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	<title>Consequence of Sound &#187; Vinyl</title>
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		<title>End of Week Recap: November 29 &#8211; December 5</title>
		<link>http://consequenceofsound.net/2010/12/end-of-week-recap-november-29-december-5/</link>
		<comments>http://consequenceofsound.net/2010/12/end-of-week-recap-november-29-december-5/#comments</comments>
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		<pubDate>Mon, 06 Dec 2010 01:58:14 +0000</pubDate>
		<dc:creator>Emma Ramsay</dc:creator>
				<category><![CDATA[End of Week Recap]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bright Eyes]]></category>
		<category><![CDATA[Cinema Sounds]]></category>
		<category><![CDATA[Coldplay]]></category>
		<category><![CDATA[Consequence of Sound Online Store]]></category>
		<category><![CDATA[Daft Punk]]></category>
		<category><![CDATA[Faith No More]]></category>
		<category><![CDATA[holiday gift guide]]></category>
		<category><![CDATA[Jack White]]></category>
		<category><![CDATA[Jeff Mangum]]></category>
		<category><![CDATA[Jeff Tweedy]]></category>
		<category><![CDATA[Kanye West]]></category>
		<category><![CDATA[Michael Cera]]></category>
		<category><![CDATA[Mister Heavenly]]></category>
		<category><![CDATA[Niki Minaj]]></category>
		<category><![CDATA[Patrick Stump]]></category>
		<category><![CDATA[Peter Hook]]></category>
		<category><![CDATA[PJ Harvey]]></category>
		<category><![CDATA[Postal Service]]></category>
		<category><![CDATA[Sean Carlson]]></category>
		<category><![CDATA[Soundgarden]]></category>
		<category><![CDATA[Spoon]]></category>
		<category><![CDATA[The Clash]]></category>
		<category><![CDATA[The Decemberists]]></category>
		<category><![CDATA[The Grammys]]></category>
		<category><![CDATA[The Killers]]></category>
		<category><![CDATA[The Streets]]></category>
		<category><![CDATA[Vinyl]]></category>
		<category><![CDATA[Yo La Tengo]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/?p=88554</guid>
		<description><![CDATA[You know, just in case you missed anything.]]></description>
			<content:encoded><![CDATA[<p>It seemed like another extremely busy week here at CoS. It certainly was. It was difficult to compile everything into this tiny little recap post.</p>
<p>And then one day we found out we&#8217;re the best.</p>
<p>We were browsing the internet a couple of days ago when we came across About.com&#8217;s picks for the <a href="http://consequenceofsound.net/2010/12/03/consequence-of-sound-crowned-about-coms-top-music-blog-of-2010/" target="_blank">best blogs of 2010</a>. We&#8217;re their favorite music site.</p>
<p>It hasn&#8217;t quite sunk in yet, but we assure you we&#8217;ll do our best not to believe our own hype. We&#8217;ll still provide you with consistently, up-to-the-minute coverage of all things music. In the end, it&#8217;s not the honor that matters. It&#8217;s what we did to deserve it that does.</p>
<p>We plan on keeping it that way.</p>
<p>&#8211; The 2011 <strong>Grammy</strong> <a href="http://consequenceofsound.net/2010/12/01/meet-arcade-fire-justin-bieber-and-the-rest-of-your-2011-grammys-nominees/" target="_blank">nominees</a> were revealed.</p>
<p>&#8211; <strong>Jeff Mangum</strong> <a href="http://consequenceofsound.net/2010/12/05/the-return-of-jeff-mangum-pt-2/" target="_blank">caused</a> a bunch of hipsters to commit suicide.</p>
<p>&#8211;<strong>Bright Eyes </strong>announced what may be their <a href="http://consequenceofsound.net/2010/11/30/bright-eyes-announces-new-album-the-people%e2%80%99s-key/" target="_blank">final LP</a>, <em>The People&#8217;s Key</em>.</p>
<p>&#8211; <strong>PJ  Harvey</strong> gave us a <a href="http://consequenceofsound.net/2010/11/30/check-out-new-pj-harvey-song-written-on-the-forehead/" target="_blank">taste</a> of what&#8217;s to come.</p>
<p>&#8211; <strong>Jack White</strong><a href="http://consequenceofsound.net/2010/12/01/jack-white-isnt-exploiting-you-says-jack-white/" target="_blank"> insisted </a>that he&#8217;s not exploiting anyone.</p>
<p>&#8211; <strong>Kanye West</strong>&#8216;s <em>My Beautiful Dark Twisted Fantasy</em> <a href="http://consequenceofsound.net/2010/12/01/kanye-wests-my-beautiful-dark-twisted-fantasy-hits-1/" target="_blank">reached</a> #1.</p>
<p>&#8211; <strong>Yo La Tengo</strong> and <strong>Jeff Tweedy</strong> <a href="http://consequenceofsound.net/2010/12/04/watch-yo-la-tengo-celebrate-hanukkah-with-jeff-tweedy/" target="_blank">played some songs together</a> in celebration of Hanukkah.</p>
