By Jesper Persson on February 10th, 2009
You might be surprised that Berlin-based band The Whitest Boy Alive started out as an electronic, dance-oriented outfit. Their 2006 debut album, Dreams, didn’t leave many hints of any dancefloor grooving in the quartet’s precise, minimalistic indie pop. When writing about Kings of Convenience or The Whitest Boy Alive, it’s dutifully and somehow reluctantly necessary [...]