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Sound to Screen
Examining how music and film collide in fascinating ways
Corona’s “Rhythm of the Night” Is the Only Song That Matters Now (Thanks to James Franco)
In 1987, Ennio Morricone Proved He Was Untouchable
The Clash Led an Alt Rock Fantasy with Grosse Pointe Blank
How The Shins Changed Zach Braff’s Life Forever
Fantastic Beasts Composer James Newton Howard on His Personal Favorite Scores
Otherworldly Loops: A Conversation with Arrival Composer Jóhann Jóhannsson
Disrupting the Darkness: St. Vincent, Blondie, and Rhye on David Lynch
Fountains of Wayne’s Adam Schlesinger Looks Back on That Thing You Do!
The Commitments Turns 25: Ireland’s Shortest-Lived Hit Band
A Guide to Creating Synth Music, According to Stranger Things’ Survive
Stephen King and AC/DC’s Maximum Overdrive Turns 30
How Gone Is Gone Went from Scoring Film Trailers to Playing Heavy Metal
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