<p>&#8211; <strong>Bon Jovi</strong> <a href="http://consequenceofsound.net/2010/11/29/bon-jovi-to-go-on-hiatus-following-current-tour/" target="_blank">announced</a> a hiatus. <a href="http://consequenceofsound.net/2010/11/28/wolf-parade-announce-indefinite-hiatus/" target="_blank">So did</a> <strong>Wolf Parade</strong>.</p>
<p>&#8211; Want to pick a song that will be on <strong>Patrick Stump</strong>&#8216;s forthcoming solo effort? Click <a href="http://consequenceofsound.net/2010/11/29/patrick-stump-wants-you-to-pick-a-song-for-his-album/" target="_blank">here</a> to find out more.</p>
<p>&#8211; <strong> The Killers</strong> put out a <a href="http://consequenceofsound.net/2010/11/30/check-out-the-killers-christmas-single-boots/" target="_blank">holiday single</a>. <strong>Coldplay</strong> <a href="http://consequenceofsound.net/2010/12/01/and-now-heres-coldplays-christmas-song/" target="_blank">followed suit</a>.</p>
<p>&#8211; <strong> The Decemberists</strong> will release a <a href="http://consequenceofsound.net/2010/11/30/the-decemberists-announce-the-king-is-dead-box-set/" target="_blank">deluxe box set </a>for their upcoming sixth LP, <em>The King Is Dead</em>.</p>
<p>&#8211; <strong>The Streets</strong> will release a compilation of <a href="http://consequenceofsound.net/2010/11/30/the-streets-announces-album-of-room-recordings-cyberspace-and-reds/" target="_blank">room recordings</a>.</p>
<p>&#8211; On that note, <strong>Spoon</strong> will put out a <a href="http://consequenceofsound.net/2010/11/30/spoon-release-album-of-bonus-songs/" target="_blank">collection</a> of outtakes and other bonus material.</p>
<p>&#8211;<strong> The Clash</strong> are <a href="http://consequenceofsound.net/2010/12/01/clash-members-producing-london-calling-biopic/" target="_blank">producing </a>a film about their seminal 1979 effort, <em>London Calling</em>.</p>
<p>&#8211;<strong> Michael Cera</strong> <a href="http://consequenceofsound.net/2010/12/02/woah-george-michael-jams-on-stage-with-an-indie-band/" target="_blank">played</a> with newly formed indie supergroup <strong>Mister Heavenly</strong>.</p>
<p>&#8211; Is <strong>vinyl</strong> dead? Find out more <a href="http://consequenceofsound.net/2010/12/02/r-i-p-vinyl-records/" target="_blank">here</a>.</p>
<p>&#8211; Jimmy Tamborello told us not to expect a new <strong>Postal Service</strong> <a href="http://consequenceofsound.net/2010/12/03/jimmy-tamborello-says-no-new-postal-service-album-for-you/" target="_blank">LP</a> anytime soon.</p>
<p>&#8211;<strong> Soundgarden</strong> <a href="http://consequenceofsound.net/2010/12/03/soundgarden-announces-future-plans-but-youll-have-to-be-a-bit-patient/" target="_blank">divulged</a> some of their plans for the future.</p>
<p>&#8211; And just in case you haven&#8217;t spent enough money this holiday season, we <a href="http://consequenceofsound.net/2010/11/19/50-types-of-coal-cos-presents-our-holiday-gift-guide/" target="_blank">updated</a> our <strong>Holiday Shopping Guide</strong> and <a href="http://consequenceofsound.net/2010/11/30/attention-shopaholics-cos-online-store/" target="_blank">debuted</a> our <strong>online store</strong>.</p>
<p>&#8211; Michael Roffman <a href="http://consequenceofsound.net/2010/11/30/interview-peter-hook-of-joy-division/" target="_blank">interviewed</a> Joy Division/New Order/Freebass bassist and all-around legend <strong>Peter Hook</strong>.</p>
<p>&#8211; Before you check out our Megan Ritt&#8217;s <a href="http://consequenceofsound.net/2010/12/03/album-review-daft-punk-tron-legacy-soundtrack/" target="_blank">review</a> of the <strong><em>Tron:Legacy Soundtrack</em></strong>, be sure to read David Buchanan&#8217;s <a href="http://consequenceofsound.net/2010/12/01/cinema-sounds-tron/" target="_blank">look </a>at the 1982 original&#8217;s score in the latest edition of Cinema Sounds.</p>
<p>&#8211; Winston Robbins shared his <a href="http://consequenceofsound.net/2010/12/03/album-review-daft-punk-tron-legacy-soundtrack/" target="_blank">thoughts</a> on <strong>Niki Minaj</strong>&#8216;s <em>Pink Friday</em>, easily one of the biggest debuts this year.</p>
<p>&#8211;<strong> Faith No More</strong> said goodbye last week with two shows in L.A. Karina Halle was <a href="http://consequenceofsound.net/2010/12/03/faith-no-more-kiss-and-say-goodbye-to-la-1130-1201/" target="_blank">there</a> for both of them.</p>
]]></content:encoded>
		<content:mobile><![CDATA[It seemed like another extremely busy week here at CoS. It certainly was. It was difficult to compile everything into this tiny little recap post.

