Concert Reviews
The hottest gigs straight from the venue to your couch

An Intimate Evening with High Places

on April 04, 2010, 12:01am

High Places made their ascent to Salt Lake City, UT last week to give us a taste of their latest effort, High Places v. Mankind. Since their last tour, they added a part-time member, Laura Pearson, the sister of Mary Pearson, who provided beautiful background harmonies to accompany her sister’s lead vocals. Also, Mary, who previously was chiefly in charge of vocals and sampling, has recently picked up the guitar and plays alongside the other half of High Places, aka Rob Barber. Suffice it to say, they have expanded their sound quite a bit since we last saw them.

They humbly took the stage at Salt Lake’s Kilby Court, ready to rock and roll. After a brief introduction of the new member, and a summation of what they’d been up to for the past year or so, they dazzled the crowd with psychedelic, beat-heavy numbers. Mary has never sounded more confident and the addition of  her sister, or more specifically her backup vocals, does wonders for the duo’s vocal sound.

Barber’s guitar sounded as clean as ever and filled the small venue with its interesting chord progressions. He kept apologizing to the crowd because his guitar was not very broken in and it kept de-tuning itself. He joked that he “wouldn’t have to tune the thing if Mary wasn’t so adamant about singing in the right key.”

This was one of their first tour dates for the v. Mankind tour, so any minor hiccups throughout were expected. Regardless of the fact, High Places returned to SLC wielding a sound that was bigger, tighter, and more impressive than we’d ever heard from them before. It truly makes me happy to see such nice people experiencing success. They were a pleasure to watch and listen to, and I got the added bonus of getting to talk with Mary Pearson and Barber about an hour before their set started.

So, you guys have been basically constantly touring since the inception of the band.

Barber: We did stop for a while, we didn’t tour from like late last spring ‘til now. We were working on the album, plus we had been touring for like a year and a half straight and were just like, ugh, you know?

Pearson: (laughs) Plus Rob needed nine months off for the baby. Maternity leave.

Barber: (laughs) Oh yeah. That too.

Well, I’m just impressed that you can do that. Most bands tour in like, little spurts. How do you guys manage to do it so perpetually?

Pearson: Well, we kind of tour in a non-traditional way, I think just ‘cause it’s the two of us. And I was like 22 when we started the band, and we were both just adults. And it wasn’t like we were starting in high school and were like, “Okay, we’re gonna go out and we’re gonna go out in my mom’s van and we’re gonna eat only bread and peanut butter and we’re gonna rage every night and never sleep.

Barber: Yeah, we’re like two grandparents on tour.

Pearson: (laughs) Yeah, Rob has this like Ziploc bag full of multivitamins. We’re kind of health nuts. We both like to sleep a lot, and we drink Kombucha more than we drink beer.

Barber: I don’t drink at all.

Pearson: So, because of that I think it’s made touring a little easier. Also, since it’s just the two of us, it’s allowed us to sort of, travel more. It makes going to different countries and things a little more feasible. And we try to keep our setup kind of portable.

picture1qu An Intimate Evening with High Places

Speaking of the setup, what’s it gonna be like tonight?

Barber: Well, we’re gonna play some old songs. And in the old days, she would do a lot of effects and looping and vocals, and I’d do the percussion and samples and some guitar, and that was that. So for this tour the biggest difference will be that we both are playing a lot of guitar and the guitars don’t sound as treated as they did on previous records. It all sounds a little more organic.

Pearson: And I’ve always wanted to learn to play guitar, like live. So I just plucked out little melodies and I’d never really gotten to know the instrument before now.

Barber: We were on tour in Portland and Mary just came out of this record store and was like, “I think I’m gonna buy a guitar.” And I was like, “Cool!” So, yeah, there’s a lot of guitar for this new record.

What were the inspirations going into Mankind? Albums or places?

Barber: I think location, for sure.

Pearson: For me, just picking up the guitar. I remember we played a show with Awesome Color, who are friends of ours, and I’ve always really loved their band. And they just are so awesome at playing rock music. They’re such an underrated band and are so good at their instruments. It really made me want to practice the guitar. And to me, this album has been more of a rock record.

Barber: Yeah. And I kind of have the taste of, like, a middle-aged gay man. I’ll be like, “CeCe Penniston, that song rules!” and I love house music, but then I loved like going to hardcore shows in the late 80’s. I mean, you look at my iPod and you’d think it’d been stolen by seventeen different people and they’d each put their own stuff on there. And same with Mary, we’re both all over the place. So I think when we try to do something consciously, we just mess it up. But then hopefully through the process we’ve created something unique.

Setlist:
On A Hill
On Giving Up
Golden
Canada
The Longest Shadows
Namer
Constant Winter
The Storm
She’s A Wild Horse
The Most Beautiful Name
When It Comes
From Stardust To Sentience

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