On top of releasing nine studio albums, the duo have put out several mixtapes, produced countless up-and-coming artists, made a handful of films, and starred in their own reality TV series. Oh yeah, and they won an Oscar, too. Phoning from Los Angeles, DJ Paul convivially chatted with Consequence of Sound‘s Dan Caffrey and special guest interviewer Dan Pfleegor about horror films, Three 6 Mafia’s delayed 10th album, and his love for R. Lee Ermey.

Tell us about your mixtape that’s been out.

Yeah, the latest one is Pray for Forgiveness, and it’s me and Ya Boy. We did the mixtape together, and put it out as a little bonus. So, it’s on iTunes for $4.99. It’s me and a little hot producer out of Memphis named Lil Lody. We released a video off the album. Me and Young Buck and Charlie P.

What’s the concept behind the video?

Aw man, the video’s stupid. It’s one of my favorite videos out there. It’s like a robbery movie mixed with a horror movie. The shape is like a horror movie, but the premise is put down like a robbery movie, like a drama. We got these chicks, and we give them guns and a Cadillac truck, and we spin ‘em up in a corner store. So, they run up in the corner store, and they start robbing and find out that the corner store man got a dope boy operation going on in the back. So, they run back there in threes, and they get the boys up. And the lesson there is that it’s hard to be a dope boy today.

Who directed it?

My boy Charlie P. One of the rappers in the video.

Are there any specific homages in it to already existing horror movies?

Naw, it just gives you the feeling of one, but it doesn’t taking nothing from one. We did a scene where the glass breaks, like if your TV screen broke. It’s pretty cool.

You guys have always been pretty big horror fans, right?

Aw, hell yeah.

Do you have a favorite horror movie of all time?  

Yeah, The Texas Chainsaw Massacre part one. The original.

How’d you like the remake?

I liked the remake. It was one of the best remakes in remake history. That one was good, especially on the part where they shot the dude or the chick or whatever in the head, and the camera pans through her head out the back window. Man, that shit was awesome.

Oh yeah, it goes through the hole in her head after she takes the gun out of her vagina.

Just that sheriff alone, that dude’s a hell of an actor, man. He was crazy as hell in that. I wanted to kick his ass.

Oh yeah, R. Lee Ermey. Did you ever see Full Metal Jacket? He always plays a drill sergeant.

Yeah, I saw all his movies. He does commercials where he plays drill sergeants. He did a Geico commercial.

He did?

Yeah, it’s funny as hell, too. He did a Geico commercial where a dude was, uh… he wasn’t actually a drill sergeant in it, but he was a psychiatrist who acted like a drill sergeant. So, he was all hard on his clients and shit like that. And at the end, the dude’s crying, and he threw him a box of napkins and was like, “Here you go… Sandy Hands” or something crazy like that. I think it was a Geico commercial, but it was funny as hell, though.

You guys have ventured into filmmaking yourselves with Choices and Choices 2. Have you ever thought about making a straight-up horror movie?

Yeah, we have done a lot of that thing, man. We want to eventually do that. But we’re so scared. We got like three scripts, and nobody’s really had a shot yet. But I’m just trying to figure out the right way to do it and make it make sense and make it make money. ‘Cause it’s so easy to steal movies these days, you know? We already losing on music, so I’m just trying to figure out a way to put out a movie and do it with a skeleton crew and small budget so we won’t completely lose. ‘Cause I mean, you know, I’m in the hood and I’m at my boy’s house, and they be like, “Hey, man, let’s pop in the Transformers DVD,” and I’m like, “Damn, Transformers ain’t even out yet!” [laughs]

Is that frustrating? Laws of Power has been pushed back a few times. Is it frustrating to see the songs leak while you’re still waiting for the album to come out?

Naw, the songs that leaked… we leaked those. My studio is in my house. It’s like one of the guest bedrooms. And my engineer’s been with me like eight years. So, that shit don’t go to anyone else but me. He don’t even have a copy of it. At the end of the night, I lock the room, he go home, and I go to bed. We’ll leak our songs ourselves, you know, just to test the waters on them and release singles, but I never had nothing that like leaked and I was like, “Oh shit, how the hell’d they get that?”

Do you guys have a definite release date yet for Laws of Power?

Naw. Naw, the album’s done, but we’re just sitting there waiting for the label to get their minds right with which one of these singles they wanna roll.

Would you mind describing the plot of one of your film scripts?

Well, we’ve got one that’s called The Streets of Memphis. We’ve got a hip-hop movie that’s untitled.  And we’ve got Choices 3.

There’s going to be a Choices 3?  

It’s the return of Big Pat. He wasn’t in Choices 2 ‘cause he was serving time in prison, in real life. So, we just played it off that in Part 2 he went to prison, which he did. Then, in Part 3, he get out, and he’s coming at anyone who crossed him out or left him hanging or did bad shit when he was locked down. It’s hard. It’s gangsta as hell. It’s Project Pat on steroids. He comes out, and he’s killing motherfuckers all over the place.