And then one day we found out we're the best.

We were browsing the internet a couple of days ago when we came across About.com's picks for the best blogs of 2010. We're their favorite music site.

It hasn't quite sunk in yet, but we assure you we'll do our best not to believe our own hype. We'll still provide you with consistently, up-to-the-minute coverage of all things music. In the end, it's not the honor that matters. It's what we did to deserve it that does.

We plan on keeping it that way.

-- The 2011 <strong>Grammy</strong> nominees were revealed.

-- <strong>Jeff Mangum</strong> caused a bunch of hipsters to commit suicide.

--<strong>Bright Eyes </strong>announced what may be their final LP, <em>The People's Key</em>.

-- <strong>PJ  Harvey</strong> gave us a taste of what's to come.

-- <strong>Jack White</strong> insisted that he's not exploiting anyone.

-- <strong>Kanye West</strong>'s <em>My Beautiful Dark Twisted Fantasy</em> reached #1.

-- <strong>Yo La Tengo</strong> and <strong>Jeff Tweedy</strong> played some songs together in celebration of Hanukkah.

-- <strong>Bon Jovi</strong> announced a hiatus. So did <strong>Wolf Parade</strong>.

-- Want to pick a song that will be on <strong>Patrick Stump</strong>'s forthcoming solo effort? Click here to find out more.

-- <strong> The Killers</strong> put out a holiday single. <strong>Coldplay</strong> followed suit.

-- <strong> The Decemberists</strong> will release a deluxe box set for their upcoming sixth LP, <em>The King Is Dead</em>.

-- <strong>The Streets</strong> will release a compilation of room recordings.

-- On that note, <strong>Spoon</strong> will put out a collection of outtakes and other bonus material.

--<strong> The Clash</strong> are producing a film about their seminal 1979 effort, <em>London Calling</em>.

--<strong> Michael Cera</strong> played with newly formed indie supergroup <strong>Mister Heavenly</strong>.

-- Is <strong>vinyl</strong> dead? Find out more here.

-- Jimmy Tamborello told us not to expect a new <strong>Postal Service</strong> LP anytime soon.

--<strong> Soundgarden</strong> divulged some of their plans for the future.

