-review-the-shepherds-dog/">CoS&#8217; review</a> of <em>The Shepard&#8217;s Dog</em>.</p>
<p><a href="http://en.wikipedia.org/wiki/The_Shepherd%27s_Dog"><em>The Shepard&#8217;s Dog</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Shepherds-Dog-Iron-Wine/dp/B000TQZ7O4">Amazon.com</a></p>
<p><a href="http://www.myspace.com/ironandwine">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/02%20White%20Tooth%20Man.mp3">&#8220;White Tooth Man&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20Carousel.mp3">&#8220;Carousel&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#28 - Iron &amp; Wine - <em>The Shepard's Dog </em>

Iron &amp; Wine's <em>The Shepard's Dog </em>exhibited a more experimental nature for Sam Beam. Sure, the album features Beam's unbelievable song-writing abilities that we've become accustomed to over the years, but the sound is more unconventional, perhaps taking a page from Tom Waits. I've said in the past that is truly difficult to accurately describe something as complex and different as this album. So my best advice is to give it a listen, and you'll hear masterpieces like the politically charged "Flightless Bird American Mouth" and the Beam, Calexico collaboration “Wolves (Song of the Shepherd’s Dog)".

Read CoS' review of <em>The Shepard's Dog</em>.

<em>The Shepard's Dog</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"White Tooth Man"
"Carousel"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<slash:comments>1</slash:comments>
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		<title>2007&#8242;s Top 50 Albums: #29 &#8211; The Meanest of Times</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-33-the-meanest-of-times/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-33-the-meanest-of-times/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Fri, 07 Dec 2007 20:19:13 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Dropkick Murphys]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-33-the-meanest-of-times/</guid>
		<description><![CDATA[#29 &#8211; Dropkick Murphys &#8211; The Meanest of Times Since they first hit the Boston music scene in 1996, the Dropkick Murphys have been constantly evolving their sound. They have essentially transformed from a small street punk band to a world acclaimed, full fledge rock &#8216;n roll group. Sure 2007&#8242;s The Meanest of Times still [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#29</font> &#8211; Dropkick Murphys &#8211; <em>The Meanest of Times<br />
</em></font></h4>
<p style="text-align:center;"><img src="http://img152.imageshack.us/img152/2295/dkmmeanestoftimeslz2.jpg" height="300" width="300" /></p>
<p>Since they first hit the Boston music scene in 1996, the Dropkick Murphys have been constantly evolving their sound. They have essentially transformed from a small street punk band to a world acclaimed, full fledge rock &#8216;n roll group. Sure 2007&#8242;s <em>The Meanest of Times </em>still features the band&#8217;s trademark Irish sounds, but more than anything, the album is a collection of catchy rock anthems that revival today&#8217;s best. But they are also so unique in their own right. What other band uses accordions and bagpipes when creating a punk rock album? Album highlights include &#8220;The State of Massachusetts&#8221; and the album&#8217;s best punk piece &#8220;Tomorrow&#8217;s Industry&#8221;.</p>
<p><a href="http://en.wikipedia.org/wiki/The_Meanest_of_Times"><em>The Meanest of Times</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Meanest-Times-Dropkick-Murphys/dp/B000UGG3A0">Amazon.com</a></p>
<p><a href="http://www.themeanestoftimes.com/">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/01%20Famous%20For%20Nothing.m4a">&#8220;Famous For Nothing&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20The%20State%20of%20Massachusetts.m4a">&#8220;The State of Massachusetts&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#29 - Dropkick Murphys - <em>The Meanest of Times
</em>

Since they first hit the Boston music scene in 1996, the Dropkick Murphys have been constantly evolving their sound. They have essentially transformed from a small street punk band to a world acclaimed, full fledge rock 'n roll group. Sure 2007's <em>The Meanest of Times </em>still features the band's trademark Irish sounds, but more than anything, the album is a collection of catchy rock anthems that revival today's best. But they are also so unique in their own right. What other band uses accordions and bagpipes when creating a punk rock album? Album highlights include "The State of Massachusetts" and the album's best punk piece "Tomorrow's Industry".

<em>The Meanest of Times</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"Famous For Nothing"
"The State of Massachusetts"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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		<title>2007&#8242;s Top 50 Albums: #30 &#8211; †</title>
		<link>http://consequenceofsound.net/2007/12/2007s-top-50-albums-34-%e2%80%a0/</link>
		<comments>http://consequenceofsound.net/2007/12/2007s-top-50-albums-34-%e2%80%a0/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Fri, 07 Dec 2007 03:28:21 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[CoS 2007 Top Albums]]></category>
		<category><![CDATA[Justice]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/2007/12/2007s-top-50-albums-34-%e2%80%a0/</guid>
		<description><![CDATA[#34 &#8211; Justice &#8211; † It may sound a little corny, but Justice&#8217;s † was this year&#8217;s ultimate party album. DJs Gaspard Auge and Xavier de Rosnay made a splash in 2007 by creating an album that mixes electronic, Daft Punk-esque house music with funky techno beats. The result was an energetic a powerful, upbeat [...]]]></description>
			<content:encoded><![CDATA[<h4 align="center"><font color="#ff0000"><font color="#000080">#34</font> &#8211; Justice &#8211; <em>† </em></font></h4>
<p style="text-align:center;"><img src="http://img248.imageshack.us/img248/6902/justicecrosstr3.jpg" height="300" width="300" /></p>
<p>It may sound a little corny, but Justice&#8217;s <em>† </em>was this year&#8217;s ultimate party album. DJs  Gaspard Auge and Xavier de Rosnay made a splash in 2007 by creating an album that mixes electronic, Daft Punk-esque house music with funky techno beats. The result was an energetic a powerful, upbeat album that easily can already be considered in the upper echelon of it&#8217;s respective genre. Album highlights include the quirky, but unbelievable catchy &#8220;D.A.N.C.E.&#8221; and the particularly noisy &#8220;Stress&#8221;.</p>
<p><a href="http://en.wikipedia.org/wiki/†_%28album%29"><em>†</em> information</a></p>
<p>Buy the album on <a href="http://www.amazon.com/Cross-Justice/dp/B000QCUB8I">Amazon.com</a></p>
<p><a href="http://www.myspace.com/etjusticepourtous">Listen to a stream</a></p>
<p><strong>Check Out:</strong><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/03%20D.A.N.C.E..mp3">&#8220;D.A.N.C.E.&#8221;</a><br />
<a href="http://premium.fileden.com/premium/2007/9/13/1429629/04%20New%20Jack.mp3">&#8220;New Jack&#8221;</a></p>
<p><a href="http://consequenceofsound.com/category/cos-2007-top-albums/">Check out the rest of CoS&#8217; Top 50 Albums of 2007&#8230; </a></p>
]]></content:encoded>
		<content:mobile><![CDATA[#34 - Justice - <em>† </em>

It may sound a little corny, but Justice's <em>† </em>was this year's ultimate party album. DJs  Gaspard Auge and Xavier de Rosnay made a splash in 2007 by creating an album that mixes electronic, Daft Punk-esque house music with funky techno beats. The result was an energetic a powerful, upbeat album that easily can already be considered in the upper echelon of it's respective genre. Album highlights include the quirky, but unbelievable catchy "D.A.N.C.E." and the particularly noisy "Stress".

<em>†</em> information

Buy the album on Amazon.com

Listen to a stream

<strong>Check Out:</strong>
"D.A.N.C.E."
"New Jack"

Check out the rest of CoS' Top 50 Albums of 2007... ]]></content:mobile>
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