Project Pat is frightening in Choices and on the albums, but on the show Adventures in Hollyhood, he seemed like a big teddy bear. Is that just because he’s shy? Does he have a nice demeanor normally?

Well, naw, he ain’t shy. Pat’s just real laid-back, you know?  It’s when you piss him off that you see the crazy side. He’s the type of guy that if you walk up to him… if a couple dudes walk up to him and then try to rob him or try to talk shit to him, he’ll try to talk them down first. He’ll be like, “Young dudes, ya’ll need to think about what you’re doing, this and that.” He’ll try to talk to them like, “This ain’t the way; you need to get your mind right, this and that. But if you wanna do this, there’s gonna be some repercussions.” [laughs] He has been in prison on and off a lot, but he can’t be wild in the streets. He only gets wild when it’s time to get wild.

Are there any plans for a Season Two of Adventures in Hollyhood?

Naw, that’s over with.

Was reality TV something you enjoyed doing, or did it get on your nerves after a while?

I like reality TV. It’s cool. But of course it gets on your nerves. A woman gets on your nerves, even the hottest one in the world.

Your early music contained a lot more references to occult imagery. Was that something you guys consciously moved away from, or did it just kind of happen?

Man, you know it just kind of happened. You gotta go with the times and the sort of people that’s listening to music in the club these days. Don’t wanna hear nobody talking about chopping somebody’s head off and eating it. You know what I’m saying? That’s a small crowd. There’s still an audience out there for that, and I wish I could one day sit back and throw a CD their way of that. But as of now, it’s too hard to sell records, so you’ve gotta try to come out with the hardest shit that you think that the whole world is gonna wanna buy, and not just some small little colored kids somewhere down in some small town gathered ’round a fire and thinking about shooting up the high school tomorrow.

How autobiographical would you consider your music to be? Is the stuff you do nowadays more autobiographical than your earlier albums?

Well, the stuff these days is really a lot of shit that we do, because the stuff we do is more about partying, drugs, women, alcohol. [laughs] It’s always been there on Three 6 Mafia albums. But you know, the ones in the day had more killing and robbing and this and that. All of them pretty much had the shit we done did. I mean I ain’t gonna sit up here and say I killed somebody or something like that, but as far as the robbery shit, the drug dealing, this and that… we grew up in some rough times, man. We grew up in some rough neighborhoods. So, there’s a lot of shit we did in the past that, you know, is crazy. You know, we talked about it once, and we really don’t talk about that no more. We’re just on to the more happier days. Those bad days roaming the streets are gone. We’re just talking about life as life goes, the present moment in life. And right now our life is riding in big cars and messing with hot chicks.

Do you think you’ve become happier as your career’s gone on?

Of course. Who wouldn’t?

DJ Paul’s mixtape, Pray for Forgiveness, is currently available on iTunes, with Laws Of Power, Three 6 Mafia’s 10th studio album, hopefully hitting stores sometime next year.

With Laws of Power, a new mix tape from the legendary Three 6 Mafia, now composed of just DJ Paul and Juicy J, it’s hard to believe that the rap duo won an Academy Award (actually, the first African-American group to do so since Isaac Hayes). With an award of that caliber, you’d expect the group to consistently deliver quality material, but I assure you that on Laws of Power, this is not the case.

The first song we hear, after an overexcited introduction, is “Feel It”, one of the upcoming album’s (of the same title, with no intended release date as of now) first singles. The song features Flo Rida, Sean Kingston, and the King of DJs himself, Tiësto. While Tiësto, indeed, does keep his style present throughout the song, the lyrics consist of little more than “Break it down/to the ground,” and, “DJ turn the music up/I want to feel it/Oh oh.” And that goes on for five minutes. The next song is “Stay Fly/Aerodynamic”, which has a hopping beat that sounds like a factory in fast motion. But the lyrics are barely audible, and the ones I can manage to make out are about rolling up to the club and being famous. At least the production on these songs is immaculate; they had to leave room for creativity somewhere.

“Lil’ Freak” is a song with a chorus about a girl from Hollywood who likes to suck dick (“A long dick all like/Uh uh uh”). It’s reasons like this that a) we have parental advisory stickers (do we still?); b) we have protest groups; and c) so many feminists are opposed to hip hop. “Shake My” featuring Kalenna is another single off the upcoming record, where this girl chants throughout the duration of the song that she likes to shake her house. Meanwhile, rhymes are spat about a dancing girl (most likely a stripper) and how she makes the narrator tingly in his pants, which leads to the nail biting mystery on how he’ll obtain the required sexual access. Please note that those are not his exact words.

“Shots After Shots” features Tech N9ne, who actually has all the best raps on the album. That doesn’t mean the song isn’t downright moronic. It’s highly probably we’ll see trashy bar owners playing it late-night to make insecure girls get naked. The song is literally about taking shots; the chorus merely states, “I’m a take shots until the day I die/Shots after shots/More!”. If it weren’t for Tech N9ne and his lightning fast rhyming, this song would be a total bore (he rhymes “evidence” and “elephants” while talking about orgies). “Body Parts 3” follows, and its disjointed rhythm becomes rather grating. Fast.