-- And just in case you haven't spent enough money this holiday season, we updated our <strong>Holiday Shopping Guide</strong> and debuted our <strong>online store</strong>.

-- Michael Roffman interviewed Joy Division/New Order/Freebass bassist and all-around legend <strong>Peter Hook</strong>.

-- Before you check out our Megan Ritt's review of the <strong><em>Tron:Legacy Soundtrack</em></strong>, be sure to read David Buchanan's look at the 1982 original's score in the latest edition of Cinema Sounds.

-- Winston Robbins shared his thoughts on <strong>Niki Minaj</strong>'s <em>Pink Friday</em>, easily one of the biggest debuts this year.

--<strong> Faith No More</strong> said goodbye last week with two shows in L.A. Karina Halle was there for both of them.]]></content:mobile>
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		<slash:comments>0</slash:comments>
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		<title>R.I.P. Vinyl records?</title>
		<link>http://consequenceofsound.net/2010/12/r-i-p-vinyl-records/</link>
		<comments>http://consequenceofsound.net/2010/12/r-i-p-vinyl-records/#comments</comments>
		<thumbnail>http://c438342.r42.cf2.rackcdn.com//wp-content/uploads/2010/12/166743_graveStone.jpg</thumbnail>
		<pubDate>Thu, 02 Dec 2010 21:35:36 +0000</pubDate>
		<dc:creator>Ben Kaye</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Vinyl]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/?p=88148</guid>
		<description><![CDATA[Wait, didn't these things just make a comeback?]]></description>
			<content:encoded><![CDATA[<p>When was the last time you actually bought an album? No, not downloaded some pirated version, nor something digital through iTunes or Amazon, but a real, physical, stick-it-in-a-CD-player album. Yeah, it’s probably been a while. You’re not the only one; in the first half of this year sales were down 17.7%. Cassette tape sales are <a title="walkman" href="http://consequenceofsound.net/2010/10/26/sony-pushes-stop-button-on-walkman/" target="_blank">essentially non-existent</a>. Digital album sales have just this year hit their <a title="digi" href="http://www.billboard.biz/bbbiz/content_display/industry/e3ifa81d8937706f99f88a63d1f5ec50145" target="_blank">first downward trend</a>. Single track downloads have not only stalled, they’ve hit a 0.2% decline. All signs point to a serious flatline in music purchases.</p>
<p>There’s another music format out there &#8211; <a title="vinyl" href="http://consequenceofsound.net/tag/vinyl/" target="_blank">vinyl</a>. The last decade has seen a massive flux of nostalgia, and the musical frisbees are just <a title="trump" href="http://consequenceofsound.net/2009/01/14/vinyls-trump-cds-in-major-comeback/" target="_blank">one example</a>. So how are the <a title="sales" href="http://www.independent.co.uk/arts-entertainment/music/digital-sales-gains-over-physical-in-2011-2021704.html" target="_blank">sales</a> doing? No better than anything else. During 2008, 1.88 million units moved in the U.S, a massive 89.9% increase. 2009 saw more movement at 2.5 million units sold, but the increase was only 33%. In the first half of 2010 compared to the same span of time last year, there has only been a 9.1% increase.</p>
<p>90 percent to a potential 18 percent in two years is what economic statisticians call a bad sign. If products don’t continue to grow, their value to companies evaporates. Given, that ’08 upsurge data is a bit skewed due to the fact that vinyl was considered passé until the mid-aughts, with shipments not even breaching the million mark in ’06.</p>
<p>The question might be is this really even a problem? An increase is an increase, after all. This is true, but when sales begin to flatten out at marginally insignificant numbers, the validity of the product comes into question. General album sales, including CDs, LPs, and digital downloads, reached 373.9 million in 2009, with digital sales eating up a whooping 76.4 million of those. In juxtaposition, vinyl’s 1.3 million so far this year seems paltry.</p>
<p>So perhaps it’s true that vinyl’s popular resurgence is reaching an apex. Whether that means record companies will abandon the format as they did in the ‘80s is yet to be seen. Does this mean you should take ‘turntable’ off your <a title="gifts" href="http://consequenceofsound.net/2010/11/19/50-types-of-coal-cos-presents-our-holiday-gift-guide/" target="_blank">holiday gift list</a>? As always, the decision and the power really lies with you, the consumer. Audiophiles swear by the dinner-plate-sized format, and bands are always glad to find a solid income source. If you want this platform to stick around, then it’s up to you and your wallet. Though as our source <a title="dmn" href="http://www.digitalmusicnews.com/stories/113010vinyldead" target="_blank">Digital Music News</a> all too accurately points out, “no matter how distinctive and collectible, LPs are still competing with free.”</p>
]]></content:encoded>
		<content:mobile><![CDATA[When was the last time you actually bought an album? No, not downloaded some pirated version, nor something digital through iTunes or Amazon, but a real, physical, stick-it-in-a-CD-player album. Yeah, it’s probably been a while. You’re not the only one; in the first half of this year sales were down 17.7%. Cassette tape sales are essentially non-existent. Digital album sales have just this year hit their first downward trend. Single track downloads have not only stalled, they’ve hit a 0.2% decline. All signs point to a serious flatline in music purchases.

