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	<title>Consequence of Sound &#187; Kim Deal</title>
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	<description>Think Fast, Listen Slowly</description>
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		<title>Pixies stomp again at the Aragon Ballroom (11/21)</title>
		<link>http://consequenceofsound.net/2009/11/pixies-stomp-again-at-the-aragon-ballroom-1121/</link>
		<comments>http://consequenceofsound.net/2009/11/pixies-stomp-again-at-the-aragon-ballroom-1121/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Mon, 23 Nov 2009 08:15:13 +0000</pubDate>
		<dc:creator>Adam Kivel</dc:creator>
				<category><![CDATA[Concert Reviews]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Black Francis]]></category>
		<category><![CDATA[Frank Black]]></category>
		<category><![CDATA[Kim Deal]]></category>
		<category><![CDATA[Pixies]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/?p=22187</guid>
		<description><![CDATA[Ah, déjà vu.]]></description>
			<content:encoded><![CDATA[<p><a href="http://consequenceofsound.net/tag/pixies/" target="_blank">The Pixies</a> at the Aragon Ballroom in November. Ah, déjà vu. Seems like this happened five years ago (because it did, more or less). A set chock full of old jams, no new material in sight, smiling faces in the crowd and on the stage.There were still a few surprises (a giant video board, pre-show advertisements for USB wristbands at the merch booth), but this is the same Pixies from 2004.</p>
<p>If you don&#8217;t know the Pixies story, here&#8217;s a brief overview: the ‘87 founded Boston, Mass. quartet  produced five great albums (including two masterpieces) before breaking up in ‘93. The group&#8217;s edgy, weird alternative rock influenced a generation of musicians (Thom Yorke, Kurt Cobain and Rivers Cuomo have all credited the Pixies for their game-changing influence). 2004 saw the group reuniting, releasing one new song, and touring the country. Bassist Kim Deal had been playing with the Breeders, front man Black Francis released a few records as Frank Black, guitarist Joey Santiago scored film and television work and drummer Dave Lovering worked on his magic. Yeah. His magic.</p>
<p>Now, five years later, there&#8217;s been talk of a new album. But, that still hasn&#8217;t happened, so another live show will have to do. This time, instead of playing most of the tracks from the legendary <em>Doolittle</em>, the tour called for the band to play the entire thing from start to finish. As the crowd started to get out of control, the giant video screen behind the stage filled with spliced together scenes of Salvador Dali&#8217;s legendary <em>Un Chien Andalou</em>. The film was the lyrical inspiration for <em>Doolittle</em> hit &#8220;Debaser&#8221;: &#8220;slicing up eyeballs&#8221; comes directly from the film and that explicit shot was on display for a while.</p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4127455390/"><img class="aligncenter size-full wp-image-22203" title="4127455390_aa1e8565e9" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4127455390_aa1e8565e9.jpg" alt="" width="500" height="334" /></a></p>
<p>The group eventually found their way onstage, opening with a brief set of B-sides from <em>Doolittle</em> singles. Both Manta Ray tunes swayed, but the &#8220;B-side so obscure we had to learn it&#8221; (as Deal put it), &#8220;Bailey&#8217;s Walk&#8221; may have been the strongest. What came next was exactly what anyone who&#8217;s seen the Pixies before, or heard the album more than a few times, would guess. The thrill-seeking anthem &#8220;Debaser&#8221; hummed along with Santiago&#8217;s shuddering, noisy guitar. Black‘s howls on &#8220;Tame&#8221;  seethed with the same aggression as they did in 2004. The video accompaniment for this hyper-charged gem perfectly matched the song&#8217;s slightly sexual, very angry tone: shots of mannequin parts swapped back and forth with a giant bull&#8217;s skull.</p>
