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Eddie Van Halen’s 10 Greatest Riffs

on October 07, 2020, 10:21am

On October 6th, 2020, the world lost one of its greatest guitar gods. The legendary Eddie Van Halen passed away after a battle with throat cancer. His virtuosic playing remained unrivaled, a perfect flow of shred and melody that connected the worlds of classic rock, heavy metal, and pop. He was as ambitious a songwriter as he was a guitarist, pushing his eponymous band, Van Halen, to the forefront of the rock mainstream with a string of iconic hits such as “Running with the Devil”, “Jump”, and “Panama”.

Eddie never compromised on his vision for the band, and when singer David Lee Roth departed to pursue a solo career, Van Halen enlisted the Red Rocker, Sammy Hagar, to take his place as frontman. Although the band shifted toward a more AOR sound, the Van Hagar format still found success with hits like “Why Can’t This Be Love” and “Right Now” — a testament to Eddie’s relentlessness.

But no matter who was fronting Van Halen, at the core the music was Eddie’s imitable guitar work. He could shred like water flows, notes cascading with superhuman speed. But he could also tease sounds out of his Frankenstrat that still seem impossible. Any drunken debate over the “GOAT” of guitar deserves a solid argument for Eddie Van Halen. His legacy lives on in his music and the incredible guitar tracks he laid down on Van Halen’s studio albums. To honor the late legend, we look back on his 10 greatest riffs:


10. “Hot for Teacher”

A bit of an homage to ZZ Top’s “La Grange”, this rollicking anthem of schoolboy adolescence touts Van Halen’s tightest and most accomplished musical passages. The fills, licks, and tempo changes that connect the different parts of the song are no easy feat, but the band pull them off effortlessly. The raunchiness of David Lee Roth is in full effect here, and this is one of the few times Eddie would rise up to match it with an equally low-down blues riff, perhaps his best blues-based guitar work.


09. “Why Can’t This Be Love”

David Lee Roth-era purists might gag at the inclusion of any “Van Hagar” songs. But it’s unfair to discount the legacy of Van Halen’s latter era, which enjoyed plenty of commercial success in its own right. “Why Can’t This Be Love” was one of the first smash hits the band notched with new frontman Sammy Hagar. Over 30 years later and there’s definitely some palpable cheese factor — the synths have aged accordingly — but Eddie’s knack for catchy riffs never left. Whether the riffs came on guitar, piano, or synthesizer, they were infectious and idiosyncratic.


08. “Little Guitars”

One of the artier pieces by Van Halen, the tapping riff at the beginning of “Little Guitars” is both beguiling and comforting. The track has a warm, autumnal feeling that doesn’t appear in much of their music. The sadly maligned Diver Down from 1982 has many similar tracks saw the band experimenting with non-arena rock, to the chagrin of their hard rock clientele. Diver Down and “Little Guitars” showed that Eddie could be versatile in the studio — and that he had a lot more ideas in his head that reached beyond the music of the band’s early years.


07. “Source of Infection”

Who said Van Hagar couldn’t shred? This track off 1988’s OU812 is a test of musical aptitude with bassist Michael Anthony and Eddie Van Halen locking in for some technical workouts during the songs instrumental passages. It recalls Van Halen’s classic era and sounds eerily like a David Lee Roth-era track (right down to Hagar’s vocal inflections). The band would shift away from this style, but “Source of Infection” proved they could still lay down a ripper.


06. “Panama”

Van Halen’s 1984 was an inescapable hit fest thanks to “Jump”, “Hot for Teacher”, and “Panama”. The latter is another one of the band’s great pop-rock classics. David Lee Roth’s lyrics are ridiculous, but Eddie brings a consistent barrage of seemingly rhythmic chords that are infused with melodic leads. He was that good, able to palm-chug chords that would ascend into note-y riffs or feedback that rang out in the key of the song.


05. “Ain’t Talkin’ ‘Bout Love”

The foundations for glam metal are laid down here. The tempo, riffing, and attitude of this song, which was chosen a single from the self-titled debut, were pretty extreme for 1978. There’s urgency, a pop sensibility, and expressive musicianship abound. Eddie’s riffs and solo are guitar gold, fueled by unbridled confidence and technical perfection. At this time, he probably could’ve played anything, from Bach to prog rock. Thankfully, he played songs like “Ain’t Talkin’ ‘Bout Love”.


04. “Unchained”

The grittier and heavier production of 1981’s Fair Warning suited Van Halen nicely. The band turned in an artistic masterpiece, with “Unchained” being the template track and hit single. The riff is huge and churning, making the guitar tones on past albums sound thin by comparison. It marked a huge sonic update for Van Halen and the sound of Eddie’s guitar on record. It would only get bigger from here.


03. “Jump”

OK, so this might technically be a synth riff, but it’s still the most recognizable set of notes in the Van Halen catalog. It’s the most effective use of the band’s early electronic dabblings, and the joyous attitude and sheer positivity of the song make it a modern classic. No stadium event is complete without “Jump” blaring out of the PA at some point. Perennial MTV, radio, and streaming service favorite, “Jump” is quite possibly the band’s greatest pop achievement thanks to its iconic central riff.


02. “Eruption”

The one and only “Eruption” was Eddie Van Halen’s introduction to the world and the annals of guitar lore. As its title suggests, the 2-minute track is a pure display of athletic guitar skill that would be obnoxious if it wasn’t so damn good. There’s a whole bunch of riffs, licks, and leads to dissect in this track, but the fact remains, the take used on the self-titled album is one of the greatest guitar pieces ever put to tape.


01. “Runnin’ with the Devil”

Where it all began. The lead track on Van Halen’s self-titled 1978 debut is an atmospheric epic. Eddie’s massive riff augment’s the song’s tale of self-discovery. Strangely, “Runnin’ with the Devil” sounds like the song the protagonist would be listening to as they drive into the sunset — one of those rare songs that sounds exactly like its title and implied meaning. This was heavy for 1978. A true surging anthem to kick off Van Halen’s illustrious career.


Hoping to replicate Eddie Van Halen’s signature sound? The guitar great had his own gear brand, EVH, with many products available here.