There’s another music format out there - vinyl. The last decade has seen a massive flux of nostalgia, and the musical frisbees are just one example. So how are the sales doing? No better than anything else. During 2008, 1.88 million units moved in the U.S, a massive 89.9% increase. 2009 saw more movement at 2.5 million units sold, but the increase was only 33%. In the first half of 2010 compared to the same span of time last year, there has only been a 9.1% increase.

90 percent to a potential 18 percent in two years is what economic statisticians call a bad sign. If products don’t continue to grow, their value to companies evaporates. Given, that ’08 upsurge data is a bit skewed due to the fact that vinyl was considered passé until the mid-aughts, with shipments not even breaching the million mark in ’06.

The question might be is this really even a problem? An increase is an increase, after all. This is true, but when sales begin to flatten out at marginally insignificant numbers, the validity of the product comes into question. General album sales, including CDs, LPs, and digital downloads, reached 373.9 million in 2009, with digital sales eating up a whooping 76.4 million of those. In juxtaposition, vinyl’s 1.3 million so far this year seems paltry.

So perhaps it’s true that vinyl’s popular resurgence is reaching an apex. Whether that means record companies will abandon the format as they did in the ‘80s is yet to be seen. Does this mean you should take ‘turntable’ off your holiday gift list? As always, the decision and the power really lies with you, the consumer. Audiophiles swear by the dinner-plate-sized format, and bands are always glad to find a solid income source. If you want this platform to stick around, then it’s up to you and your wallet. Though as our source Digital Music News all too accurately points out, “no matter how distinctive and collectible, LPs are still competing with free.”]]></content:mobile>
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		<slash:comments>26</slash:comments>
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		<item>
		<title>Vinyls trump CDs in major comeback</title>
		<link>http://consequenceofsound.net/2009/01/vinyls-trump-cds-in-major-comeback/</link>
		<comments>http://consequenceofsound.net/2009/01/vinyls-trump-cds-in-major-comeback/#comments</comments>
		<thumbnail></thumbnail>
		<pubDate>Wed, 14 Jan 2009 20:45:51 +0000</pubDate>
		<dc:creator>David Buchanan</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[Vinyl]]></category>