<p>The video for &#8220;Here Comes Your Man&#8221; was also particularly charming. Four, <em>Brady Bunch</em>-esque boxes contained each of the band members heads&#8217;, bobbing and mugging along with the tune. Long-time fan favorite &#8220;Monkey Gone To Heaven&#8221; may have had the loudest crowd reaction; the song was more sing-along than performance. But, this was true for a good deal of the show, because that&#8217;s just what a performance like this is for. The Pixies were thanking their old fans and initiating the new ones by recreating, to a degree, what it would have been like seeing them in the <em>Doolittle</em> era.</p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4127455816/"><img class="aligncenter size-full wp-image-22204" title="4127455816_495536c704" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4127455816_495536c704.jpg" alt="" width="500" height="338" /></a></p>
<p>The encores featured a couple more B-sides (the Deal-sung &#8220;Into the White&#8221; and the delightfully slinky &#8220;UK Surf&#8221; rendition of &#8220;Wave of Mutilation&#8221;). Later, Santiago flailed at his guitar with a drumstick during &#8220;Vamos&#8221;, everyone in the house falsetto&#8217;d along with Deal on &#8220;Where is My Mind?&#8221;, Lovering thumped through &#8220;Gigantic&#8221;, and Black screamed through &#8220;Something Against You&#8221;.</p>
<p>The show certainly was a crowd pleaser in every sense of the term. The b-sides were great for hardcore fans, the front-to-back album performance encapsulated the joy of hearing <em>Doolittle</em> for the first time and the band seemed to enjoy it, despite having done this as many times as they have. I&#8217;d probably see them every five years without any new material, but the promise of a new album is exciting news indeed.</p>
<p><strong>Setlist:</strong><br />
Dancing The Manta Ray<br />
Weird At My School<br />
Bailey&#8217;s Walk<br />
Manta Ray<br />
Debaser<br />
Tame<br />
Wave of Mutilation<br />
I Bleed<br />
Here Comes Your Man<br />
Dead<br />
Monkey Gone To Heaven<br />
Mr. Grieves<br />
Crackity Jones<br />
La La Love You<br />
No. 13 Baby<br />
There Goes My Gun<br />
Hey<br />
Silver<br />
Gouge Away<br />
<em>Encore</em><br />
Wave of Mutilation (UK Surf)<br />
Into The White<br />
<em>Encore 2</em><br />
Holiday Song<br />
Something Against You<br />
Vamos<br />
Where Is My Mind?<br />
<em>Encore 3</em><br />
Gigantic</p>
<p>&#8212;&#8212;</p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4126684545/" target="_blank"><img class="aligncenter size-full wp-image-22205" title="4126684545_123c30024d" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4126684545_123c30024d.jpg" alt="" width="500" height="334" /></a></p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4126684779/" target="_blank"><img class="aligncenter size-full wp-image-22206" title="4126684779_0d025b786b" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4126684779_0d025b786b.jpg" alt="" width="334" height="500" /></a></p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4127455620/" target="_blank"><img class="aligncenter size-full wp-image-22207" title="4127455620_c2c42a336d" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4127455620_c2c42a336d.jpg" alt="" width="500" height="334" /></a></p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/alwaysunday/4126684697/" target="_blank"><img class="aligncenter size-full wp-image-22208" title="4126684697_f3e1f43248" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/11/4126684697_f3e1f43248.jpg" alt="" width="334" height="500" /></a></p>
]]></content:encoded>
		<content:mobile><![CDATA[The Pixies at the Aragon Ballroom in November. Ah, déjà vu. Seems like this happened five years ago (because it did, more or less). A set chock full of old jams, no new material in sight, smiling faces in the crowd and on the stage.There were still a few surprises (a giant video board, pre-show advertisements for USB wristbands at the merch booth), but this is the same Pixies from 2004.

