Steve McQueen goes genre with this winding, politically fueled heist caper.
Articles by Sarah Kurchak
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Sam Levinson’s violent, blunt-force satire about the filthy internet secrets we keep is at once unsubtle and compelling.
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A look at some of pro wrestling’s most iconic entrance music, as WrestleMania 34 draws near.
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Aaron Sorkin’s directorial debut sharply captures the good and bad sides of luck.
Alexander Payne’s micro/macro meditation on humanity struggles under its self-imposed weight.
Michael Haneke’s latest exercise in vicious darkness is often effective but treads familiar waters.