		<guid isPermaLink="false">http://consequenceofsound.net/?p=10791</guid>
		<description><![CDATA[It would seem that the newest competitor in music and music accessories is not the soon-to-be-extinct Zune or the MP3 itself, but vinyl records. During reissues of Capitol Records&#8217; stockpile onto vinyl, CD sales went down while 30-cm of The Beatles&#8217; Abbey Road and Pink Floyd&#8217;s Dark Side of the Moon skyrocketed across the board. [...]]]></description>
			<content:encoded><![CDATA[<p>It would seem that the newest competitor in music and music accessories is not the <a href="http://www.rollingstone.com/rockdaily/index.php/2009/01/09/is-the-zune-about-to-become-extinct/">soon-to-be-extinct </a>Zune or the MP3 itself, but vinyl records. During reissues of Capitol Records&#8217; stockpile onto vinyl, CD sales went down while 30-cm of The Beatles&#8217; <em>Abbey Road</em> and Pink Floyd&#8217;s <em>Dark Side of the Moon</em> skyrocketed across the board. However, the rebirth of spinning the black circle is not exclusive to &#8217;70s mainstays as contemporary classics like Radiohead&#8217;s <em>OK Computer</em> and even Neutral Milk Hotel&#8217;s <em>The Aeroplane Over The Sea</em> are shuffling in and out of record stores worldwide.  According to <em><a href="http://www.rollingstone.com/rockdaily/index.php/2009/01/08/radiohead-neutral-milk-hotel-help-vinyl-sales-almost-double-in-2008/">Rolling Stone</a></em>, vinyl truly is tougher than leather:</p>
<blockquote><p>In all, the number of records sold last year leapt from 988,000 in ‘07 to 1.88 million in ‘08. Still, the sales from vinyl only made up 0.1 percent of the music sales in 2008, a year that saw a 14 percent decrease across the board.</p></blockquote>
<p><a href="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/01/big_vinyl_rules_1.jpg"><img class="alignright size-medium wp-image-10798" style="border: 1px solid black; margin: 2px; float: right;" src="http://c438342.r42.cf2.rackcdn.com/wp-content/uploads/2009/01/big_vinyl_rules_1.jpg" alt="" width="149" height="204" /></a>So, why is a dated medium starting to rival something that was considered vital and high-tech ten to fifteen years ago? Of many reasons stated (such as pure nostalgia), it could be anything from interest in wider album art layouts to arguments in the quality of sound compared to varying bit rates of MP3s.  Prices can be remarkably low if certain recordings are sought in the right place. Used <em>Dark Side</em> vinyls can run the gamut to less than $10 while the right store could get you decent tags for recent releases (e.g. Metallica&#8217;s <em>Death Magnetic</em> or Radiohead&#8217;s <em>In Rainbows</em>).</p>
<p>What a confused market we deal in where <em>Abbey Road</em> is still a chart topping release (the 2nd most successful vinyl release of &#8217;08) and modes of music that fifty-somethings gave up on decades ago come back fighting. If anything, it&#8217;s exciting and as vinyl becomes a more relevant source of music, one wonders whether or not we can expect to see turntable competitions making comebacks also.</p>
<p>Anyone for a ride on the Run DMC rhythm express?</p>
]]></content:encoded>
		<content:mobile><![CDATA[It would seem that the newest competitor in music and music accessories is not the soon-to-be-extinct Zune or the MP3 itself, but vinyl records. During reissues of Capitol Records' stockpile onto vinyl, CD sales went down while 30-cm of The Beatles' <em>Abbey Road</em> and Pink Floyd's <em>Dark Side of the Moon</em> skyrocketed across the board. However, the rebirth of spinning the black circle is not exclusive to '70s mainstays as contemporary classics like Radiohead's <em>OK Computer</em> and even Neutral Milk Hotel's <em>The Aeroplane Over The Sea</em> are shuffling in and out of record stores worldwide.  According to <em>Rolling Stone</em>, vinyl truly is tougher than leather:
In all, the number of records sold last year leapt from 988,000 in ‘07 to 1.88 million in ‘08. Still, the sales from vinyl only made up 0.1 percent of the music sales in 2008, a year that saw a 14 percent decrease across the board.
So, why is a dated medium starting to rival something that was considered vital and high-tech ten to fifteen years ago? Of many reasons stated (such as pure nostalgia), it could be anything from interest in wider album art layouts to arguments in the quality of sound compared to varying bit rates of MP3s.  Prices can be remarkably low if certain recordings are sought in the right place. Used <em>Dark Side</em> vinyls can run the gamut to less than $10 while the right store could get you decent tags for recent releases (e.g. Metallica's <em>Death Magnetic</em> or Radiohead's <em>In Rainbows</em>).

What a confused market we deal in where <em>Abbey Road</em> is still a chart topping release (the 2nd most successful vinyl release of '08) and modes of music that fifty-somethings gave up on decades ago come back fighting. If anything, it's exciting and as vinyl becomes a more relevant source of music, one wonders whether or not we can expect to see turntable competitions making comebacks also.

Anyone for a ride on the Run DMC rhythm express?]]></content:mobile>
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