If you don't know the Pixies story, here's a brief overview: the ‘87 founded Boston, Mass. quartet  produced five great albums (including two masterpieces) before breaking up in ‘93. The group's edgy, weird alternative rock influenced a generation of musicians (Thom Yorke, Kurt Cobain and Rivers Cuomo have all credited the Pixies for their game-changing influence). 2004 saw the group reuniting, releasing one new song, and touring the country. Bassist Kim Deal had been playing with the Breeders, front man Black Francis released a few records as Frank Black, guitarist Joey Santiago scored film and television work and drummer Dave Lovering worked on his magic. Yeah. His magic.

Now, five years later, there's been talk of a new album. But, that still hasn't happened, so another live show will have to do. This time, instead of playing most of the tracks from the legendary <em>Doolittle</em>, the tour called for the band to play the entire thing from start to finish. As the crowd started to get out of control, the giant video screen behind the stage filled with spliced together scenes of Salvador Dali's legendary <em>Un Chien Andalou</em>. The film was the lyrical inspiration for <em>Doolittle</em> hit "Debaser": "slicing up eyeballs" comes directly from the film and that explicit shot was on display for a while.

The group eventually found their way onstage, opening with a brief set of B-sides from <em>Doolittle</em> singles. Both Manta Ray tunes swayed, but the "B-side so obscure we had to learn it" (as Deal put it), "Bailey's Walk" may have been the strongest. What came next was exactly what anyone who's seen the Pixies before, or heard the album more than a few times, would guess. The thrill-seeking anthem "Debaser" hummed along with Santiago's shuddering, noisy guitar. Black‘s howls on "Tame"  seethed with the same aggression as they did in 2004. The video accompaniment for this hyper-charged gem perfectly matched the song's slightly sexual, very angry tone: shots of mannequin parts swapped back and forth with a giant bull's skull.

The video for "Here Comes Your Man" was also particularly charming. Four, <em>Brady Bunch</em>-esque boxes contained each of the band members heads', bobbing and mugging along with the tune. Long-time fan favorite "Monkey Gone To Heaven" may have had the loudest crowd reaction; the song was more sing-along than performance. But, this was true for a good deal of the show, because that's just what a performance like this is for. The Pixies were thanking their old fans and initiating the new ones by recreating, to a degree, what it would have been like seeing them in the <em>Doolittle</em> era.

The encores featured a couple more B-sides (the Deal-sung "Into the White" and the delightfully slinky "UK Surf" rendition of "Wave of Mutilation"). Later, Santiago flailed at his guitar with a drumstick during "Vamos", everyone in the house falsetto'd along with Deal on "Where is My Mind?", Lovering thumped through "Gigantic", and Black screamed through "Something Against You".

The show certainly was a crowd pleaser in every sense of the term. The b-sides were great for hardcore fans, the front-to-back album performance encapsulated the joy of hearing <em>Doolittle</em> for the first time and the band seemed to enjoy it, despite having done this as many times as they have. I'd probably see them every five years without any new material, but the promise of a new album is exciting news indeed.

<strong>Setlist:</strong>
Dancing The Manta Ray
Weird At My School
Bailey's Walk
Manta Ray
Debaser
Tame
Wave of Mutilation
I Bleed
Here Comes Your Man
Dead
Monkey Gone To Heaven
Mr. Grieves
Crackity Jones
La La Love You
No. 13 Baby
There Goes My Gun
Hey
Silver
Gouge Away
<em>Encore</em>
Wave of Mutilation (UK Surf)
Into The White
<em>Encore 2</em>
Holiday Song
Something Against You
Vamos
Where Is My Mind?
<em>Encore 3</em>
Gigantic

