Ridley Scott’s Alien Created Its Own Genre 40 Years Ago
Featured Stories
Ridley Scott’s Alien Created Its Own Genre 40 Years Ago
The Rolling Stones’ Setlist by the Numbers: What to Expect from the “No Filter Tour”
Film Review: Aladdin Has the Animated Classic’s Songs, But Less of Its Personality
The Best and Worst of ’80s Stephen King
Beyond the Boys’ Club: Amy Lee of Evanescence
News
- Between Two Ferns: The Movie to premiere on Netflix in September
- Jonny Greenwood thinks Bill Hader should play him in a Radiohead biopic
- The Rolling Stones return “Bittersweet Symphony” songwriting credits to The Verve’s Richard Ashcroft
- Sonic Youth announce live LP Battery Park, NYC: July 4, 2008, share live version of “Bull in the Heather”: Stream
- Synth repairman accidentally gets high after touching old LSD on a vintage ’60s synthesizer
- Terminator: Dark Fate trailer brings back Sarah Connor: Watch
Album Reviews
Album Review: Diamond Head Strike Lightning with The Coffin Train
B
Album Review: Fleshgod Apocalypse Remain Consistent on Veleno Despite Lineup Changes
B-
Album Review: Tyler, the Creator Blossoms on the Masterful IGOR
A-
Album Review: Faye Webster Invites You to Join Her Atlanta Millionaires Club
A-
Classic Album Review: Moby Presses Play on a New Electronica
A
Film Reviews
Film Review: Blinded By the Light Is A Giddy Celebration of Love, Youth, and Bruce Springsteen
B+
Film Review: Skin Asks Audiences To Care For a White Supremacist’s Redemption
C+
Film Review: Aladdin Has the Animated Classic’s Songs, But Less of Its Personality
C
Film Review: Brightburn Turns the Superman Legend Into a Gruesome Free-For-All
C
Film Review: The Perfection Is an Unnerving, Unmissable Grindhouse Psychodrama
B+
Videos
Long Shot’s O’Shea Jackson on Rom-Coms, The Need for Bipartisanship, and That Big Twist
Punks on Film: The Difficulty of Portraying Punk On Screen
Re-Imagining Stephen King: Behind the Terror of Pet Sematary
The Evolution of Matthew McConaughey (1992-Present)