It doesn’t get much better. Twiztid and the Insane Clown Posse appear next on “I Shot a Hater”, where they talk about shooting haters in the head. Nelly appears a couple songs later on “Wanna Touch”, where over and over you’ll hear, “I just wanna touch” instead of “fuck” (which I’m sure was their intention). “Smokin’ on the Dro” is like a new age Mike Jones track, but for a dumber and younger audience. Tech N9ne appears again on “Demons”, a song about the wicked side of each rapper on the song. As you can imagine, they just talk about killing people and how their inner demons involve taking drugs. Chamillionaire pops up a moment later on “Doe Boy Fresh”, with a choppy chorus going, “Doe boy/Uh-doe boy/Fresssshhhhh” over and over and over again. The album’s final moments are “Slow Motion” a song paying homage to a Juvenile song I never found too impressive to begin with, and “Unite”, talking about bringing people together. Though, after an album filled with songs of hatred, sexual abuse, drinking, drugs, and shooting haters in the head, this call to unite is relatively half-assed.

I don’t mean to hate on the album this bad. The beats are at least pretty cool, making it slightly listenable, but I can’t listen to music with lyrics that are so mindless. Music, to me, takes a lot of thought, and all the rappers I do listen to rap about these subject matters, but in a sense that is smart, metaphorical, and unique. Shit, Eminem’s been rapping about how much he hates his wife for years, but the fact he tackles the subject matter from new angles and with different emotions makes it more intelligent than Juicy J talking about a stripper making his pecker hard. Listening to this mixtape was the equivalent of when I saw VH1 Hip Hop Honors Dirty South come on my TV; I thought it would be entertaining, but within the first five minutes, I wanted to get onto something better. After I post this, I’m digging up ATLiens and questioning the music industry, and hopefully my questions about the mainstream’s love for Southern hip hop will be answered in a sense I can connect with.

Remixes are nothing new for the Swedish trio known as Peter Bjorn & John. If you need any evidence of this, look no further than the selection we debuted a little while back.

But PB&J have never seen their name attached to an entire album worth of remixes. That will change come Thursday, August 27th, when Re-Living Thing hits a blog near you.

As you may expect from the title, the 12-track effort features reworkings of the trio’s most recent studio effort. Created by producer Mick Boogie, the man behind last year’s Jay-Z/Coldplay mash-up mixtape, Viva la Hova, the result sees all 12 of Living Thing‘s tracks reworked and remixed by an impressive roster that includes Wu-Tang Clan’s GZA, Kardinal Offishall, Wale, Talib Kweli, Bun B, Three 6 Mafia, Trouble Andrew, Amanda Blank, 88-Keys, Young Chris & Rhymefest, and Big Sean, as well as DJs like Jazzy Jeff, nVMe, and The Kickdrums.

“Because of the success of that Jay-Z thing, great things have been happening,” explained Boogie in a recent interview with MTV.com. “This time the idea was not just remixing, but adding some vocals and getting two to three incredible, known blog-worthy MCs and putting them on every song.”

Boogie went on to note that all the artists appearing on the effort were chosen by Peter Bjorn & John. “We talked music and production and artists and it showed me what a global phenomenon hip-hop is, because these guys who grew up in Sweden were quoting Wu-Tang lyrics — and they knew all the underground stuff, too, like Amanda Blank and Kidz in the Hall,” he said.

Re-Living Thing will be released on the 27th as a free online mixtape on “on all your favorite blogs.”  Get the tentative tracklist (via MTV) below…

Re-Living Thing Tracklist:
01. J. Cole & GZA – “The Feeling” (remixed by Marco Polo)
02. Kardinal Offishall, Donnis & Heno – “It Just Don’t Move Me” (remixed by Jet Audio)
03. Big Sean & Black Milk – “Just The Past” (remixed by nVMe)
04. Wale, Young Chris & Rhymefest – “Nothing To Worry About” (remixed by The Kickdrums)
05. Bun B – “Losing My Mind” (remixed by 6th Sense)
06. Freebass 808 & Amanda Blank – “Living Thing” (remixed by Apple Juice Kid)
07. Talib Kweli – “I Want You” (remixed by William Russell / Good Life Mike)
08. Three Six Mafia and Trouble Andrew – “Lay It Down” (remixed by The Kickdrums)
09. Big Pooh, Chaundon and Phil Nash – “Stay This Way” (remixed by Jazzy Jeff)
10. Naledge & Mickey Factz – “Blue Period Picasso” (remixed by nVMe)
11. 88 Keys, Outasight & 6th Sense – “4 Out Of 5″ (remixed by 6th Sense)
12. U-N-I – “Last Night” (remixed by Remot)