Whether they meant to or not, Blink-182 paved the way for a new version of pop punk. Acts who wanted to emphasize the uplifting melodies of pop while yelling about life’s frustrations had a stencil they could follow — so the Joyce Manors and Modern Baseballs and All Time Lows did. Blink-182 perfected a new style, but singer-guitarist Tom DeLonge couldn’t seem to take it seriously anymore. Now that he quit and Alkaline Trio’s Matt Skiba has replaced him, Blink-182 are back on the melodic pop punk train, but it’s rife with setbacks: stale jokes, over-produced harmonies, half-baked lyrics. It’s easy to fault California for that, but if nothing else, their first album in five years shows older Blink-182 heading where older Blink-182 were meant to go. The fact that they were able to produce something salvageable comes as a pleasant, though shaky surprise.