------



]]></content:mobile>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Breeders to tour U.S. in August</title>
		<link>http://consequenceofsound.net/2009/07/the-breeders-to-tour-us-in-august/</link>
		<comments>http://consequenceofsound.net/2009/07/the-breeders-to-tour-us-in-august/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Fri, 10 Jul 2009 18:30:50 +0000</pubDate>
		<dc:creator>Alex Young</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Tour]]></category>
		<category><![CDATA[Frank Black]]></category>
		<category><![CDATA[Kim Deal]]></category>
		<category><![CDATA[Pixies]]></category>
		<category><![CDATA[The Breeders]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/?p=17151</guid>
		<description><![CDATA[It's may not be Pixies tour dates, but hey, it's something...]]></description>
			<content:encoded><![CDATA[<p>Us Amercians may not have any Pixies reunion dates to look forward to, but we do have a whole lot of Pixies related engagements to chose from. On the heels of frontman Frank Black&#8217;s <a href="http://consequenceofsound.net/2009/06/19/frank-black-is-one-busy-man-this-summer/">busy summer plans</a>, comes word that for one month in August, Kim Deal will taker her <a href="http://www.myspace.com/thebreeders">Breeders</a> back on the road in support of the recently released <a href="http://consequenceofsound.net/2009/05/16/album-review-the-breeders-fate-to-fatal-ep/"><em>Fate To Fate</em> EP</a>.</p>
<p>After that, it&#8217;s back to Europe for Deal where she&#8217;ll hitch up with Black and the rest of the Pixies crew for a <a href="http://consequenceofsound.net/2009/06/29/pixies-keep-the-reunion-a-rollin/">fall tour</a> in celebration of the  20th anniversary of the band&#8217;s album, <em>Doolittle</em>. Then, it&#8217;s a little more action for The Breeders, as the band is currently scheduled to take part in <a href="http://consequenceofsound.net/festival-outlook/ten-years-of-atp/">10 Years of ATP</a> this December.</p>
<p><strong>The Breeders 2009 Tour Dates:</strong><br />
08/05 &#8211; Newport, KY @ Southgate House *<br />
08/06 &#8211; Indianapolis, IN @ The Vouge *<br />
08/07 &#8211; St. Louis, MO @ Blueberry Hill *<br />
08/08 &#8211; Lawrence, KS @ Bottleneck *<br />
08/09 &#8211; Omaha, NE @ Slowdown *<br />
08/11 &#8211; Minneapolis, MN @ Fine Line Music Cafe *<br />
08/12 &#8211; Madison, WI @ Majestic Theatre *<br />
08/13 &#8211; Chicago, IL @ Metro *<br />
08/14 &#8211; Pontiac, MI @ Crofoot Ballroom *<br />
08/15 &#8211; Toronto, ON @ Lee&#8217;s Place *<br />
08/17 &#8211; Boston, MA @ Paradise Ballroom *<br />
08/18 &#8211; New York, NY @ Bowery Ballroom *<br />
08/19 &#8211; New York, NY @ Bowery Ballroom *<br />
08/21 &#8211; Washington, DC @ Black Cat *<br />
08/22 &#8211; Pittsburgh, PA @ Diesel Club Lounge *<br />
08/23 &#8211; Columbus, OH @ Newport Music Hall *</p>
<p>* = w/ Whispertown 2000</p>
]]></content:encoded>
		<content:mobile><![CDATA[Us Amercians may not have any Pixies reunion dates to look forward to, but we do have a whole lot of Pixies related engagements to chose from. On the heels of frontman Frank Black's busy summer plans, comes word that for one month in August, Kim Deal will taker her Breeders back on the road in support of the recently released <em>Fate To Fate</em> EP.

After that, it's back to Europe for Deal where she'll hitch up with Black and the rest of the Pixies crew for a fall tour in celebration of the  20th anniversary of the band's album, <em>Doolittle</em>. Then, it's a little more action for The Breeders, as the band is currently scheduled to take part in 10 Years of ATP this December.

<strong>The Breeders 2009 Tour Dates:</strong>
08/05 - Newport, KY @ Southgate House *
08/06 - Indianapolis, IN @ The Vouge *
08/07 - St. Louis, MO @ Blueberry Hill *
08/08 - Lawrence, KS @ Bottleneck *
08/09 - Omaha, NE @ Slowdown *
08/11 - Minneapolis, MN @ Fine Line Music Cafe *
08/12 - Madison, WI @ Majestic Theatre *
08/13 - Chicago, IL @ Metro *
08/14 - Pontiac, MI @ Crofoot Ballroom *
08/15 - Toronto, ON @ Lee's Place *
08/17 - Boston, MA @ Paradise Ballroom *
08/18 - New York, NY @ Bowery Ballroom *
08/19 - New York, NY @ Bowery Ballroom *
08/21 - Washington, DC @ Black Cat *
08/22 - Pittsburgh, PA @ Diesel Club Lounge *
08/23 - Columbus, OH @ Newport Music Hall *

* = w/ Whispertown 2000]]></content:mobile>
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		<slash:comments>2</slash:comments>
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