Trey Edward Shults’ family drama sinks under sordid plotting.
TIFF Review: Waves Misses the Mark As It Documents the Rise and Fall of Privilege
by Joe Lipsett
on September 14, 2019, 11:05am
A24
TIFF Film Review: The Lighthouse Shines Bright with Wild Performances by Dafoe and Pattinson
Robert Eggers’ measured follow-up to The Witch is an arresting assembly of aesthetics.
by Joe Lipsett
on September 08, 2019, 2:24pm
The Lighthouse trailer pairs Robert Pattinson and Willem Dafoe for a murky horror tale: Watch
The long-awaited follow-up to Robert Eggers’ The Witch.
on July 30, 2019, 9:40am
The Farewell Director Lulu Wang on Making the Personal Universal and Her Family’s Response to the Film
The acclaimed filmmaker discusses the importance of cultural specificity.
on July 19, 2019, 1:02pm
Film Review: The Farewell Finds Deep Cultural Truths in a Well-Meaning Lie
Lulu Wang’s empathetic debut gives Awkwafina the rich star turn she’s deserved.
on July 12, 2019, 7:04pm
The Haxan Cloak announces release of Midsommar score
The album drops two days following the film’s July 3rd release.
on June 19, 2019, 4:16pm
Film Review: Midsommar Is a Mindfuck of the Highest Order
Ari Aster follows up last year’s Hereditary with another slice of terror.
on June 19, 2019, 10:46am
Joe Talbot and Jimmie Fails on American Gentrification and The Last Black Man in San Francisco
A talk with the director and star of A24’s stunning Sundance hit about memory and legacy.
on June 14, 2019, 5:32pm
TV Review: Euphoria Scolds as Much as It Shocks in A24’s Teenage Wasteland
Zendaya’s new HBO series is built to make one hell of a splash.
on June 14, 2019, 5:05pm
Film Review: The Last Black Man in San Francisco Eulogizes the Bay Area
Director Joe Talbot’s feature is a poignant ode to a city changing under gentrification and time alike.
on June 05, 2019, 6:08pm
Creepy trailer for In Fabric finds the Devil in a red dress: Watch
The latest addition to what A24 jokingly calls “the Department Store Horror sub-genre.”
on May 29, 2019, 7:05pm
Film Review: Skin Asks Audiences To Care For a White Supremacist’s Redemption
Jamie Bell does standout work in director Guy Nattiv’s harrowing portrait of violent white youth.
by Blake Goble
on May 23, 2019, 10:00pm
