Joe Lipsett

Children’s television icon Fred Rogers becomes an unlikely hero for a struggling Esquire writer.

Trey Edward Shults’ family drama sinks under sordid plotting.

James Mangold’s underdog racing story strikes a familiar chord.

Noah Baumbach’s latest dramedy is equal parts heartbreaking and hilarious.

Everyone is back for a second go that feels exactly the same as the original (for better and worse).

Robert Eggers’ measured follow-up to The Witch is an arresting assembly of aesthetics.

Adolf Hitler is rendered absolutely ridiculous by Taika Waititi.

Ping Lumpraploeng knows exactly how far to stretch the limits of credibility.

The divisive dark comedy stretches one joke for far too long.

After two years off, the David Fincher drama returns with new killers and a greater emphasis on its central trio.

AMC’s anthological horror series swaps polar bears for ghosts in its second season.

Death, celebrity, and censorship have left the director’s final film a painfully misunderstood masterpiece.