A little history lesson, shall we? The Aragon Ballroom has been in existence for nearly a hundred years. It first played a role for the Windy City by hosting many dance parties and performances during the late ’20s and ’30s. Thirty years later, however, the Ballroom, thanks to new management, hosted mega rock concerts throughout the ’60s, ’70s and ’80s, including names like AC/DC, The Byrds and B.B. King. Today, the venue continues to please, hosting a mixture of both dance and rock concerts alike. For those that have never been, it’s set up quite delicately, with the concert hall and stage tucked away upstairs. Concertgoers can flood the main floor and the balcony above, where there’s some select seating areas. Its wide and vacuous main floor can easily host 4-5k comfortably. But by far the most unusual and compelling feature about the Aragon is its roof, a magnificent painting of a night sky, which sparkles, too.

People weren’t there for the Aragon, though. In fact, the show had recently been moved there from the nearby Riviera, as the demanding and sweltering fan base required a much larger venue. With that in mind, you can imagine the excited, amassing crowd, waiting in anticipation for the main event. Their buzzing energy didn’t mix well with David Pajo’s solo set; however, San Diego’s Grand Ole Party turned it up a notch, and kept the crowd in check. It helps to have a front woman in a band, though singer Kristin Gundred is more than just a woman. Throughout the frenetic opening performance, her voice remained powerful and well connected with the rest of the music they played.

Though, most will argue that she can’t hold a candle to Karen O — actually, probably everyone in the crowd last night. As the decked out East Coast princess took the stage, the sweaty fans went AWOL as they finally could enjoy the Yeah Yeah Yeahs. By this time, the Aragon was crowded and packed, probably ten or twenty tickets from selling out. Once the band jettisoned into two or three songs, it became clear that Karen O is not only a singer, but a damn fine entertainer, too. Her energy, along with the bands’, is a strong harbinger of things to come. There’s an invested potential that lie within the three here. That much seemed obvious within fifteen minutes of them playing.

While the band is supporting their recent effort, It’s Blitz!, the set list sported some former classics off of Fever to Tell and Show Your Bones. The “O”-Team played an acoustic version of “Maps” (video below), which is sure not to be missed on the rest of the tour, as well as hits like “Gold Lion”, “Y Control”, and of course, “Zero”. Fan favorites “Date with the Night”, “Heads will Roll”, and “Honeybear” only brought out a monumental hurricane; not outside the venue’s walls, despite the rain, but within.

Some may complain they’re festival whores, as they’re hitting the festival circuit pretty hard this summer, but there’s a good reason for that. If last night’s tour opener is evidence, then the static from both the crowd and the band proved that the Yeah Yeah Yeahs are not only a must-see act, but a must-see experience. Start planning.

All photo and video support by Art Pena.

Set List:
Runaway
Black Tongue
Human Fly (Cramps cover)
Man
Dull Life
Gold Lion
Cheated Hearts
Skeletons
Soft Shock
Honeybear
Zero
Maps
Y Control
Encore:
Heads Will Roll
Art Star
Date With the Night

———

We caught the end of Grand Ole Party and were very pleased with what few songs we heard. Singer-drummer Kristin Gundred pleased the crowd with wild but very soothing 60′s style vocals and toe tapping drum beats all at once. The San Diego group’s 2007 debut album Humanimals was well represented, as well as a few new songs which we hope to hear on an upcoming record sometime soon. All around, Grand Ole Party definitely pleased the crowd anxiously awaiting their headliner.

From note one of Sunset Rubdown’s set I was addicted, and there was no turning back. Singer Spencer Krug’s voice, with the help of some haunting reverb, carried through the windy Austin night and was incredible on every note. The set was half and half as far as new and current material went, but the new tracks were warmly greeted by Austinites and tired ACL goers alike. It was nothing short of jaw dropping to watch guitarist Michael Doerskin, drummer Jordan Robson-Cramer and bassist Mark Niccol continually trade instruments, and hold their own on each. Multi-intstrumentist Camilla Wynn Ingr (Pony Up!) was definitely a Jane of all trades, impressing the crowd with who knows how many instrument.

This show was definitely worth leaving the ACL festivities a bit early, and worth much more than the eight bucks it cost to get in the doors. I most certainly recommend checking out the Montreal natives, whether it be through one of its four studio releases or by catching a show near by. They are certain to please all, especially fans of Wolf Parade, Swan Lake, and Pony Up!