For those not like this reviewer, and the millions of others who have eagerly been anticipating this release since Tim Armstrong, Lars Frederiksen, Matt Freeman and Brett Reed began “working” on this effort, shortly following the release of 2003’s Indestructible, Let the Dominoes Fall can be best described as punk rock’s version of Chinese Democracy. Anticipation? Long-awaited? Words that sound good, but don’t truly illustrate the angst and restlessness that have besieged all Rancid fans over the last five years.

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